Making Cockpit Management Tasks Easier

Some tips for helicopter pilots (and others).

One of the disadvantages of being on the controls of a helicopter is that you pretty much always have to have at least one hand on the controls. Most helicopters do not have autopilots and, in my experience, I’ve found that releasing the cyclic while in flight is a good way to begin undesired aerobatic maneuvers that are likely prohibited by the Pilot Operating Handbook (POH).

The more you fly a helicopter, the more accustomed you are to dealing with one-handed chores like dialing in radio frequencies, adjusting the altimeter, fiddling with the GPS, and even folding maps. But for new pilots and pilots flying to, from, or through busy airspace, navigating and dealing with other cockpit management chores can be a real challenge.

The key to dealing with this gracefully is preparation. Here are some of the things I’ve come up with.

Organize in Advance

I don’t think there’s any simpler or more important tip to share. By organizing your cockpit in advance, you’ll know exactly where everything is and be able to reach it when you need it. I’m talking mostly about things like checklists, charts, pens, flight plans, and notes. But this could also include navigational aids like a handheld GPS, performance charts, and water or snacks.

Organized!

My seat pocket includes charts and checklists; my passenger’s seat pocket includes marketing material and souvenir postcards.

There’s nothing that bugs me more than when an aircraft mechanic or cleaner or some other pilot moves the things I keep in the pocket under my legs in my aircraft. That’s where I should find all the charts I use regularly, my preflight briefing card (for passenger briefings), my emergency checklist, and my startup/shutdown checklists with performance charts. These are things I sometimes need to reach for in flight — I want them exactly where I expect them to be — not under the seat or in the back or in the seat pocket of the front passenger seat.

By always having things like this in the same place, I can always find them where I expect them to be. This reduces workload in flight — I don’t have to hunt around to find them when I might also need to do something else.

Use an Airport Frequency Cheat Sheet

Airport Frequency Cheat SheetI’ve had one of these on board since I bought my first helicopter, an R22 Beta II, back in 2000. It’s a standard letter size sheet of paper with a four-column grid on it. The columns list Airport Names, Elevations, Tower/CTAF Frequencies, and ATIS/AWOS/ASOS Frequencies. Each row is for a different airport in the areas of Arizona where I fly. The type is purposely large, so I can read it from a distance. The entire sheet is laminated so it doesn’t get beat up.

In Robinson helicopters, the floor at the pilot’s seat is carpeted but covered with a sheet of clear plastic. I slip my cheat sheet under the plastic so it’s at my feet. When I fly, I can shift one or both feet aside to get a look at the sheet to find a frequency I need. This is a lot quicker and easier than consulting a chart or fiddling with a GPS to get the same information.

Of course, if you don’t want to go all out and create one of these for everyday use, you should consider creating one for the flight you’re going to take. It can be much smaller — perhaps index card size — so you can slip it in a pocket when not in use. My husband uses sticky notes that he affixes to the yoke of his airplane. Same idea. He doesn’t fly as often as I do or to as many places, so that meets his needs.

Configure Your Charts in Advance

TripTik and Cheat Sheet

My cheat sheet under the plastic carpet protector and my TripTik on the Robinson-designed GPS tray I use to mount cameras and display charts.

By “configure,” I mean fold open to the area of the chart you’ll need to consult enroute. For most helicopter cross-country flights, you’ll likely use only a few panels of a single chart. But if you’re going on a long cross-country flight, you’ll likely need to fold open more than one chart — or fold the chart you need in a way that it’s easy to get to all panels you’re likely to need. Large paperclips or binder clips can come in handy to keep the chart open the way you need it.

A very smart pilot navigating through a new area will likely use a highlighter — pink and orange work best — to highlight his intended route. This makes it very easy to find the line you’re supposed to be on and keep track of landmarks you fly over as you go.

