Front Wall of Hopi House

At the Grand Canyon.

About 100 years ago, when the Grand Canyon was starting to get developed as a tourist attraction, the Fred Harvey Company owned the big hotel, El Tovar. Mr. Harvey commissioned architect Mary Colter to design and oversee the construction of Hopi House, which was completed in 1905.

imageMs. Colter, a talented woman in a male-dominated field, designed the building to resemble the Native American homes built by the Hopi people on the Hopi Mesas. Having seen those homes firsthand, I can verify the resemblance. The building appears, from the outside, as a series of stone boxes, joined in an almost random pattern. As if a smaller home was repeatedly enlarged with additional rooms. This photo shows the front wall of one of those boxes with another wall (on the right) that’s set back.

I’m a big fan of masonry structures — I really like the way stone buildings look. This building was made with local stone and looks like it belongs in its location in Grand Canyon Village, across the drive from El Tovar.

In the old days, Hopi people actually stayed in the upper floors and on the roof of the building. There are photos in the Grand Canyon archives of Albert Einstein standing in a group of these people, wearing an Indian headdress. (To my knowledge, none of the Arizona tribes ever wore a headdress like the one on Einstein’s head in the photo — the same one depicted in so many Hollywood westerns.)

Today, Hopi House is a gift shop with merchandise ranging from tasteful tourist souvenirs to high quality, Native American-made pieces. The upstairs room, when open, is museum-like; that’s where you’ll find the best (and most expensive) merchandise the current concessionaire, Xantera, has to offer.

Buy on RedBubbleThe full-frame version of this photo is available for sale as cards and prints at RedBubble.com

How Much, How long?

The financial dynamics of selling helicopter rides.

I went down to Goodyear, AZ yesterday to offer helicopter rides at the Goodyear Balloon & Air Spectacular. This was my second year doing rides at the event; last year I did them at Glendale as a subcontractor for another helicopter operator. This year, when the event was moved to Goodyear (a Phoenix-managed airport), the paperwork requirements were more stringent. The other company couldn’t get their paperwork together on time. They dropped out. I had all my paperwork in order. I did the show without them.

First I need to say something about the show. Formerly known as the Thunderbird Balloon & Air Classic (and still run by a company of the same name), the event is a combination balloon gathering and air show. The balloons, which can only fly early in the morning or in the evening, do their thing in their time slot. I wrote last year about walking among the balloons during the nighttime glow and about arriving at the airport as the balloons were departing at dawn. It was an incredible experience. Oddly enough, most people don’t go to the show for the balloons. They go for the air show which goes on during the day. There are aerobatic displays, war birds, F-16s, and this year, the Blue Angels. On the ground, there are food vendors, car and motorcycle dealers, navy recruiters, carnival rides, and souvenir sellers. There is literally something for the whole family. And although it ain’t cheap to attend — $15/adult, less for children and seniors — it’s a great event for a family to attend together: outdoors, surrounded by history, technology, and carnival food.

This is an extremely professionally run event, with excellent management and crowd control. The entertainment is top notch and the announcer is incredible. There’s no shortage of staff members to help with a problem. And the Air Boss, who works behind the scenes with the pilots and airspace, is safety-conscious, reasonable, helpful, and well…professional. I cannot stress what a pleasure it is to work at an event that’s so well run.

Unfortunately, the new venue at Goodyear had a bit of a dust problem. Instead of being on pavement like the vendors were at Glendale last year, they were on dirt. Which turned to dust. Even the water truck couldn’t keep up with it. Thank heaven it wasn’t windy like it always is in Kingman for the Mohave County Fair.

And unfortunately for us, my landing zone was about a mile away, near the main terminal building. (On concrete, thank heaven.) So we had to provide transportation from the ticket sales area to the LZ and back. The folks I was supposed to fly for were going to provide transportation via golf cart. We didn’t have a suitable golf cart, so we used Mike’s truck.

