How Much, How long?

The financial dynamics of selling helicopter rides.

I went down to Goodyear, AZ yesterday to offer helicopter rides at the Goodyear Balloon & Air Spectacular. This was my second year doing rides at the event; last year I did them at Glendale as a subcontractor for another helicopter operator. This year, when the event was moved to Goodyear (a Phoenix-managed airport), the paperwork requirements were more stringent. The other company couldn’t get their paperwork together on time. They dropped out. I had all my paperwork in order. I did the show without them.

First I need to say something about the show. Formerly known as the Thunderbird Balloon & Air Classic (and still run by a company of the same name), the event is a combination balloon gathering and air show. The balloons, which can only fly early in the morning or in the evening, do their thing in their time slot. I wrote last year about walking among the balloons during the nighttime glow and about arriving at the airport as the balloons were departing at dawn. It was an incredible experience. Oddly enough, most people don’t go to the show for the balloons. They go for the air show which goes on during the day. There are aerobatic displays, war birds, F-16s, and this year, the Blue Angels. On the ground, there are food vendors, car and motorcycle dealers, navy recruiters, carnival rides, and souvenir sellers. There is literally something for the whole family. And although it ain’t cheap to attend — $15/adult, less for children and seniors — it’s a great event for a family to attend together: outdoors, surrounded by history, technology, and carnival food.

This is an extremely professionally run event, with excellent management and crowd control. The entertainment is top notch and the announcer is incredible. There’s no shortage of staff members to help with a problem. And the Air Boss, who works behind the scenes with the pilots and airspace, is safety-conscious, reasonable, helpful, and well…professional. I cannot stress what a pleasure it is to work at an event that’s so well run.

Unfortunately, the new venue at Goodyear had a bit of a dust problem. Instead of being on pavement like the vendors were at Glendale last year, they were on dirt. Which turned to dust. Even the water truck couldn’t keep up with it. Thank heaven it wasn’t windy like it always is in Kingman for the Mohave County Fair.

And unfortunately for us, my landing zone was about a mile away, near the main terminal building. (On concrete, thank heaven.) So we had to provide transportation from the ticket sales area to the LZ and back. The folks I was supposed to fly for were going to provide transportation via golf cart. We didn’t have a suitable golf cart, so we used Mike’s truck.

I say “we” because when I realized I’d be doing the event without the other helicopter company, I had to get together a full ground crew. For me, a full ground crew consists of three people: a money person to sell tickets, answer questions, and hold the money and two loaders who do safety briefings and escort passengers to and from the helicopter. (We do hot loading, like most helicopter operators do, and I don’t want anyone walking unescorted or unsupervised near the helicopter while the blades are turning.) In a pinch, with a secure LZ, I can do with one experienced loader (my husband, Mike), but I really like two. It speeds up the loading/unloading process by having one crew member on each side of the helicopter.

DarleneDave
Our great ground crew: Darlene and Dave (photos by Dave and Darlene).

I should point out one thing here about the R44 helicopter. The main rotor blades are 10 to 12 feet off the ground (depending on RPM and rotor droop) so the possibility of someone getting hit on the head by the blades is remote, especially at 68% RPM, which I maintain during loading/unloading. That’s one less thing to worry about when hot loading.

Me in the Pilot SeatBecause the LZ was so far from the rest of the venue and there were aerobatic displays going on while I was giving rides, I couldn’t fly past or around the venue to attract future passengers. That turned out to not be a problem. We had a steady stream of riders for our 8-10 minute rides. And, when the Blue Angels were done flying at about 4:15 PM, I started up and flew just about nonstop until 7:15 PM.

Here’s where the finances come into the picture. Last year, the other helicopter operator charged $45/person for 10-minute rides. Of that, I got $35, which I thought was a fair price for the ride. They did the money stuff and provided transportation to/from the LZ, which was about 1/4 mile from the ticket booth that year. (Easy walking distance, but who likes to walk?) They also provided one ground crew member, but since they were flying a helicopter, too, he mostly dealt with loading/unloading that helicopter. So Mike came along and took care of my passengers.

At $45/person, I flew 131 people last year over a 3-day period. To date, that’s my second-best gig, surpassed only by 2005 at the Mohave County Fair (150). I personally could not believe that so many people were willing to lay out $45/person for a ride. To put it in perspective, for about $120 a person can get a 25-minute helicopter flight over the Grand Canyon with Papillon. That’s a more memorable flight than 8-10 minutes over Sun City.