I’ve actually gone a step farther with this idea. I’ve created a “TripTik” (think AAA) by cutting old charts into pieces that I laminated and put on binder rings. I can clip this loose binder full of map segments to a platform I recently had mounted in my helicopter. As I fly, I can flip through the pages to see the segment I need. It was time consuming and tedious to create and it isn’t quite perfect yet, but it sure does make it easier to manage my charts. (You can see a video about it below.) And yes, I still do have all the up-to-date charts I need on board for every flight.

What’s that you say? You have a whiz-bang moving map GPS so you don’t need charts? Try telling that to an FAA inspector. And then think about what might happen if you didn’t have charts handy, weren’t paying much attention to where you might be, and that GPS dropped dead. That was the topic of an AOPA video I saw a long time ago and it’s stuck with me ever since. Situational awareness is vital to flight. Don’t depend on a GPS to tell you where you are. When flying in an unfamiliar area, always keep track of where you are on a chart.

One more thing about charts: make sure the one you’re carrying is the current one. Airport information and frequencies change. Having the wrong information about an airport you’re landing at or flying near can get you in trouble, as this story relates.

Punch in a Flight Plan

If you do have a GPS, make the most of it by punching in a flight plan before lifting off. This is extremely useful when doing a cross-country flight through relatively busy airspace.

For example, when I fly from Phoenix, AZ to Torrance, CA in the Los Angeles area, I fly through about two hours of wide open, empty desert, stop for fuel, and then spend another two hours threading my way though the busy airspace of Riverside and Orange Counties. This can get really intense, especially when LA’s famous smog has settled in the valleys and visibility is right around minimums. Although I mostly follow roads, I use waypoints along the way to make sure I don’t take the wrong exit (so to speak). Punching these waypoints — airports and GPS waypoints on the LA terminal area chart — into my GPS not only helps keep me on course, but it displays the upcoming waypoint and my distance from it so I can make intelligent radio calls when passing through.

While lots of pilots learn how to use the Go To feature of their GPS and stop there, learning how to enter a full flight plan is far more beneficial on a long flight. Suppose I decided to use Go To to move from one waypoint to the next. That means that as I’m passing through Fullerton’s airspace, I might be trying to punch in Long Beach’s waypoint. While keeping an eye out for other helicopter traffic in the busy 91/5 intersection area. And keeping to a restricted altitude. And dialing Long Beach’s frequency into standby. I don’t know about you, but that’s more of a workload than I want when visibility is 3-1/2 miles in smog. Using the flight plan feature to have all waypoints entered in advance significantly reduces the workload in flight.

Get a Capable Companion Involved

If you’re not flying solo, you may be able to shift some of the work to the person sitting beside you — but only if that person is willing and able to perform the tasks you need done promptly, with the minimal amount of instruction.

I’m lucky. My husband is a pilot, too. He knows how to tune in radio frequencies and use the Go To feature on my helicopter’s GPS. He can read a chart and pull off radio frequencies. He knows how to look for traffic. When we fly together, we share the workload. Since he’s got his helicopter rating, too, I usually put the duals in and he does most of the flying while I handle the cockpit chores.

Not everyone is as lucky. Some companions just can’t figure things out — even the simple things, like tuning in a radio. Entering busy airspace is not the time to teach them. Do it yourself — it’ll be quicker and safer. If you’ll be flying often with a person, give him some training when you’re just out cruising around so he’ll be ready to help you when you’re in busy airspace and can really use a hand.

And even if your companion is capable of doing things, he might not want to. As I mentioned, my husband is a pilot and can read a chart. But is he willing to monitor our progress on a chart in flight? No. He’s not a map person and simply doesn’t like using any kind of map unless he needs to.

I’m exactly the opposite. If I’m not flying, I’ve got that chart open on my knees and can tell you exactly where we are — well, to the nearest finger-width, anyway. I recently had an excursion passenger who was the same way. At the start of each leg of our trip, I’d configure a map for her and show her roughly where we were going. Although she had some trouble tracking our progress on the unfamiliar aeronautical chart format, she put in a good effort and did pretty darn well.

Plan Thoroughly

Of course, to punch in a flight plan and configure your charts, you must have a clear idea of where you’re going. That’s what flight planning is all about. Don’t just wing it (no pun intended) — plan it out completely so you know where you’re going and how you’ll get there.