I say “we” because when I realized I’d be doing the event without the other helicopter company, I had to get together a full ground crew. For me, a full ground crew consists of three people: a money person to sell tickets, answer questions, and hold the money and two loaders who do safety briefings and escort passengers to and from the helicopter. (We do hot loading, like most helicopter operators do, and I don’t want anyone walking unescorted or unsupervised near the helicopter while the blades are turning.) In a pinch, with a secure LZ, I can do with one experienced loader (my husband, Mike), but I really like two. It speeds up the loading/unloading process by having one crew member on each side of the helicopter.

DarleneDave
Our great ground crew: Darlene and Dave (photos by Dave and Darlene).

I should point out one thing here about the R44 helicopter. The main rotor blades are 10 to 12 feet off the ground (depending on RPM and rotor droop) so the possibility of someone getting hit on the head by the blades is remote, especially at 68% RPM, which I maintain during loading/unloading. That’s one less thing to worry about when hot loading.

Me in the Pilot SeatBecause the LZ was so far from the rest of the venue and there were aerobatic displays going on while I was giving rides, I couldn’t fly past or around the venue to attract future passengers. That turned out to not be a problem. We had a steady stream of riders for our 8-10 minute rides. And, when the Blue Angels were done flying at about 4:15 PM, I started up and flew just about nonstop until 7:15 PM.

Here’s where the finances come into the picture. Last year, the other helicopter operator charged $45/person for 10-minute rides. Of that, I got $35, which I thought was a fair price for the ride. They did the money stuff and provided transportation to/from the LZ, which was about 1/4 mile from the ticket booth that year. (Easy walking distance, but who likes to walk?) They also provided one ground crew member, but since they were flying a helicopter, too, he mostly dealt with loading/unloading that helicopter. So Mike came along and took care of my passengers.

At $45/person, I flew 131 people last year over a 3-day period. To date, that’s my second-best gig, surpassed only by 2005 at the Mohave County Fair (150). I personally could not believe that so many people were willing to lay out $45/person for a ride. To put it in perspective, for about $120 a person can get a 25-minute helicopter flight over the Grand Canyon with Papillon. That’s a more memorable flight than 8-10 minutes over Sun City.

Yet this year, when I went to the Mohave County Fair and tried to sell 8-10 minute flights for $35/person, I had very few takers. I had to resort to Plan B, which offered 3-4 minute rides around the fair for $15. That kept me busy. In Congress, I did 5-minute rides for $20 around Congress. I had a line for 3 hours straight and probably could have sold the same rides for $25 without losing a single passenger.

So what I learned during the year (or thought I learned) was that I could keep flying if I priced the rides at a price most people would consider cheap. I want to keep flying. Sitting on the ground, spinning my blades while I wait for a passenger burns fuel without earning revenue or paying my ground crew. The problem is, if I make the rides too cheap, I don’t make any money. Duh.

At yesterday’s event, I offered the rides at $35/person, which was what I would have gotten if I’d flown with the other company anyway. I’m not greedy, but I do have loan payments to make. The result was a steady stream of passengers who couldn’t believe how cheap the rides were.

So what’s expensive in Kingman, AZ is cheap in Goodyear, AZ.

Our flight path, in case you’re interested, left Goodyear airport heading southeast. I flew straight down to the Phoenix International Raceway (PIR), where they have NASCAR events, and came back to the airport. There were cars on the track (not NASCAR) for much of the day, and people riding quads and fishing along the Gila River, which we crossed in two places. At night — because I flew for over an hour after sunset — I flew more to the east, trying to stay in a well-lighted area and give my passengers something to see. At night, the city is a blanket of lights in every color and it really doesn’t matter what you’re looking at. It’s just so darn pretty from the air.

Maria and MikeAlthough it was a 3-day event, I missed the first day due to a miscommunication. (Long story and please don’t ask me to tell it because I’m still pretty pissed off about it.) Yesterday was the second day and we did pretty well. Unfortunately, there are limitations on when I can fly. Those limitations are imposed by the Air Boss, who is basically an air traffic controller during the event. Keep in mind that the air show part of the event runs all day long and has many performers. Some of them simply don’t like operating while a helicopter is making flights in and out of the airspace. And in other instances, the Air Boss himself might consider my operations a hazard while other performers are on. So throughout the day, I’d be asked by the Air Boss to stay on the ground. These stoppages could be as short as 5 minutes or as long as 90 minutes. They broke up the flying day, limiting the number of people I could fly.

