Why I Do Helicopter Rides

How can anyone resist a happy, smiling face?

At a recent aerial photography gig, while waiting for the film crew to get their act together, I took a few people up for rides and use the flight time to inspect the obstacles I might have to face while doing the job. When I landed, and found that I still had to wait, I called the guy who’d hired me over for a ride.

Smiling PassengerMike took a series of photos of our departure and return, including this one. Can you see the smile on my passenger’s face? Is he a happy guy, or what?

And yes, this is the real departure angle on a typical helicopter flight. Push the cyclic forward to gain forward airspeed and climb out. It doesn’t feel this extreme on the inside.

At least not to me.

But then again, maybe that’s why this guy’s smiling.

Digg and the HD DVD Key

A few thoughts about the recent goings on at Digg and elsewhere.

Last week, the hexadecimal key code that is used for copy protection on HD DVDs appeared in a blog. The key code is a 16-digit string of two-digit numbers and letters — if you spend more than an hour a day on the Web, you must have seen it by now. I won’t repeat it here because, frankly, I don’t have to. It’s easy enough to find online. Just Google HD DVD Key.

And that brings up the main point of this post: the so-called Steisand Effect. In 2002, Barbra Streisand sued a photographer who included a photo of her Malibu estate on the Web. He was doing an aerial photography research project about coastal erosion and the photo was one of hundreds of others that were published on the Web. In the publicity that followed, the photo was copied and reproduced thousands of times all over the Web. If Ms. Streisand had just kept quiet about the whole thing, it probably would have gone unnoticed. Instead, the information she wanted removed spread like a virus and received a huge amount of publicity, thus becoming far more known than she wanted.

And, of course, she had this effect named after her, which further brings up the subject (and photo links) every time someone else tries to suppress information on the Web.

That’s what happened with this HD DVD key. It appeared on a blog and someone dugg it. It soon got lots of diggs. The folks at Digg, acting on a cease and desist order (or rumor that they were about to get one) decided to be proactive and remove the references on Digg. Digg users saw this as censorship and immediately went nuts, posting more blog articles and references to the offensive key code — many of which used the code in the post title. When the Streisand Effect entry was updated on Wikipedia (yesterday, perhaps), the updater noted that there were currently more than 280,000 references to the code, a song, and multiple domain names with variations on the code.

Grant Robertson‘s post on DownloadSquad.com, “HD DVD Key Fiasco is an Example of 21st Century Digital Revolt” said it best:

As Joe Rogan’s character on Newsradio once quite accurately quipped, “Dude, you can’t take something off the Internet.. that’s like trying to take pee out of a swimming pool.” The content providers have attempted to do exactly that, remove pee from the proverbial swimming pool that is the Internet and, as we’ve witnessed so many times before, they’ve failed miserably.

If the AACS Licensing Authority would have kept out of this, the code probably would have come and gone like most material on the Web — within a few days. Instead, the 16-digit number has become “the most famous number on the Web” and is everywhere. What’s worse is that while a week ago, only a few hackers might have known what to do with it to unlock or remove protection from HD DVDs, now it’s likely that someone will go through the bother of writing a software program that does the work for everyone. If that software isn’t already out, I expect it to appear any day now. And I’m sure its location will be dugg so everyone knows about it.

What can we — and others — learn about this? With the Web, nothing is private. If information can be known, it will be known on the Web. But it can remain obscure if — and only if — the owner of the information does nothing to hide it.

What should the AACS Licensing Authority have done? Quietly recall the key code and start using a new one. Or, better yet, just ignore the whole thing. Millions of people would not have known about it at all if AACS had done nothing.

But what this also brings to light is the public’s feelings about DRM. Consumers don’t want it. And now consumers are starting to fight back.

You want WHAT for free?

The amazing nerve of some people.

This morning, I got a lengthy e-mail from a photographer that started out like this:

Hi Maria. I’m [name omitted], an award winning VR photographer famous for my interactive, fullscreen 360° aerial panoramas. I’m the only photographer in the country that does this from a helicopter.