I can’t stress how important this is for a long cross-country flight. You’ll need to examine the entire route on a current chart to make sure it doesn’t pass through hot MOAs or restricted areas. You’ll need to know where you can find fuel or lunch or maybe even a hotel along the way. You’ll need to learn about weather and NOTAMs and TFRs on your flight path. And you’ll need to get familiar with the layouts of the airports you’ll be landing at.

This is really part of flight planning the stuff you’re supposed to do before you crank up the engine — not cockpit management. But without a solid flight plan, you won’t be able to properly prepare as outlined above to make your cockpit management tasks easier.

Got Your Own Tips to Share?

If you’re an experienced pilot — helicopter or airplane — and have some other tips to share, please do. Use the Comments link for this post to get a discussion going.

“I Want to Fly”

E-mail from a reader.

I get the occasional e-mail from readers who evidently think I can perform miracles for them — or perhaps take them by the hand and lead them to the life they dream about. Like this one, which I got today:

I’m 35 no wife or kids and no ties to anything or anyone and want to learn top fly I can get the money to go to a school I just want to change careers and I have learned to live on 35k a year no matter how much income I dont mind being away from home for 14-28 days as long as there is hot showers and the internet please get back to me as I would like to find out more directly from you as to what I should be doing I have looked around for schools and filled out my FAFSA for aid

To the person who wrote this — who I won’t embarrass by mentioning any names — what the hell do you expect me to do for you?

If you’re incapable of doing your own research to find a flight school in your area, you’re likely incapable of learning to fly or getting a job as a pilot, too. Stop whining and begging for help from strangers. You’re 35 years old! Get your fucking act together and make your future happen.

And for chrissake, if you’re going to contact people by e-mail, learn how to punctuate!

Sorry, folks, but this is the end of a long week for me, I have a splitting headache, and I’m spending the night at a Super 8 Motel inhabited by loud drug addicts. Whatever patience I usually have for e-mail crap like what’s quoted above is long gone.

Animals from the Air

Wild horses, antelope, and sheep — oh, my!

I flew from Grand Canyon Airport to Page Municipal Airport (at Lake Powell) again yesterday.

FlightPath.jpgEach time I make this trip, I follow pretty much the same route, hugging the southeast corner of the Grand Canyon Special Flight Rules Area (SFRA) until I get to the Little Colorado River Gorge and then heading pretty much due north. I wind up just outside the SFRA near Marble Canyon so I can show off Navajo Bridge and Lees Ferry before a quick flight past Horseshoe Bend, the Glen Canyon Dam, and Wahweap Marina. If the wind is in my favor, I can touch down at Page within an hour of departure from Grand Canyon. The same distance by car would take about 2-1/2 to 3 hours.

The terrain for most of this flight — from the Little Colorado River Gorge north, in fact — is high desert — technically the famous “Painted Desert” — and relatively barren. There are, however, some interesting features if you look hard for them. Since I’m always trying to point out interesting things for my passengers to see, I look very hard.

Ruins are relatively common. Round rock foundations are the remains of ancient hogans. (This area is on the Navajo reservation.) There are also the remains of animal enclosures, usually build with the same rock. There are complete hogans, some of which may still be occupied for at least part of the year, and ranches with hogans, sheds, outhouses, animal enclosures, and other buildings. All of these things are scattered across an immense landscape that takes more than 30 minutes to cross at 120 miles per hour.

There are also animals.

One of the questions I’m asked quite often by passengers is whether I see wildlife from the helicopter. I do, but not so often as to make it a common occurrence. It depends on where I’m flying, what time of day it is, and how hard I’m looking for wildlife.

