Flight Planning Realities

It’s more than just drawing a straight line.

Every week I get at least one weird helicopter flight request. Yesterday’s was for a flight from Scottsdale to Four Corners and back.

Four Corners

Four Corners, on a map. (Wikipedia image.)

When I say Four Corners, I’m talking about the place on the map where Arizona, Colorado, Utah, and New Mexico meet. In drawing their rather arbitrary state lines years ago, the mapmakers created this manmade point of interest: the only place in the United State where four state boundaries meet at one point. There’s a monument there that supposedly marks the exact point where the states meet. Tourists like to drive in and get down on all fours for photos with one limb in each state.

These days, the monument is managed by the Navajo Nation, which has land on three of the four states. The Colorado section is on Ute Indian land. I’m pretty sure there’s a fee to get in, but I could be wrong. I’ve driven past the point and flown over it, but have never stopped there.

So the passengers wanted to land at Four Corners, which is on Navajo land. That means I need permission from the Navajo Nation to land there. That’s the first hurdle the booking agent has to jump. (I won’t get permits for my passengers; I’ve wasted enough time trying for flights that didn’t happen.)

The booking agent evidently uses some kind of flight planning tool to estimate flight time. He estimated 2-1/2 hours each way. But the booking agent didn’t take into account the realities of endurance, refueling locations, weather, and FAA reserve fuel requirements.

I used SkyVector — highly recommended! — to come up with a basic flight plan — something I could use to estimate the cost of the flight. Its built-in aeronautical charts make it easy to identify places to stop for fuel if needed.

I learned that a direct flight from Scottsdale to Four Corners would take approximately 2-1/2 hours — just as he’d estimated. But this didn’t take into consideration the possibility of headwinds and my aircraft’s endurance. I roughly estimate 3 hours endurance on full tanks of fuel. But could I fill the tanks? I had no idea what the passengers weighed yet. And with my 20 minutes of required reserve fuel, planning a direct flight was not a good idea.

But what made it a really bad idea is that there is no fuel available between Winslow, AZ and Four Corners — a distance of 143 NM or 1-1/2 hour of flight time. Indeed, the closest fuel to Four Corners is 42 NM to the east — not on our way back — at Farmington.

My Flight Plan

SkyVector makes preliminary flight planning very quick and easy.

That meant I needed to plan three fuel stops: Winslow (INW) on the way up and Farmington (FMN) plus Winslow (INW) or Payson (PAN) on the way back. The resulting flight path is a narrow triangle totaling 549 NM and at least 5-1/2 hours of flight time. To be on the safe side, I’d estimate 6 hours.

This is what kills me about some of these booking agents. This particular one is based in Atlanta, GA. I can pretty much guarantee he’s never spent any time in an aircraft over the Navajo Reservation — which is where at least half this flight would be conducted. He has no concept of the vast distances and empty terrain a route like this would cover. He — and likely his passengers — can’t conceive of the utter boredom of six hours flying over this area. Sure, there are scenic parts, but not six hours worth. They’d be paying me close to $3,000 for this one-day adventure.

And all for what? A photo opportunity at a manmade “monument” in the middle of nowhere? Heck, look at it on GoogleMaps! There’s nothing there or anywhere near it!

Yet the booking agent will sell it to them if he can. And I’ll provide the service if it’s paid for.

I think the booking agent could do them a better service by selling them a Sedona tour or a trip up to the Grand Canyon. Or even Lake Powell, for Pete’s sake! Closer, cheaper to visit, and far more interesting.

Of course the weird requests of uninformed passengers or booking agents isn’t really my point.

My point is this: There’s a lot more to flight planning than simply measuring the distance between two points. The preliminary flight plan I cooked up here is just the first part of a lengthy planning process I have to go through if I get this job.

I have to admit that I find it a bit annoying when a booking agent oversimplifies the requirements of a flight — especially if he fails to inform his clients about what they’re getting into. In this case, it’s a long and expensive flight over the high desert of Arizona with very little of interest to see along the way.

More on Fan Mail

I’m actually starting to like it.