I can’t seem to catch the attention of the larger helicopter charter companies, evidently they have all the business they want, so I’m hoping a smaller company like yours will have a little more vision.

In April I want to shoot a series of aerial panoramas for an “aerial virtual tour” of Las Vegas and the Grand Canyon, and I’d like to make a trade with you: Give me a free flight, and I’ll give you some of the 360° aerials for your website.

He then went on to explain how valuable his photos were and exactly why I should fly him around — for free.

Gee, I wonder why he “can’t catch the attention” of other helicopter companies. Could it be that, like me, they’re in business to make money, not to collect photographs? That, like me, they can’t pay their mechanics and insurance companies and fuel providers and pilots with pretty pictures? That flights like those he suggests can cost thousands of dollars and tie up the helicopter, preventing it from doing revenue flights at the same time?

But the kicker is this: he claims he’s “the only photographer in the country” that does panoramic 36° interactive VR photos from a helicopter. And that simply is not true.

Just the other day, I got a copy of a photo taken by one of my clients this past fall that is exactly what he describes. It’s an incredible piece of work that shows the confluence of the San Juan and Colorado Rivers on Lake Powell. You can drag your mouse to look up and down and circle around. You can see the sky and the water. You can zoom in or out. I’m waiting for the photographer to give me a watermarked version so I can put it on my Web site and share it with everyone else.

So I guess he’s not “the only” one, huh?

I followed a link and found that he introduced himself in a forum using the same exact first paragraph he used with me. Guess he has a macro key that inserts it everywhere he needs to introduce himself. Talk about tooting his own horn.

This really gets me. These guys are so full of themselves that they think everyone else should be giving them their services for free. But if he was so good, he’d have the money to pay for these services — like the rest of the professional photographers I’ve worked with over the years.

I forwarded the message to one of my photographer clients — you know, one who pays me to fly him around. He looked the guy up online and wrote back, outraged. A quote: “What bullshit!” So even photographers think this guy is a jerk.

Will some hungry helicopter pilot take this guy around for free? Maybe someone with a few hundred hours and an R22. Let’s just hope he knows how to recover from settling with power, which is a real danger when flying for this kind of work.

But I hope members of the professional helicopter pilot community take the same stand I have. Maybe it’ll take this guy down a rung and get him to put his money where his swelled head is.

Predawn Flight to Scottsdale

An early morning charter.

Earlier in the week, I took a reservation for a 7 AM flight out of Scottsdale with a photographer, his assistant, and their client. The job was a photo shoot in the Camelback Mountain area. The idea was to catch the early morning light shining on the mountain with the city of Phoenix in the background.

It was a great idea, but there was one minor problem: a cold front moved through the area yesterday and temperatures in Phoenix are actually getting down near freezing. The coldest part of the day is right before dawn. The sun was scheduled to rise at 7:18 AM. And when we do a photo flight, we fly with at least one door off.

But I’m getting ahead of myself here.

What I really wanted to write about was my flight down to Scottsdale.

I left my house at 5:30 AM. It was 27°F outside. And dark. Very dark.

I drove to the airport, parked my Jeep in front of the hangar, and pulled the hangar door open. It was only slightly warmer inside the hangar. I had to turn on the light in there to see what I was doing — normally I get plenty of light through the two skylights on the roof. I’d preflighted the helicopter the afternoon before, so it was ready to go. Only thing I still needed was fuel.

I pulled the helicopter out onto the ramp, closed the hangar door, and pulled it up to the fuel island. I was wearing my brown leather flight jacket, which I don’t get a chance to wear very often here in Arizona. I was also wearing my O.J. gloves. Those are the brown leather gloves that are so tight, every time I pull them on, I say to myself, “If the gloves don’t fit, you must acquit.” Sheesh. And I didn’t watch a minute of the trial.

I fueled in the dim light shining over the fuel island. Although the airport was deserted, there was a lot of noise coming from the industrial park on the other side of the runway. They must start work early at one of the manufacturing places over there.

I disconnected my tow equipment and drove it over to the airplane parking area, where I left it for the day.