Take antelope, for example. There are a few “prairies” north of I-40 and west of Mt. Kendricks in northern Arizona where, if I look hard enough, I can usually spot a herd of antelope. I know where to look and I remember to look. They’re hard to spot because their color matches the terrain so well. It usually takes movement to spot them. When I see them and point them out, my passengers never see them at first. I have to slow down, turn around, and drop a few hundred feet as we approach the herd. That gets them running a bit so my passengers can see them. As soon as they’re spotted — and photographed, if the passengers remember to whip out a camera — I move away. It’s not my goal to terrify the antelope population of northern arizona by buzzing them with a helicopter.

(When I flew at the Grand Canyon, I always saw at least one elk a day in the forest on one of my first or last flights for the day. My passengers never saw them and, since swooping around to show them wasn’t possible, I simply stopped pointing them out. It would be my own private treat.)

There are wild horses in numerous places throughout Arizona. I wrote a bit about them here. They’re also on the route I take from the Grand Canyon to Page. Today, my passengers and I spotted at least four herds of them — the most ever. They’re a lot easier to spot than antelope because of their size and color. But they’re also a lot easier to confuse with cattle. I look for long legs and long, thick tails.

There are domesticated sheep in various places throughout northern Arizona. We flew over a good-sized herd tended by four dogs today. They were a lot farther south than I expected — I usually see them farther north. This could be a different herd, of course. There were about 50 animals in that herd and the dogs did a pretty good job of keeping them together, even when my helicopter spooked them. (Yes, I had to do a circle for my passengers to see them; they were pretty small.)

In the past, I’ve also seen javelinas (pronounced have-a-leenas) from the air. They’re usually in herds of a dozen or more animals and I’ve only spotted them when I was alone, flying a lot lower than I do with passengers on board.

Of course, I don’t have photos of any of this. I’m flying and my hands are usually busy. My passengers never seem to remember to send me their shots. But one of these days, I’ll have some photos to share.

At the Right Place at the Right Time

I tag along on a mystery tour — of the Kolb Studio living quarters.

Outside Kolb Studio

The public entrance to Kolb Studio, which clings to the rim of the Grand Canyon.

If there’s any such thing as “luck” I think it has to do with being at the right place at the right time. People who are truly lucky can recognize such an alignment and take advantage of it.

Like I did yesterday.

I was in the Kolb Studio at Grand Canyon Village. The Kolb Brothers were the original photographers of the Grand Canyon. They shot more images of tourism at the South Rim — there are 60,000 negatives in the archives — than anyone else. They also made a movie of their boat trip down the Colorado River through the Canyon and it played daily at their studio for over 45 years, making it the longest running movie in the world. That’s what the Ranger told us, anyway.

Today, the Kolb Studio is known primarily as a bookstore and art gallery. The old movie screening room which is on the second level down, has been converted into a gallery. Last time I was at the Canyon, the gallery was closed for some reason. This time, when I stood at the top of the steps to look down into it, I saw that they were packing up artwork to ship it back to the artists.

But as I stood on that upper landing, a young, thin, female ranger walked by, followed, like a mother duck, by a long string of tourists. There must have been about 15 of them. They were walking purposely down the stairs, past the barrier that had been erected to keep people out. I asked one of the last people, “Is this a tour?”

“Yes. Go to the desk to see if you can join us.”

I knew that if I went to the desk, even if they said yes, I’d be too late. So I just followed them.

Mind you, I had no idea what the tour was about. I had time to kill and it was clear that these people were going someplace I’d never been before. I wanted to go with them.

Kolb Sitting Room

The sitting room in the living quarters at Kolb Studio. Beyond this is a “sunroom” with windows looking over the canyon.

I’d hit the jackpot. It turned out to be a tour of the Kolb Studios living quarters — the home of the Kolb Brothers.

Emory and Elsworth Kolb were given a piece of land at the edge of the canyon by Ralph Cameron who owned Bright Angel Trail and a bunch of other land on the rim. This was back in the early 1900s and Bright Angel Trail was a toll road. The Kolbs were given the land with the stipulation that they were to collect the tolls when Cameron wasn’t around. The Kolb brothers built their studio — first a tent, then a wooden frame building — on the edge of the cliff. A window on the building looked out over the start of the trail. The Kolbs would snap photos of the groups of mule riders going down. Then one of them would run all the way down to Indian Gardens, which is 4-1/2 trail miles and 3,000 feet down, where there was water. He’d develop the glass plates, make prints, and run all the way back up to the studio. When the riders returned, the photos were ready for purchase.