Way back in May 2006, I wrote a blog post about Fan Mail. In it, I voiced my embarrassment about getting it from readers.

201003160814.jpgThings seem different lately, and I’m not sure why. I’ve begun getting fan mail from readers of my articles in Aircraft Owner Online (AOO), an online magazine for aircraft owners (duh). The articles are mostly recycled and refreshed blog posts and, to date, are all at least five years old. The folks at AOO do a great job of laying out my text with the high resolution photos I provide, making a slick presentation of my work. (They do the same for the rest of the magazine, of course.) I enjoy preparing and submitting the pieces, mostly because it gives me an excuse to dig back into my archives and relive the flying experiences I’ve written about. The AOO editors barely touch my prose, so I don’t have any reason to complain about heavy-handed editing. It’s a truly positive experience all around.

But what’s most rewarding to me (beyond payment for my work) is the fan mail my monthly “Adventure Flight” column articles have garnered. I’ve been writing for the magazine since November 2009 and, to date, have received at least four e-mailed “fan mail” letters. The most recent came just this morning:

Just a quick note to tell you how entertaining your articles have been in Aircraft Owner online Magazine. You have a very descriptive way of writing that makes one feel (and wish) that they were there flying with you. My wife is from Nogales, Arizona and has a sister in Scottsdale presently. I looked over the map of the various places that you mentioned in your latest article and felt like I had made the flight with you. Keep up the great articles and from one pilot (SEL) to another, I wish the best to you in your various endeavors.

I just felt you should know how much your writing is appreciated.

I didn’t expect any note from a reader to make me feel as good as this one did. In the past, much of my “fan mail” has been glowing praise about my achievements in general, most of which included some kind of envy or “I wish I could do that” statement. That kind of stuff embarrasses me and makes me feel bad for the writer. Most of us have the power to achieve what we want, if only we set our minds to it and do what’s necessary to make it happen.

But a note like this is so different. It complements me on my writing skills rather than on the volume of my published work. (Isn’t acknowledgement of quality better than acknowledgement of quantity?) It let’s me know that I’ve made an impact in someone’s life — even if it’s just a small impact. After all, the note writer read my article about flying with my friend Jim and took the time to dig out a map to follow my progress. The places we flew on that trip aren’t easy to find on a map, but this reader succeeded. And it prompted him to take the time to track down my contact info and send me a very nice note.

A note that pretty much made my day.

So despite what I wrote four years ago, I think I might actually like getting fan mail.

A Great Photographer Takes a Great Photo

Some more good comes from a bunch of bad.

Back in October 2008, I embarked on one of Flying M Air‘s Southwest Circle Helicopter Adventures. But rather than paying passengers along for the six-day/five-night trip, I had a video team and a writer from Arizona Highways magazine. The trip itself went great. Good weather, great flying conditions, most accommodations right in line with my usual offerings.

It wasn’t until months afterwards that I realized what a mistake I’d made.

The video company, which I’d contracted to produce three television quality documentaries with footage taken, in part, during the trip, was in way over its head. A visit to the video editing guy’s “state of the art studio” — a partially refinished garage right off his kitchen — was the wake-up call. He’d never bothered to catalog any of the hours of video he and his companion had shot on my dime, using equipment I’d probably purchased with my prepayment. He was attempting to create a “trailer” video with footage shot solely with the POV camera that had been attached, at an off angle, to my helicopter’s nose. His “audio recording facility” picked up the noise from his fan-cooled computers and barking dogs. He didn’t understand the concept of matching music changes to scene changes. In other words, he had no clue.

I won’t go into more details than that. My lawyers are dealing with it. Let’s just say I got ripped off badly and have nothing to show for it but a hard disk full of mediocre video in about a dozen different formats, none of which is organized or cataloged to make scenes easy to find.

But often it takes a bunch of crap (think fertilizer) to make something good grow (think flowers). And the good thing that came from the outrageous expense of the trip was the article written by Keridwen Cornelius, the Arizona Highways writer who came along and sat taking notes for most of the trip.

But I’m getting ahead of myself here.