It took two tries to start the helicopter. My helicopter simply does not like cold weather. I ran the starter for a while to give it every opportunity to start on the first try, but it wasn’t going to cooperate. I had to give it a second priming. Then it started right up.

While the engine warmed up, I turned on the runway and taxiway lights. Wickenburg, like most airports, has pilot controlled lighting (PCL). It enables a pilot to turn on the runway and taxiway lights by clicking the push to talk button on his radio. I tried 5 clicks. The runway lights came on. Then I tried 7. The taxiway lights came on, too.

I let the engine warm for about 10 minutes. The whole time, I waited for my cell phone to ring. The client had until 6:15 AM to cancel. That was my estimated departure time. If he canceled after that, I would charge him a cancellation fee to cover my cost of flying all the way down to Scottsdale for nothing. The helicopter wasn’t ready to go until 6:20. No call from the client, so I brought the engine RPM up to 102% (a Robinson thing), picked it up to a hover, scooted sideways away from the fuel island, turned, made my radio call, and took off along the taxiway parallel to Runway 5.

The sky to the east was beginning to glow reddish orange, but it was still very dark in Wickenburg. So dark that I flew over the taxiway all the way to the end, just in case the engine decided to go back to sleep. If I was going to have an emergency landing, I wanted that landing to be somewhere I could see. Those nice blue taxiway lights made it pretty obvious where the pavement was. Not so as I turned to the southeast and flew over the homes of Wickenburg.

I climbed to about 3000 feet — that’s 1000 or so feet off the ground southeast of Wickenburg — so I wouldn’t have to worry about hitting any granite clouds. I could see the lights of Phoenix far out in the distance. I could also see some mountains on the horizon that looked like Four Peaks but much closer. It turned out that they were Four Peaks. Not only was it cold out, but it was incredibly, beautifully clear. Not a cloud in the sky. The sky above me was a deep, dark blue that got lighter to the southeast until it blended with the red and orange glow of the sun beneath the horizon. And scattered in front of me were millions of city lights.

Sights like these simply cannot be photographed — at least not while flying a helicopter. It’s too dark for a good exposure. And even if the shot did come out without blur or windscreen glare, the foreground would be featureless blackness — not the gently rolling hills and small mountains that I could see beneath me. I wish I could share the view with readers using more than just words, but although the images of the flight are imprinted on my mind, they can’t be reproduced as images here. My words will have to do.

I had programmed Scottsdale into my GPS and a direct flight would take me over Deer Valley Airport, which is only 9-1/2 miles west. I normally fly around Deer Valley. The airport is usually so busy with flight training aircraft on its two runways that the controllers don’t want helicopters transitioning over the top. I listened to the ATIS (Automated Terminal Information System; a recording of airport conditions) and learned that the wind was out of the northeast at 6 knots and the altimeter setting was an amazing 30.49 (it would later get up to 30.54 — the highest pressure reading I’d ever seen). The Tower frequency was pretty quiet as I approached. I listened to the tower tell an inbound airplane to make a straight in landing, then requested my transition. It was immediately granted. A few minutes later, I was flying over the airport at about 2500 feet. Channel 15’s helicopter was flying low over route 101 nearby. When the controller pointed him out, I acknowledged that I’d seen him. Then the controller told me to contact Scottsdale and cut me loose.

I almost always approach Scottsdale from the northwest, so approaching from almost due west was weird. It was still nighttime — at least as far as I was concerned — and the area around the airport was a sea of lights. By this time, however, the sky was much brighter. The smooth water of the CAP canal that wound just north of the airport reflected the sky, looking like a bright, blue-gray ribbon.

I called Scottsdale tower and was told to report a half mile out. Channe1 15’s helicopter was still following the 101, now toward Scottsdale. I was at least 500 feet above him and now south of his position. I started my descent. A few times, I lost my bearings — so many lights! But I recognized Scottsdale Road and Greenway as I crossed the intersection. I made my 1/2 mile call and was told to land at my own risk — the usual thing for helicopters at towered airports.

At Scottsdale, the ramp was full of private and fractional jets. They were crammed into parking spots, obviously towed there. I flew along the ramp behind them, lined up with a row of parked planes, and set down in front of the terminal. It didn’t take long for the helicopter to cool down. It was 6°C on the ramp.