This happened last year, too, but there weren’t as many of these breaks so they didn’t affect me as much. This year, they really put a damper on things. People who showed up at the booth at 1:30 PM, ready to fly, were told they had to wait until 4 PM. Not everyone wanted to wait. And I certainly didn’t want to sit in the dusty booth waiting for the green light. But when 4:15 rolled along, I started flying again — for 3 hours straight.

Unfortunately, we had to skip today at the show. That’s not so bad. Mike is fighting a cold and he needs the rest. And I’m still exhausted from flying so long after nightfall — it takes more concentration, at least for me, and it really wipes me out.

Now if you’re doing all the math and coming up with some really big numbers for our ride revenue, remember a few things. It takes (and costs) more than just fuel to operate a helicopter. My insurance alone costs $60/hour (based on my current 200-hours per year flight level). And then there’s the reserve for the overhaul my helicopter will need at 2,200 hours — that currently costs $185,000, which is about $85/hour. There’s regular maintenance (at $50 to $75/hour), fuel (at about $4/gallon), oil (at about $5/quart), and hangar rent (at several hundred dollars a month). There’s additional costs to comply with service bulletins (SBs) and airworthiness directives (ADs). There’s advertising with signs, banners, brochures, and business cards. There’s business licenses and drug testing program fees and credit card acceptance fees. And there’s state and local sales tax, which must be paid out of every qualifying revenue hour — including rides. (Although we charged $35/person, $2.68 of that goes to Maricopa County and the City of Goodyear with its total 8.3% sales tax rate.) On an event like this, there’s also the cost of the ground crew, which must be transported, housed (in some instances), fed, and paid. There’s also the cost of operating the helicopter to get from its home base to the event location — cost that has no revenue associated with it. And let’s not even talk about the cost of equipment such as shade structures, tables, and chairs for a booth; a camper that can sleep up to 8 for overnight events; and a truck to haul all of this stuff around on the ground.

As you can see, the math isn’t as simple as saying 60 rides x $35 per ride – fuel costs = big profit. That’s the formula some passengers try to use. I only wish it were that simple.

What did I learn about this past weekend’s event? Confirm and reconfirm all the information I get. Stay involved in the setup process from the beginning. Don’t miss any meetings. Have a ground crew ready and waiting if needed.

And if they want to pay $45 per person for a ride, let ’em.

Many thanks to Darlene and Dave, Ground Crew Extraordinaire, for taking photos at the show and sharing them with me so I could put them here.

Snow on the Mountains

As seen from Wickenburg.

Wickenburg is in the northern Sonoran desert, at an elevation of around 2000-2400 feet. It’s cooler here than in Phoenix, but not nearly as cold as it is in higher elevations.

Once in a while, in the winter, a wet cold front will come through. It’ll be cloudy, with low clouds that make the distant mountains impossible to see. It might rain on us or maybe even snow a tiny bit. But it’s rarely cold enough for any snow to accumulate or even stick.

What’s magic, though, is when the clouds lift or clear and the mountains to the north are covered with snow.

Snow on the MountainsThat’s what this photo, which was taken from Wickenburg Airport, shows. The snow-covered mountains are the Weaver Mountains, about 15 miles north. Although I can’t remember exactly when I took this photo, I do remember that the snow remained up there for us to see for a few days. Mike and I even drove up to Yarnell, in the mountains there, to see it close hand. It had been plowed to the middle of the road — an odd thing they do in Arizona small towns. Mike made a snowball and threw it at the truck.

I miss snow — but only a tiny bit. I’m looking forward to seeing it firsthand this winter at our Howard Mesa camp. But I’ll rest easy with the thought that all it takes is a drive back down to Wickenburg to return to mild winters.

Come Fly with Us! Has 7 Subscribers

Already! Cool!

Come Fly with Us!, the video podcast I whipped up for Flying M Air the other day, already has 7 subscribers. I think that’s pretty cool.