Before the article came out in the May 2009 issue of Arizona Highways, I was contacted by Jeff Kida, Photography Editor at Arizona Highways. I was familiar with Jeff’s work from the magazine. If you’ve never seen Arizona Highways, you should pick up a copy. It is, by far, the most impressive look at Arizona that you’re likely to see. The photography is beautiful, beyond description, and each issue of the magazine provides an in-depth look at the state that simply isn’t available elsewhere. Landscape photographers — amateur or professional — should use it as a standard to achieve in their own work.

Jeff said they needed a portrait of me and my helicopter for the article. We tossed around some ideas. I mentioned that near sunset, the late afternoon light often made the Weaver Mountains north of Wickenburg turn copper colored. I suggested that we put my helicopter out on the ramp at Wickenburg Municipal Airport with those mountains as a backdrop and stick me in front of it. He seemed to like the idea and made a date to do the shoot.

Jeff arrived early that day. So early that I figured I’d take him up for a aerial shoot of Wickenburg. I still had hopes about at least one of my videos and my husband, Mike, would shoot some HD footage with our Sony Handycam to use as B-roll. I pulled another door off in back for Jeff. We flew around town. He seemed to enjoy the flight, but he didn’t take many photos. It wasn’t until later that I realized he was an on-the-ground kind of photographer who liked to get up-close-and-personal with his subject matter. Aerial photography — especially in less than perfect conditions — didn’t interest him much.

We went back to the airport and I landed on the spot I’d envisioned. We put the doors back on. I went into the restroom to fix my hair a bit. I’d already put on makeup and a Flying M Air shirt. The sun crept lower into the horizon. The light started getting good.

The airport was deserted, which is (1) nothing unusual and (2) a good thing. Jeff had me stand at least 50 feet in front of the helicopter while he set up his tripod at least 50 feet from me. He used a long lens to frame me and the helicopter.

This is the difference between a photographer who knows what he’s doing and one who doesn’t. Sure, I could have stood closer to the helicopter and Jeff could have stood right in front of me. But instead, he’d decided to take advantage of the distance-compressing capabilities of a telephoto lens. By lining up his two subjects (me and the helicopter) in front of a distant background (the mountains 10 miles away) and framing us in a telephoto lens, he made everything appear much closer together. At the same time, he was able to sharply focus on me and leave the helicopter and mountains in a much softer focus.

Maria LangerThe result, as you can see here, is likely the best portrait of me that I’ll ever see.

What I like about this photo — other than the simple fact that I look happy and alive and even a wee bit attractive in it — is that it tells a story about me. I’m the subject, the helicopter is the topic, and the desert mountains in the distance is the setting. It can be rewritten as a sentence: “Maria is a helicopter pilot who flies in the desert mountains.” And I think that’s what a good portrait should be. More than just a picture of a face. A description of that person.

Arizona HighwaysAnyway, I didn’t see the photo until the May 2009 issue of the magazine came out. I was thrilled with it. I wrote to Jeff to ask if I could have a copy to use elsewhere. I also asked a few other questions. He answered the other questions, but didn’t send the photo. I thought perhaps the magazine had said no, so I let it go.

The article did great things for my business. I sold more excursions last year than I had in all the years I’d been offering it. While I didn’t net enough to cover the cost of my huge mistake with the videographers, it was great to get out there and share the trip with other folks.

This month I started a new project and really needed a good “author photo” to go with it. I remembered the photo from the Arizona Highways article. I contacted Jeff again. He apologized, saying he’d meant to send it to me the last time I’d asked but had forgotten. And he sent a high resolution image with permission to use it anywhere I wanted to.

I’m thrilled.

So now I have a good portrait that I can use on my blog (you’ll find it formatted as you see here on my Bio page) and on Flying M Air’s Owner/Chief Pilot Background page. And I’m sure you’ll see it elsewhere, too.

So that’s two good things that came from the ill-fated trip: the great article by Keridwen Cornelius in Arizona Highways‘ May 2009 issue and the great photo taken by Jeff Kida for that article. Thanks again, both of you!

