Flying M Air Videos on You Tube

I didn’t find what I hoped to, but am still pleasantly surprised.

After taking Santa in for a landing at Deer Valley Airport Restaurant twice and seeing well over a hundred people waiting for us on the ground each time, I assumed that someone would have shot some video and put it on YouTube. After all, people put all kinds of stuff on YouTube and I thought seeing Santa step out of a shiny red helicopter might be YouTube worthy.

So I did a search using various search words and phrases.

And although I didn’t find any videos of our recent Deer Valley Airport appearances, I did find three other videos shot by my passengers over the past two years and posted on YouTube. They’re kind of fun. Enjoy.

Santa and Pilot

A photo from today’s flight.

I flew Santa to the Deer Valley Airport (KDVT) Restaurant again today. Before we took off, I rigged up a GoPro on the inside of the cockpit bubble pointing at us and set it to take one shot every 10 seconds. Here’s one of the nicer shots, snapped about a minute before we landed on the ramp in front of the restaurant.

Santa and Pilot

About 150 people were waiting for us, so I wouldn’t be surprised to find footage on YouTube. I guess I ought to take a look.

I do it again for the last time this season tomorrow afternoon at 3 PM.

Charlie’s Four Games

That’s it.

Charlie and Friend
Here’s Charlie, trying to get another dog to chase him.
After a while, he did.

I took Charlie to a dog park in Phoenix today. It was surprisingly large and relatively well kept, although there was a nasty area of wet mud on one side that Charlie just had to lie down in. We were there for about 30 minutes and during that time, there was anywhere from 10 to 20 dogs of all sizes in the enclosure with us.

I watched with fascination as Charlie fetched balls and then played with the other dogs. After having him for only about seven weeks, I realized that he likes to play just four games:

  • You can’t catch me. This is poetry in motion. He gets a dog (or two or three) interested in chasing him and he runs away. He’s pretty fast. But what’s interesting is that he’ll match the speed of his fastest pursuer so that he stays just a few feet in front of him, just out of reach. If the dog behind him speeds up, he speeds up, too. There was only one dog in the park today that could catch him. It should come as no surprise that he was likely the same breed or mix of breeds. I should mention that sometimes he gets other dogs to chase him by grabbing a ball or something else they might want to play with.
  • You can’t get past me. In this game, he corners another dog against a wall or in a corner, usually with a small obstruction like a bush or a tree trunk between them. The other dog tries to get out of the corner, but Charlie darts in front of him. This goes on for minutes sometimes, with the two dogs going back and forth. He plays this game with my neighbor’s Chihuahua sometimes and it drives the little dog crazy. After a while, it gets frustrated and barks.
  • Tug of war. He played tug of war with a pull toy for hours on end with a friend’s dog when we were away recently. He’ll occasionally play it with us.
  • Catch. Don’t confuse this with Fetch. He will fetch a ball or Frisbee, but he really likes to catch them in the air. Balls, anyway. He doesn’t always bring them back and, if he does, he doesn’t always release them. Not much fun for his people. Also, if something isn’t moving, he’s not interested in it at all.

Our last dog, Jack, didn’t like to play with other dogs. He just wanted to play with us. While it’s nice to have a dedicated dog, it’s even nicer to have a dog who can play well with other dogs.

After all, there are only so many times you can throw a ball in a day.

More GoPro Camera Tests, More Aerial Photos and Videos

Another chapter in my never ending saga: any excuse to fly.

Early this week, it rained.

That might not seem like a big deal to most folks, but it rains very seldom in Arizona. In fact, I hadn’t experienced a good rainstorm since my drive back from Washington state in October.

This week, it was cold and rainy for two days in a row. With rain comes three things:

  • Clouds, which make our normally plain blue sky more interesting and give it depth.
  • Cleansing, by which I mean that the dust is washed off the desert rocks and plants, making their colors more vibrant.
  • New growth in the desert, which makes everything look just a tiny bit greener than it otherwise would.

You need to be a desert dweller to really appreciate these things.

There’s nothing I like more than to go flying over the desert right after a good rainstorm. So on Wednesday, as the storm clouds moved north and blue sky started to appear again, I loaded up my GoPro cameras and mounts, hopped in the car, and drove up to Deer Valley Airport, where my helicopter is living part-time this season. When I arrived just before 9 AM, my helicopter was sitting out on the pavement, ready for me to preflight, set up my cameras, and go.