I checked the iTunes Music Store and found that it was listed there. Oddly enough, only two subscribers are checking in with iTunes. The others are using MyYahoo, Jakarta Commons, and a Java-based reader. I’m wondering if they’re all seeing the video that goes with the podcast. I hope so, since that’s all there really is.

I wrote an article about how to publish a video podcast using WordPress and submitted it to InformIt for possible publication on their site. If they take it, I’ll link to it when it’s published. If they don’t, it’ll appear on this site and on our WordPress VQS support site.

I created the second release for Come Fly with Us! on Tuesday. It’ll be released next Monday. I’ve decided to create the episodes in advance and release them on Mondays. It’s pretty easy to do with WordPress — just date the entries in the future and they won’t appear online until that date and time rolls around. I sometimes do that with entries on this site — like the About the Photos entries that were appearing quite regularly for a while. I wrote all of those in August and set them to release weekly for the next four months. (Time do do more, too.)

Next Monday’s release will show the Swansea Town Site ghost town. Those photos were taken on the ground. Some of them are a few years old. I think I’ll do a release on Wickenburg for the following week. Got some pictures today when I was out flying with my friend Kathy. Then possibly Sedona, from the air and on the ground.

Now if only I could get this ambitious with my personal podcast. I haven’t recorded an entry for a few months now.

Flying M Air Video Podcast Now Online

It took me a while to figure it out.

Come Fly with UsI spent about 4 hours yesterday morning and another hour this morning publishing a video podcast for Flying M Air. Why so long? Because I couldn’t find a single how-to guide online to explain how to do it the way I wanted to get it done.

On Friday, I got back from a 3-1/2 day trip around the southwest with photographer Richard Noll. Rick and I took tons of pictures and video — much of which was from the air — of the places we visited. The goal of our trip was not only to perform a final check on travel, hotel, and tour arrangements for the Southwest Circle Helicopter Adventure, but to gather images I could use to market Flying M Air’s tours and excursions. I now have over 1,000 still images and 4+ hours of video to go through.

iMovie HD 6 and iDVD 6: Visual QuickStart GuideI spent some time early Saturday morning with iMovie and Jeff Carlson‘s excellent book, iMovie HD 6 and iDVD 6: Visual QuickStart Guide. The book has everything you need to know to create a great looking movie in iMovie HD, from choosing a video camera to building the movie with titles, transitions, and effects. It then goes on to discuss IDVD (which I’m not ready for yet). I learned a lot of things, including that I can reverse and slow down video clips — two effects I’ll need for my final project: a 20-minute promotional DVD.

Yesterday’s starter project was to build a slide show of images taken in the Phoenix area. The slide show would make good use of the Ken Burns effect to add motion to still images. I’d also included opening and closing titles, transitions, and music. It was a very simple project, and with Jeff’s guidance, I was able to knock it off in about an hour with about 15 slides. The final video is about 2-1/2 minutes long.

Although Jeff’s book discusses publishing a video podcast with iMovie and iWeb, I was not interested in using iWeb. It might be a great tool for Web publishing newbies, but it lacks the control features I need. (This might sound strange, but the software is so easy that it’s hard for an experienced user to use.) I wanted to publish a video podcast of this and future Flying M Air movies right on the blog-based Flying M Air Web site. This way, the videos would be available immediately to site visitors as well as by podcast to subscribers. I knew this was possible, but I couldn’t find any clear guidance on things like format (Was the export to iPod format the right one?), linking (Was it as easy as just including a link to the file?), and server settings (Did I have to modify .htaccess?).

Phoenix Tour ThumbnailI got the answers to all of these questions through Web research and trial-and-error. I got it working at about 5:30 AM this morning and was pleased to see the new podcast file being downloaded into iTunes. I then spent another hour tweaking the settings for Flying M Air’s WordPress theme files so instructions would appear onscreen when a site visitor checked the contents of the new Video & Slide Shows category.

Interested in seeing my first effort? You can download the m4v file (which can be viewed in iTunes or QuickTime) or subscribe to the podcast.

And if you’d like to read a how-to article that provides step-by-step instructions for publishing an iMovie project as a podcast with WordPress (rather than iWeb), keep checking in. I’ll write it up today, but Informit.com has first dibs. After all, I do like to be paid for my work.

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