An Aerial View of the Verde River Lakes

A different perspective.

I flew up the Verde River today with my GoPro Hero camera on, shooting video. As I relax in my hotel room this evening, I’m reviewing the footage.

It’s amazing.

I’ll treat readers to two stills taken from the video. In both shots, I’ve included the dam at the bottom of the photo. It’s a view most folks don’t get to see. The quality of the images isn’t the best — it was taken from video, after all — but I still think they’re nice enough to share.

This is Bartlett Lake, the first lake you come to as you go up the Verde from its confluence with the Salt River. It’s about 10 feet down from full and they’re letting water out at the dam, as you can see in the lower left corner of the photo.

Barlett Lake

This is Horseshoe Lake, the Verde’s other lake. As you can see, the water surface was like glass and there were some really great reflections. This lake is fuller than I usually see it, but still not full enough to reach the dam.

Horseshoe Lake

It was a great day for flying, with smooth air, comfortable temperatures, and just enough clouds to make it interesting.

If I can get my act together tonight, I’ll try to put together a video from Day 1. Stay tuned.

And if you want to shoot real (not from video) photos of these places — or other places around Arizona — you owe it to yourself to look up Flying M Air.

Joy-Flying on a Saturday Afternoon

It’s days like this when I feel very privileged.

I spent most of yesterday morning at my desk, editing videos I recorded the previous afternoon. It was boring, tedious work, made even more unpleasant by a stupid little nagging headache I’d had for more than 24 hours. In general, I was feeling under the weather and I couldn’t understand why. It was a nice day and I had most of the windows in my RV open for fresh air. Even Alex the Bird was behaving.

I worked on a book for a while, then decided I needed a break. I’d head into town and pick up a few groceries, along with an ice cream sundae. That would make me feel better.

The supermarket parking lot was unusually crowded. That’s when I realized it was Memorial Day Weekend. (One of the oddities of being a freelancer is being completely oblivious to things like weekends and holidays.) The parking lot was crowded and so was the store. I realized that many of the people shopping for their holiday weekend groceries were young people who were likely camped out at Crescent Bar.


View Quincy, WA in a larger map

Crescent Bar is a mostly manmade island extending down along the Columbia River just before it enters a gorge. There’s a campground, a few trailer parks, some condos, a golf course, boat ramps, and a cherry orchard (belonging to one of my clients) down there. On weekends, it’s a popular destination for water lovers.

Seeing these people filling their shopping carts with chips and salsa and hamburger buns gave me a brainstorm. Why not take a little flight down to the river and around Quincy Lakes? And maybe even past the Gorge Amphitheater? Hell, I was a helicopter pilot. I had a helicopter parked at an ag strip within sight of my RV. Why the hell wasn’t I flying it?

(For the record, one reason I wasn’t flying it is because it costs a fortune to fly and I’m not made of money — although too many people think I am. Still, occasionally I do need to treat myself to a flight that doesn’t have a “mission” attached to it. Today would be that day.)

So I drove back the RV, stowed my groceries, and hopped back in the truck. A while later, I was standing on the truck’s bed, gently pulling off the blade covers. After a quick preflight, I climbed on board, and started the engine. I did some paperwork while everything was warming up. Then I donned my headset, waved to the ag pilots who were hanging out by the office door, and took off.

Where I live in Quincy is a good 700 feet higher in elevation than the Columbia River. The river flows in a gorge carved out by massive ice age flooding. Quincy sits on a sort of shelf full of irrigated farmland; there’s another, higher shelf to the north covered with wheat fields. The area is fascinating from a geologic perspective. You can really appreciate it when you fly over and through it in a helicopter — which I’d done numerous times in the past two years. I like flying along the towering basalt cliffs and over the various formations formed by those floods.

I hooked up with the road and descended with it through a valley that dropped in steps down to the river. I was cruising at 110 knots. I slipped over the final step and descended down to about 200 feet over the river. There were lots of boats and jet skis speeding around. The campground was full. I circled a small island where some people were camped out, then sped off downriver.

Crescent Bar

I snapped this photo of the south end of Crescent Bar as I left the area. Quincy’s farmland is spread out on the shelf above the cliffs on the left side of this photo. (View a larger version in my photo gallery.)