The “Perfect” RV

The search is ended, the RV has been purchased.

Yesterday, after five months of checking out possibilities, I purchased my fourth RV. It’s 2010 Keystone Montana Mountaineer, Hickory Edition, model 324RLQ. (The name is almost as long as the titles of some of my books.)

What Came Before

To understand what I wanted in an RV, it’s interesting to note what came before it. For years, we camped in tents on the ground. But as many readers will probably confirm, you reach a certain age when sleeping on the ground — even on an air mattress — takes away much of the pleasures of camping out. So about 10 years ago, we decided we needed something to “camp” in that allowed us to sleep off the ground.

I bought a used 1984 Coleman pop-up camper. The previous owner was meticulous with maintenance and the damn thing was in near perfect condition. The model was so old that it still had real canvas sides. It had two beds: a queen and a single, a table that could make another bed, a two-burner stove, and a microscopic sink. That’s it. We used it primarily on our Howard Mesa property, where we kept it parked and closed up. We’d go up there for a weekend, open it up, and camp out. It was perfect for summer days and nights. But it eventually fell into disuse. We left it at Howard Mesa as spare living space in case anyone came up there to visit with us. Years later, I “sold” it on Craig’s List for $1.

My TrailerBut then we got the horses and decided we wanted to be able to go camping with them. So I bought a 35-foot horse trailer with living quarters. For those of you who aren’t familiar with the concept, the trailer has stalls for the horses in back — mine held three. It also had a sort of closet for storing saddles and other tack. The other half of its length was dedicated to living space for people. It had a queen sized bed, sofa, sink, two-burner stove, good-sized refrigerator, and full (although tiny) bathroom. All this stuff was crammed into a very small space. We added a screened-in room to expand our living space. This photo shows what it looked like parked on our Howard Mesa property with the screen room attached. I lived in this space every other week in the summer of 2004 when I flew at the Grand Canyon. Sadly, we rarely used the camper as it was designed — to take our horses camping with us.

My TrailerIn 2006, I sold the horse trailer and purchased a Starcraft Antiqua hybrid camper. To me, this was the best of both worlds: a hard-sided camper with the usual amenities (kitchen, bathroom, dining area, sitting area, bedroom) plus the outdoorsy feeling of tent camping. I bought this primarily because I thought we were going to go “on the road” with the helicopter in the summer of 2007. I’d do cherry drying and rides at events, Mike would help and do some of his work via “telecommute.” But Mike had a job change and cherry drying did not materialize that year. I subsequently took this camper to Washington State for cherry drying in the summers of 2008 and 2009 and wound up living in it for 4 months one year and 3 months the next.

The best way to determine whether an RV is right for you is it live in it. After a total of nearly 8 months living in this space, I was convinced that it was not right for me. It was time to stop screwing around and buy the “perfect” RV.

What is the “Perfect” RV?

You notice that I keep putting the word perfect in quotes? I’m doing that for two reasons:

  • You might argue that there’s no such thing as a “perfect” RV. I might have to agree with you. RVs are designed for groups of people, not individuals. That means no RV will have a “perfect” feature set.
  • What you want or need in an RV is not the same as what I want or need. So what you might consider the “perfect” RV might not look anything like what I think is the “perfect” RV.

Once you decide what kind of RV you want — pop-up camper, pull trailer, toy hauler, fifth wheel, motorhome, etc. — there are three main considerations:

Mountaineer 324RLQ Floor planFloor plan. The layout of the RV is likely to determine what amenities it has. If you’ve never shopped for an RV — or haven’t done it lately — you will be amazed at what they can cram into a space. For example, the RV I selected is 36 feet long and 8 feet wide. Yet it has a private bedroom, private bathroom, kitchen, dining area, living area with sofa and recliners, and desk. In many cases, it does this with slide outs. You drive along, park, and push a button to expand your living space.