Inside Kolb Studio

Inside the actual photo studio. The window on right right is the one they took photos of mule riders through.

There’s a lot more history to the Kolb brothers, but I’m not about to retell it here. Check out the PBS documentary about them or look them up in Wikipedia to learn more.

The more interesting thing is the house. It was built with its top floor level with the canyon rim. Subsequent floors were added below that. So the house literally clings to the side of the cliff. And it looks as if it were built over time by people who cared more about functionality than architecture.

Kolb Dining Room

The dining room at the Kolb Studio living quarters. Those windows look right out over the Grand Canyon.

But inside — wow. A perfect example of early 1900 homebuilding. The house I grew up in was built in 1901, so I know the style. Plaster walls, wood floors, molding. And all the windows looked right into the Grand Canyon.

The ranger led us though about a dozen rooms, including the sun porch, sitting room, kitchen, bedrooms, dining room, and, of course, studio and darkroom. (The darkroom was added after water became available at the Rim.) We were invited to take photos — even through the window the Kolb Brothers had used all those years ago. It was fascinating and a real treat for me.

Kitchen at Kolb Studio

The kitchen at Kolb Studio.

Let’s face it: I come to the Grand Canyon at least two dozen times a year. I’ve seen all the usual things. I’ve taken photos from the rim trail and every single rest stop or parking area on the rim. I’ve visited all the shops and eaten in all the restaurants and stayed in all of the hotels. I’m at the point where I’m almost bored when I come here. Almost.

When I finished the tour, the first thing I did was call Mike to tell him. I think he was jealous. Heck, I’d be if he’d gone without me!

Shots from the Edge

Two photos from yesterday’s hike.

Yesterday afternoon, I hiked up Doe Mountain, a mesa west of Sedona, AZ. The mesa has sheer rock walls on all sides except the northwest — that’s where you’ll find a 8/10 mile trail that climbs nearly 400 feet to the mesa top. The top is almost completely flat with stubby trees, bushes, yucca, and various types of cactus and desert grasses. It’s an amazing place at any time of day; simply walk to the side of the mesa with the view you want, sit down on a rock, and suck it all in.

I went up there around 3:30 PM; sunset was around 5:30 PM. It took nearly an hour for me to do the hike. I can hike on flat terrain or downhill all day long, but make me climb and you’ll be waiting for me. I was by myself, so I didn’t hold anyone back. When I got to the top, I was hot and thirsty.

I wandered around as the light continued to soften and redden. I found an excellent spot for photos on the north side of the mesa and shot the two you see here. These are unedited.

From Doe MountainI’ve been experimenting quite a bit with foreground/background combinations. This shot of grasses, rocks, and trees with the red rocks in the distance behind them really called out to me. The foreground elements are on the mesa top. About 10 feet beyond them is a sheer cliff with a drop of 300-400 feet. The green trees you see beyond that are full-sized pinon and juniper pines. The red rock cliffs are several miles away. This one’s a “keeper” that I’ll likely put in my Photo Gallery. (That’s also why it’s so small here; I don’t share larger images unless they’re watermarked.) The only reason it’s not there now is that I haven’t had time to examine it closely and remove any optical imperfections due to dirt on the sensors. (It’s a never-ending battle against dust here in Arizona.)

Maria in SedonaThis second shot is a self-portrait. I broke my third wired shutter release and there’s no way I could have used the self-time for this. So I used the camera remote. Of course, the sensor for the remote is on the camera’s right side (when looking at the front) and I was sitting at the left. Hence the stretched out arm and rather cranky look on my face. It’s a dopey picture and I look like an idiot. I guess that’s why I like it.

Oh, and I was about 5 feet from the edge of the cliff in this shot.

More from this trip in future posts. I’ll have better WiFi in Page.