Yet this year, when I went to the Mohave County Fair and tried to sell 8-10 minute flights for $35/person, I had very few takers. I had to resort to Plan B, which offered 3-4 minute rides around the fair for $15. That kept me busy. In Congress, I did 5-minute rides for $20 around Congress. I had a line for 3 hours straight and probably could have sold the same rides for $25 without losing a single passenger.

So what I learned during the year (or thought I learned) was that I could keep flying if I priced the rides at a price most people would consider cheap. I want to keep flying. Sitting on the ground, spinning my blades while I wait for a passenger burns fuel without earning revenue or paying my ground crew. The problem is, if I make the rides too cheap, I don’t make any money. Duh.

At yesterday’s event, I offered the rides at $35/person, which was what I would have gotten if I’d flown with the other company anyway. I’m not greedy, but I do have loan payments to make. The result was a steady stream of passengers who couldn’t believe how cheap the rides were.

So what’s expensive in Kingman, AZ is cheap in Goodyear, AZ.

Our flight path, in case you’re interested, left Goodyear airport heading southeast. I flew straight down to the Phoenix International Raceway (PIR), where they have NASCAR events, and came back to the airport. There were cars on the track (not NASCAR) for much of the day, and people riding quads and fishing along the Gila River, which we crossed in two places. At night — because I flew for over an hour after sunset — I flew more to the east, trying to stay in a well-lighted area and give my passengers something to see. At night, the city is a blanket of lights in every color and it really doesn’t matter what you’re looking at. It’s just so darn pretty from the air.

Maria and MikeAlthough it was a 3-day event, I missed the first day due to a miscommunication. (Long story and please don’t ask me to tell it because I’m still pretty pissed off about it.) Yesterday was the second day and we did pretty well. Unfortunately, there are limitations on when I can fly. Those limitations are imposed by the Air Boss, who is basically an air traffic controller during the event. Keep in mind that the air show part of the event runs all day long and has many performers. Some of them simply don’t like operating while a helicopter is making flights in and out of the airspace. And in other instances, the Air Boss himself might consider my operations a hazard while other performers are on. So throughout the day, I’d be asked by the Air Boss to stay on the ground. These stoppages could be as short as 5 minutes or as long as 90 minutes. They broke up the flying day, limiting the number of people I could fly.

This happened last year, too, but there weren’t as many of these breaks so they didn’t affect me as much. This year, they really put a damper on things. People who showed up at the booth at 1:30 PM, ready to fly, were told they had to wait until 4 PM. Not everyone wanted to wait. And I certainly didn’t want to sit in the dusty booth waiting for the green light. But when 4:15 rolled along, I started flying again — for 3 hours straight.

Unfortunately, we had to skip today at the show. That’s not so bad. Mike is fighting a cold and he needs the rest. And I’m still exhausted from flying so long after nightfall — it takes more concentration, at least for me, and it really wipes me out.

Now if you’re doing all the math and coming up with some really big numbers for our ride revenue, remember a few things. It takes (and costs) more than just fuel to operate a helicopter. My insurance alone costs $60/hour (based on my current 200-hours per year flight level). And then there’s the reserve for the overhaul my helicopter will need at 2,200 hours — that currently costs $185,000, which is about $85/hour. There’s regular maintenance (at $50 to $75/hour), fuel (at about $4/gallon), oil (at about $5/quart), and hangar rent (at several hundred dollars a month). There’s additional costs to comply with service bulletins (SBs) and airworthiness directives (ADs). There’s advertising with signs, banners, brochures, and business cards. There’s business licenses and drug testing program fees and credit card acceptance fees. And there’s state and local sales tax, which must be paid out of every qualifying revenue hour — including rides. (Although we charged $35/person, $2.68 of that goes to Maricopa County and the City of Goodyear with its total 8.3% sales tax rate.) On an event like this, there’s also the cost of the ground crew, which must be transported, housed (in some instances), fed, and paid. There’s also the cost of operating the helicopter to get from its home base to the event location — cost that has no revenue associated with it. And let’s not even talk about the cost of equipment such as shade structures, tables, and chairs for a booth; a camper that can sleep up to 8 for overnight events; and a truck to haul all of this stuff around on the ground.

As you can see, the math isn’t as simple as saying 60 rides x $35 per ride – fuel costs = big profit. That’s the formula some passengers try to use. I only wish it were that simple.

What did I learn about this past weekend’s event? Confirm and reconfirm all the information I get. Stay involved in the setup process from the beginning. Don’t miss any meetings. Have a ground crew ready and waiting if needed.

And if they want to pay $45 per person for a ride, let ’em.

Many thanks to Darlene and Dave, Ground Crew Extraordinaire, for taking photos at the show and sharing them with me so I could put them here.