KitchenBeing the picky person I am, certain elements of the floor plan were very important to me. I wanted to be able to access the refrigerator and bathroom without having to expand all the slides. For example, suppose I’m cruising down the road in the middle of nowhere and need/want a cold drink. I can pull over, climb into the RV, and grab one out of the fridge. And even take a leak in a bathroom I know is clean. I also wanted what’s called a “side aisle bath” — a bathroom with all components in the same little room. Other floor plans actually put the bathroom sink in the bedroom. I didn’t want that. And finally, I wanted working space that wasn’t the same place I ate. That means I needed a desk or space for a desk. An RV with a good desk is hard to find and I was perfectly willing to pull out a recliner or even a sofa to put in my own desk. But the model I wound up with actually had a good, usable desk and even had drawers (see photo below). So as far as floor plan is concerned, what I bought is pretty darn close to “perfect” — for me.

BedroomFeatures and Amenities. Every RV manufacturer and design has its own set of features and amenities. For example, a toy hauler includes a garage-like space in the back. A family model RV might include a separate bedroom — and even an additional half bathroom! — with bunks for the kids. Many luxury RVs have surround sound entertainment systems with wide screen televisions that rise out of a panel or fill an entire wall space. Some units have electric fireplaces. You can find kitchens with two refrigerators and bathrooms with bathtubs. Dining can be in a booth or table and chairs. Sofas can become second beds. Bedrooms can have televisions, closets can be cedar-lined, cabinets can have washer/dryer hookups. The list goes on and on. Just when you think you’ve seen it all, you walk into an RV with yet another feature you didn’t think you’d ever see in an RV.

Desk and TelevisionFor us, less was more — on the inside, anyway. All the RV dealers in the world can assure us that an electric fireplace is a good feature because it gives off heat using the campground’s electricity rather than onboard propane. I can remind them all that we do a lot of off-the-grid camping where there is no campground electricity. A fireplace was a feature we simply didn’t want — yet it appeared in more than half the RVs we looked at! I was extremely pleased, therefore, when we found the unit I’d buy and saw that instead of a fireplace (see photo of typical configuration), there was an empty cabinet.

I did want lots of cabinet space, a dining table with chairs instead of booth, and a sofa or a pair of recliners. I wanted lots of big windows — and I’m thrilled that my desk has windows on two walls rather than just one — and I wanted all the windows to open. I wanted “day/night” shades on all the windows; I hope I never have to deal with a cheap metal venetian blind again.

Control PanelOn the outside, however, I wanted some of the newer modern features that were not available in the 2009 model I almost bought. At the top of the list was an electric awning — something I could roll out or back in with the push of a button. (If you’d manually rolled in an awning in your pajamas in the middle of the night when the wind kicked up as many times as I have, you’d understand why.) A remote control to deploy the slide outs was also useful when setting up the RV by myself, as I’m likely to do this summer. Ditto for electric stabilizer jacks and “landing gear.” And it seemed to make a lot more sense to have all hookups (except electricity) and sewer dump/flush controls in one place rather than scattered all over the side of the RV. These features were the primary reason I went with the 2010 model rather than the 2009 (which actually had more cabinet space in the kitchen).

But there are a few things I wanted that I didn’t get. A window in the kitchen, for example. The floor plan didn’t make that possible, but there are plenty of other windows. A night table — even a tiny shelf! — beside the bed. There is none in this floor plan because the bedroom is relatively small. (How much time do you really spend in the bedroom anyway?) Heck, I can’t think of anything else. In this model, I even got the file drawer I wanted at the desk!

Living AreaQuality and Price. Quality and price really do go hand in hand. You get what you pay for. A low-end fifth wheel that you might be able to pick up for $25K is simply not going to be as sturdy or well-built as a top-of-the-line fifth wheel that’ll cost you nearly $100K.

Where you’ll see differences in quality are in the walls, floors, cabinets, furniture, and fixtures. A cheap RV’s walls will be covered with inferior wall covering that’s likely to shrink in hot weather (as it did in my Starcraft) and show the staples that hold it together. The cabinets will be some kind of processed wood that’s light weight and easily broken. There might be fewer plastic light fixtures than you need for good illumination. Kitchen and bathroom fixtures will be plastic; countertops will be a formica laminate. Things will break quickly and often, especially if you’re careless. Of course, if you only use the thing a week or two a year, this shouldn’t be an issue. But if you plan to spend several months a year actually living in it, quality becomes important.