The Camera Setup

I took my time about setting up the three GoPros. I have three different models and I use each one for a different purpose.

  • GoPro HD Hero2 Professional – With its sound-in port and better lens and recording capabilities, I normally mount it on the helicopter’s nose as the “nosecam” and connect it to an audio-out port I had put into the helicopter a few years back. It captures not only intercom communications, but all radio communications. Basically, anything I hear in my headset is also sent out through that port to my GoPro. Here’s an example of an image from the video on this camera, shot at 720p:
    Bartlett Dam Nosecam
  • GoPro Hero HD Original – I mount this between the helicopter’s two back seats, inverted, to capture a wide-angle view of what’s going on inside the helicopter and beyond. This “cockpitcam” view works fine with passengers, but it doesn’t give a close-up view of the instrument panel. For that, I need to mount the camera forward, on the bar between the two front seats. Here’s a view from the camera as I had it mounted Wednesday, also shot at 720p video:
    Back Seat View
  • GoPro Hero 960 – Because I haven’t been exactly thrilled with the 1080p video coming out of my original GoPro HD Hero, when I decided to invest in a second one, I went with the cheaper model, which can’t shoot 1080p video. Instead, it shoots up to 1280×960. I like the widescreen format, so I shoot 1280×720. I saved about $100. On Wednesday, I used a new skid mount and set it up to snap a 2592 × 1944 still image every 10 seconds. (In the 20-20 vision of hindsight, I should have set it up for every 2 seconds; 6 shots per minute isn’t quite enough when you’re cruising at 100 miles per hour.) Here’s a sample image from that “skidcam”:
    Bartlett Dam

So to summarize: I set up the helicopter as a camera mount for three different cameras: 2 shooting video and 1 shooting stills.

The Flight and Some Photos

I turned on all the cameras, climbed into the cockpit, and started up. Five minutes later, I was overflying Deer Valley Airport at 500 feet AGL, northbound. Here’s a nice shot of the airport from the nosecam:

Deer Valley Airport, Northbound

The beauty of all this was that with this setup, I’m able to capture images from three cameras without having to even think about any of them. Absolutely no distraction for me, allowing me to keep my full attention on my primary duties as a pilot: aviate, navigate, and communicate.

The flight was not quite what I had in mind. I was hoping to overfly Lake Pleasant and get all the way to Wickenburg. But as I neared Lake Pleasant, I saw low clouds over the lake. There was mountain obscuration to the northwest — which means the clouds were pretty darn low, since those mountains aren’t exactly lofty peaks. Here’s a nose cam image of the marina at Lake Pleasant near the dam; you can see the low clouds at the north end of the lake:

Marina at Lake Pleasant

I wasn’t very interested in getting images and video shot in overcast conditions. So I decided to head east, where the sky was clearer and sunlight was filtering through to the desert floor.

There was a balloon flying southeast of Lake Pleasant and I tried to get some shots of it with the skidcam. Trouble is, the GoPro’s very wide angle lens exaggerates the distances. If I wanted a good shot of the balloon where it looked close, I’d have to get much closer to the balloon. While I think I could have gotten closer safely, I didn’t want to give the balloon operator or his passengers heart failure so I stayed clear. This is the best I could get; again, a shot every 2 seconds would have given me more to choose from.

Hot Air Balloon

As I flew east, the two front-facing cameras were pointing toward but not exactly into the sun. GoPro cameras get their best images when the sun is at an angle of at least 60 degrees from the lens. According to the LightTrac app on my iPhone, at about 9:45 AM the sun was at about 140 degrees. I was flying at about 90°, so the sun was at 50° angle to the front-facing cameras. At the same time, it was at a 40° angle to the skidcam, which was facing almost due south. (Obviously, I didn’t look up the angles while flying.) As a result, the images from this leg of my flight were pretty disappointing. Here’s an example from the cockpitcam as I flew over the intersection of I-17 and Carefree Highway:

I-17 and Carefree Highway

I flew all the way out to the Verde River and then headed up the river as far as Bartlett Dam. The two photos near the beginning of this post shot nosecam and skidcam views. Since more gray skies and low clouds covered Bartlett Lake, I turned around and headed south. The cockpitcam shot near the beginning of this post shows my view as I headed approximately southwest. After a tiny bit of shallow canyon flying (see nosecam photo below), I headed toward Scottsdale where sun, low clouds, and rocky outcroppings made for interesting views.

Canyon Near Verde River

I got a nice shot of Pinnacle Peak from the skidcam at several altitudes for use in a book project I’m working on.