The DaVinci Code — The Movie

Worse than the book?

That’s what the review on Slate said: the movie was worse than the book. I didn’t believe it.

Silly me.

I also poo-pooed Mike’s cousin Ricky, who didn’t want to see the movie because it had only gotten 1-1/2 stars. (I don’t know where he saw that rating.) It couldn’t be that bad, I argued. I’d seen a positive review just that morning on a network news show in our hotel room.

Ricky was stuck with us — he missed his flight on Sunday morning and called us to rescue him from the airport. We dragged him to dim sum in Fort Lee and around New York’s SoHo and south Village — which he seemed to enjoy — and then to the Battery Park Regency 11 Theater for the movie.

A few weird things about this particular theater. First of all, it’s on the 5th (or so) floor of the building. You buy your ticket at street level, then proceed up a series of escalators, one of which takes you at least two floors up. The escalators run along the east side of the building where windows look out — right at Ground Zero. (More on that in another post.)

The movie was boring. It seemed to follow the book pretty closely — I read the book about two years ago, so I don’t remember it perfectly well. What’s weird about the movie is that the book is so widely read that you’d expect everyone in the theater to know the punchline — that Jesus was married to Mary Magdalene, who bore his child after the crucifixion. Yet that punchline wasn’t delivered until more than halfway through the movie. I guess it makes sense because it was probably delivered halfway through the book, too. But when the information was presented in the movie, I felt like saying, “Yeah, and…?” As if there should be more. But there wasn’t.

I think Tom Hanks’s acting capabilities were completely wasted on this movie. There wasn’t much real acting to do. Just deliver the same lines that were in the book — poor dialog to begin with. There was an awful lot of tell rather than show. In the scenes in Teabing’s house, it appeared that Hanks’s character already knew much of what Teabing told Sophie — if that was the case, why didn’t he just tell her before? Of course, this is a book complaint — not a movie complaint — because the movie followed the book. I guess if you make a movie that closely follows a bad book, you’ll end up with a bad movie.

The guy who played Teabing — who also played the bad guy in at least one X-Men movie — did a much better acting job. But I think that’s because his character wasn’t flat and lifeless like the other characters in the book.

Flashbacks were distracting and overused, especially the historic ones. It was like watching a History Channel documentary. You know the kind. Where they get actors to re-enact scenes from history?

I left the movie feeling as if I’d gained nothing from the experience of seeing it.

Ricky said the movie’s music was overpowering. He said that was a sign of a bad movie. I liked the soundtrack, but agree that it sometimes did more work than it should have.

But I wasn’t impressed with the movie at all. It was just a visual representation of what was in the book. And since what was in the book wasn’t anything that needed to be visualized, the movie wasn’t anything special.

Did you see The DaVinci Code? What did you think? Use the Comments link to share your thoughts. I’d be interested in reading what other people who read the book and saw the movie have to say.

More Plagiarism in the News

Now this is plagiarism!

The Dan Brown plagiarism case is now history. He won — I thought he should in that particular case — and the plaintiffs will be using all their future royalties to pay legal fees.

But now there’s a new case in the news. I just read about it on Slate in an article by Jack Shafer titled “Why Plagiarists Do It.” Mr. Shafer’s article was written in response to news that 19-year-old Harvard student Kaavya Viswanathan (don’t ask me to prounouce that), who had gotten a $500,000 two-book contract while still in high school, had completed her first novel — with a little help from another author. It appears that Miss Viswanathan borrowed at least 29 bits and pieces from two similar novels by Megan F. McCafferty. Although she claimed it was accidental, Mr. Shafer sums up his opinion (and mine) on that as follows:

Please! Pinching one or two phrases from another book in the course of writing a 320-page novel might be accidental. But by the time a novelist does it 29 times, the effort is transparently intentional and conscious. Unless, of course, Viswanathan composed her entire novel during Ambien-induced sleep-writing episodes.

(It’s wit like that that keeps me coming back to Slate again and again.)

I read articles in the Harvard Crimson and the New York Times that provide plenty of examples of the borrowed phrases. This is a pretty clear-cut example of plagiarism — 29 instances of it. In fact, if this isn’t plagiarism, I don’t know what is.

Interestingly, Mr. Shafer’s article lists a bunch of reasons why someone might become a plagairist. None of them are flattering.

But I think that what pisses me off the most about this is that this kid got a half million bucks in advance money to write two novels and she rewards her publisher and editor and agent by stealing passages out of other books — books that probably didn’t earn a tenth of that.

I think it goes without saying that she should be ashamed of herself. Unfortunately, she probably isn’t.

I hope she loses her movie deal.