Steps to BedroomIn my case, I wanted good quality but knew I couldn’t afford — or, more accurately, were not willing to spend enough for — the best. So the very first part of my search was to determine which brands were below my quality needs or above my budget. This should be the first step in anyone’s search for an RV; you can waste a huge amount of time looking at units that simply won’t work for you because of insufficient quality or expensive price. I also cut from the mix any manufacturer what was in bankruptcy or had gone out of the business. 2008/09 killed a lot of them. That limited us to about ten different brands by three different manufacturers. Mountaineer is a mid-range Keystone product. Montana by Keystone is one step above it and I could have made that step if I found one I liked. Heartland’s Big Horn and Big Country were also in the running.

My Perfect RV

Easy ChairsThe Mountaineer I bought won on all three factors:

  • It had a floor plan that worked for me, given that when my husband joined me on the road with our dog, we’d need lots of space to be comfortable long-term.
  • It had a list of features and amenities that were in line with what I wanted and needed in an RV.
  • Its quality was acceptable while its price was within my budget.

I also got a smoking deal on the unit. Keep in mind that I had a quote in hand for a new 2009 model on a lot in Surprise, AZ. I didn’t like the salesguy there — he’d made the fatal error of talking down to me. (Tip for salesmen: never tell a woman shopping alone that she should go home and talk to her husband about a purchase decision.) Mike and I were ready to climb into the car and work him over on price, but I didn’t really want to give him my business at all.

BedroomI started calling some of the RV dealers I’d met with over the past few months — I kept all their cards — to see if they had the same model available. One, in Quartzsite, said he had a 2010. I told him I’d consider driving out to take a look if we could agree to a price over the phone. I told him about the 2009 I were prepared to buy. He asked me to make an offer. I did. He came back with a slightly higher offer that was still below retail. We were there by 2 pm and I had all the papers signed by 4:30 PM.

(Another tip for salesmen: Make sure all prospective customers get your card. You never know when one will call back and you’ll get the sale.)

Is a 2010 Keystone Montana Mountaineer, Hickory Edition, model 324RLQ the perfect RV? For us, it’s about as perfect as I’ll get right now. But for you? The answer isn’t that easy. If you want your perfect RV, you’ll have to do your homework to find it.

Photo Shoot at San Xavier Mission

A nice excuse to visit Tucson.

This past weekend, Mike and I took the camper down to Tucson, parked it at Gilbert Ray Campground (highly recommended) on the west side of the city, and joined the members of Arizona West Shutterbugs for a photo outing at the San Xavier del Bac Mission just off I-19 south of Tucson.

I’ll likely blog about the rest of the trip another time; for now I wanted to share some information about the photo shoot, as well as a few photos.

We were scheduled to meet the group at 7:30 AM at the mission. We’d spent the night nearby, so we were less than a half hour away when we started down there. We arrived at about 7:10; less than 15 minutes before sunrise.

The place was almost deserted. A few members of our group had arrived and were parked off to one side. We parked in the back of the parking lot so as not to block anyone else’s long shot of the mission.

It’s not my purpose to tell you about the mission. You can learn about it on the San Xavier del Bac Mission Web site or Wikipedia. So please don’t criticize me for being short on facts here. I’m typing this in a camper and have to literally dial-up (via my cell phone and Bluetooth) to go online and check facts.

Candles at San Xavier MissionIt was cloudy to the east when we arrived, so sunrise was pretty much a non-event. Although I did take some photos of the front of the building in first sun (or what we had of it), I detoured to a small shrine-like building on the west side of the main church building. My friend, photographer Ann Torrence, had suggested this. I took a number of photos of the multitude of statues in candlelight before light started creeping in through the door behind me. The one here was shot with one of the 10mm lenses we rented from BorrowLenses.com.