The photo flight a while later went well. The sun rose while I was giving the safety briefing and reviewing the flight path with my passengers. We took off a while later, crossed the runway, and headed toward Falcon Field, another airport in Mesa. When we were almost due east of Camelback, I turned and headed west. The photographer wanted the helicopter close to the mountain, but he had a huge lens on the camera and I knew we’d be too close. We made four passes of Camelback and Squaw Peak, each time moving a little farther away. The last time, we were almost in Scottsdale’s airspace.

All the time we flew, the photographer’s door was off. His camera lens was so long that I had to slow down so he could shoot the pictures — otherwise there was just too much wind when he put the camera lens out in the slipstream. The poor guy was freezing. I sat up front in reasonable comfort beside their client with the heat on full. My right hand was cold — my O.J. gloves are too tight to wear on my right hand when I grip the cyclic — but the rest of me stayed pretty warm.

As we made our passes, I kept a sharp eye out the cockpit and on my GPS’s traffic display for the aircraft that were flying past. We were listening to Sky Harbor’s north tower frequency, but since we were out of their airspace, I wasn’t talking on it. I heard the controller point me out to another airplane in the area once, so I know he saw us on his screen. I saw more than a few planes flying past.

The view was beautiful. The heavy winds the day before had blown most of the smog out, so the city was crystal clear. The low-lying sun cast an orange-yellow light on the mountain sides, leaving the northwest sides in shadow while illuminating the city’s tall buildings in the background. The last pass of Camelback and the third pass of Squaw Peak were probably the best.

The photos will be used for an advertisement about the Valley Metro light rail system Phoenix is finally installing. Unlike New York, which I’m quite familiar with, Phoenix has a really crappy mass transit system. That’s one of the reasons there’s so much traffic and smog. These photos will be used for “before” and “after” shots. “Before” will be a photo touched up to look really smoggy, like a normal Phoenix morning. “After” will be a photo touched up to remove the smog we saw that day — which really wasn’t nearly as bad as usual. The ad will try to convince people to take mass transit to clean the air.

I won’t offer my opinion on the ad strategy but I do like the idea of the photos. And it’ll be neat to see them, knowing that they were taken from my helicopter today.

We returned to Scottsdale by 8:15 AM.

I had two meetings with other potential clients. I had coffee with one of them and breakfast with the other. Then I made some inquiries about office space in Scottsdale at the airport, bought a few things at the pilot shop, and left.

By that time, it was late morning. All the magic of the predawn flight was a dim memory.

Come Fly with Us! Has 7 Subscribers

Already! Cool!

Come Fly with Us!, the video podcast I whipped up for Flying M Air the other day, already has 7 subscribers. I think that’s pretty cool.

I checked the iTunes Music Store and found that it was listed there. Oddly enough, only two subscribers are checking in with iTunes. The others are using MyYahoo, Jakarta Commons, and a Java-based reader. I’m wondering if they’re all seeing the video that goes with the podcast. I hope so, since that’s all there really is.

I wrote an article about how to publish a video podcast using WordPress and submitted it to InformIt for possible publication on their site. If they take it, I’ll link to it when it’s published. If they don’t, it’ll appear on this site and on our WordPress VQS support site.

I created the second release for Come Fly with Us! on Tuesday. It’ll be released next Monday. I’ve decided to create the episodes in advance and release them on Mondays. It’s pretty easy to do with WordPress — just date the entries in the future and they won’t appear online until that date and time rolls around. I sometimes do that with entries on this site — like the About the Photos entries that were appearing quite regularly for a while. I wrote all of those in August and set them to release weekly for the next four months. (Time do do more, too.)

Next Monday’s release will show the Swansea Town Site ghost town. Those photos were taken on the ground. Some of them are a few years old. I think I’ll do a release on Wickenburg for the following week. Got some pictures today when I was out flying with my friend Kathy. Then possibly Sedona, from the air and on the ground.

Now if only I could get this ambitious with my personal podcast. I haven’t recorded an entry for a few months now.