Farther downriver, I swung to the east and climbed over the edge of the gorge. I sped over Dusty Lake, where Mike and I had gone hiking with Mike’s cousin Rick and his friend last year. A few fishermen stood on the southwest side of the lake and looked up at me as I zipped past. Then, dodging wires, I climbed back up to Quincy’s level and headed southwest. The Gorge Amphitheater was packed with cars, tents, and people. A show was going on. I kept my distance as I swooped past, then dropped behind the stage and headed back upriver over a rock shelf covered with ancient potholes. Then I was abeam Quincy Lakes again and chose another of the two flood-carved canyons to fly up.

Quincy Lakes

This is Ancient Lake, fed by a waterfall that, in turn, is fed by runoff irrigation water. Quincy’s farmland is spread out on the shelf beyond these cliffs. (View a larger version in my photo gallery.)

I zipped back over the farmland south of Quincy. I noticed that my GPS wasn’t working quite right — a restart was required to fix it — but I knew my way back to the ag strip without it. The ag pilots were just leaving when I touched down. I’d been out for just a half hour. My mood was considerably brightened and my headache was just about gone.

Because of a gusty little wind coming out of the west, flying wasn’t smooth enough to make the flight perfect, but it was good to get out and about. What I really like is flying on those windless mornings or afternoons, when the river is glassy, reflecting the cliffs and clouds. When it’s like that, I can fly low over the water and around the canyons in effortless control of the aircraft. That’s magic.

As you can see, I got two reasonably good photos of the area while I was flying. I used a Nikon Coolpix camera for these shots. Although I really don’t like the camera in general — it doesn’t seem to work as well as the Canon Powershots I had before it — it’s easy enough to use with one hand (my left) as I fly. I can’t really frame a shot — I literally point and shoot and hope for the best. On these shots, the light was low and soft enough to prevent glare through the cockpit bubble. I lucked out.

Light Matters

Two shots prove it.

We spent Monday night camped out along the east shore of the Snake River in Hell’s Gate State Park, just south of Lewiston, ID. The river is held back by a dam downstream to form a long, meandering lake that has plenty of boat traffic, including the “jet boats” that take people upriver through Hell’s Canyon. All that traffic makes for rough water, but I reasoned that early in the morning, around dawn, the water could be pretty calm. With first light on the gold-colored hills across the river from our campsite, I might be able to photograph some interesting reflections without a lot of effort.

While the idea of waking before dawn to take a few photos might seem like a chore to some folks, it isn’t usually a big deal to me. I’m usually awake by 6 AM anyway, and that was certainly the case on Tuesday morning. So I threw on some clothes, grabbed my camera and tripod, and went out along the path behind the camper to see what I could shoot.

What I ended up with was a great example of how the quality and color of light can change a photo.

Before the Sun

This first shot reveals an interesting scene in gray light. Photo details: 1/50 sec, f4.8, ISO 200, 35mm

I set up and framed my shot. The reflections were as good as I’d hoped and the shots achieved the almost mirror-like look of land reflected on water. But the light wasn’t quite right for the first bunch of shots. Even after the sun rose, it failed to cast its rays on the scene before me. For a while, it was the high hills behind me, to the east, that kept the sunlight off my scene. Then it was a cloud. The light was gray and colorless.

After the Sun

This shot was taken a minute later, when the cloud had moved away, revealing the sun. Photo details: 1/80 sec, f4.8, ISO 200, 35mm

Then, suddenly, the cloud slipped away and the low sun shone directly on the scene before me. It lit up with a golden glow and I snapped another photo. This shot was taken exactly one minute after the previous one. Rather than slowly creep down the scene to illuminate it, the sun shined full on the scene, all at once.

It wasn’t until I reviewed these two shots in quick succession in my camera that I noticed the dramatic difference you see here. These images were not manipulated in any way in an image editing program other than to downsize them for the Web. I think they speak for themselves as they are.

I’ve read a lot about photography, especially in the past year or so. One of the things I read recently was a “tip” by a photographer who basically said not to bother shooting in bad light. These two photos do a pretty good job of explaining why light is so important. And while I won’t tell anyone not to shoot in bad light, I hope these photos help them understand how light can make a difference in their photography.