Only a few minutes later, a pickup truck backed up to the front of the church gates. There was a blue coffin in the back. A man set up a coffin dolly and several others carried the coffin over to it. People started assembling in front of the church. Any photographer present stopped taking photos in respect for the family and friends of the deceased. A priest in traditional Catholic priest garb came out. He spoke with the family, then stood in the doorway of the church and began the service. The sound of his voice echoed in the building behind him and for a while, I thought it was a trick of the acoustics. I later discovered that he was wearing a wireless microphone. So much for construction design miracles.

The service lasted about an hour. During that time, the rest of the photographers arrived and we swarmed all around the outside of the church, snapping photos just about everywhere. There were about a dozen of us. Most of us had tripods and digital SLRs, but there were a few folks shooting without tripods or with less sophisticated camera equipment. I’d come fully prepared with a tripod, my Nikon D80, and four lenses: 10.5mm fisheye, 10-24mm, 16-85mm, and 70-300mm. I mostly used the 10-24mm rented lens and my usual 16-85mm lens.

Virgin Mary at San Xavier MissionWhen the funeral ended, we paused as the blue coffin was loaded into the back of a Cadillac Escalade hearse — which I didn’t even know existed. As the mourners departed, the photographers swarmed into the church.

The mission is beautiful in a weird old Spanish/Native American way. It’s amazingly colorful and ornate, with dozens of statues of saints and angels. Spotlights are strategically placed to bring certain statues to life. Don’t get me wrong: you’ll need a tripod (recommended) or flash (not recommended) to get good photos in there — it’s mostly pretty dark. But with the right exposure, you can get some stunning images.

Altar at San Xavier MissionThe main altar area, which is shown here, is a crazy ornate masterpiece of southwestern art. Having grown up Catholic, I can’t imagine sitting through a mass amid such decorations. Yet the church is active and has mass daily. (No photography allowed during church services.)

St. Anthony at San Xavier MissionThere are also candles all over the place. The sale of candles is probably the church’s biggest fund-raiser. They’re not expensive — only $3 each — and they’re quite beautiful when lined up in racks near statues. I bought one in memory of my grandmother. I’m not religious, but she was. She would have liked the place, so I bought a candle and put in in front of Saint Anthony (or “S. Antonio,” as the label at the bottom of the statue said). My grandmother used to have a Saint Anthony statue in the guest room — my mother has it now — so Saint Anthony statues remind me of her.

San Xavier MissionBy the time we were finished inside, the sun was out and the sky was nearly clear. I shot this photo of the front of the mission, after waiting about 10 minutes for various tourists to meander in and out of my composition. This was shot at f/16 with a polarizer to enhance the color of the sky. There’s definitely some distortion in this shot, but I rather like it. It’ll probably end up in my photo blog.

San Xavier Mission PewsI also got a little creative, working with various elements inside and outside the main building. These two photos are examples. The first is of the backs of the church pews. They’re simple carved wood with this unusual scalloped edge. It was sad to see that more than a few people had carved words into the backs of them.

San Xavier Mission Wall DetailThis shot is a closeup of a scroll design in the stucco finish of a wall outside. I like textures and try to experiment with them in my photography. Although not very interesting, this is a good example.

These are only a few of the 100 or so photos (not including bracketed exposures) I shot at the mission. I’d like to go back and try for a sunrise shoot again.

If you plan to go, here’s some advice:

  • Bring a tripod. You’ll need one if you plan to shoot indoors.
  • Leave your flash at home. All it will do is make ugly shadows behind the statues.
  • Don’t plan on photographing any kind of church service inside the mission. It felt good when the priest came into the church a half hour after the funeral was over and thanked us for respecting the privacy of the mourners and waiting until they were gone before shooting. And there are signs outside that warn against any kind of photography during mass.
  • Go early. The earlier you go, the fewer people will be there to wander through your shots. And with a good sunrise, the front of the mission building would likely glow in that early morning light.
  • Go everywhere you can. There are lots of public areas. Explore them.
  • Leave behind a donation — or buy a candle in memory of a loved one. Entrance to the mission is free, but it’s certainly worth your support.