Pinacle Peak

I also got nosecam and cockpitcam footage as I approached the peak. Interesting to see the difference between these two views, shot at about the same time.

Approaching Pinnacle Peak

Approaching Pinnacle Peak

By that point, I’d been in the air for about an hour and thought I had enough footage to test my setup thoroughly. I headed back to Deer Valley. The one mistake I made was that I flew along side a power line, with the power line on my right — right in the view for my skidcam. This was very unfortunate because the camera was facing north at this point and could have captured a lot of nice footage. Instead, all the footage features the damn wires.

Wires in my Photos

I guess that proves that I wasn’t really thinking much about the cameras.

And for those who are interested in such things, this is the track log of where I flew, as recorded on my iPad.

Track Log

The End Result

In all, I got just over 300 photographs and 2 hours of video — an hour from each camera. Quite a bit of it is useable and will likely appear in edited video content I produce in the future.

I plan to try shooting video from the skidcam. I could see it from my window and checked it a few times in flight to see how much it was vibrating — it didn’t seem to be vibrating much at all. Of course, you can never tell until you shoot the video and see the results. So that’ll be my next test, probably tomorrow.

A Final Note about the Camera Setup

I took photos of all my cameras as they were mounted before beginning the flight. I hesitate, however, to share them or provide detailed information. Although I know many pilots who regularly mount cameras on the outside of their aircraft, it’s one thing to talk about it and another to document it with photos for the world to see. I’m very confident in two things:

  • Any camera I mount on the outside of my aircraft will not fall off. I use several safeguarding measures to ensure this. I am positive I will not lose a camera.
  • None of the mounting locations affects the aerodynamics of my aircraft. In other words, it flies just as well with the cameras attached as it does without them.

These are the only things that should concern a pilot or anyone overseeing that pilot’s activities.

Comments? Questions?

I welcome your comments, questions, and suggestions. Post them here.

Amazon’s Bribe to Publishers: KDP Select and the $6 Million Fund

And why I’m giving it a try.

I published my first real ebook back in the end of October: Making Movies: A Guide for Serious Amateurs. I built the book in InDesign, spun off a color print-on-demand version through MagCloud, and then painstakingly prepared ebook formats for the iBookstore, Amazon Kindle, and Barnes & Nobel Nook. Within a week, it was widely available and actually began to sell.

The Kindle Owners’ Lending Library

Not long afterwards, Amazon.com sent a chill through the publishing industry by announcing that Kindle owners who were also Amazon Prime subscribers would be able to borrow books — for free — from Amazon.com. The program is called Kindle Owners’ Lending Library and its an obvious ploy by Amazon.com to make its Kindle hardware more attractive to readers. After all, you must have a Kindle — the actual device and not a Kindle app on an iPad or computer — to borrow the books for free. So for those readers who don’t need all the features of a real tablet computer, this program makes a Kindle a bit more attractive.

I immediately questioned one of my publishers in its private Facebook group:

As an author, I’m wondering how Peachpit’s participation in this program (if they do participate) will impact royalties.

After all, I don’t earn royalties from borrowed book; I only earn royalties on purchased books. Apparently, I wasn’t the only one thinking about this. The Mac Observer published a piece titled “Amazon’s Lending Library Raises Publisher & Author Hackles” that explored the program and responses to it in some depth.

In the Facebook group, the publisher’s response was quick and to the point:

[Publisher Name] is not participating.

I found this reassuring. The reason: If readers knew they could get my books for free, they might stop buying them. If they stopped buying them, I would not be able to earn a living. Pretty simple, no?

So I saw the program as a threat to my livelihood and was glad to hear that my biggest publisher was not going to participate.

Fast Forward to Last Week

On Thursday, I got an email message from the Kindle Direct Publishing service. That’s the service publishers use to get their ebooks for sale on Amazon.com. It started like this:

We’re excited to introduce KDP Select — a new option dedicated to KDP authors and publishers worldwide, featuring a fund of $500,000 in December 2011 and at least $6 million in total for 2012! KDP Select gives you a new way to earn royalties, reach a broader audience, and use a new set of promotional tools.

It went on to say that if I opted to include my book in the Kindle Owners’ Lending Library, I could get a cut of a monthly $500,000 fund based upon the total number of times my book was borrowed. Of course, Kindle owners would be attracted to these books because they were free to borrow. And now I could get a royalty payment on a borrowed book.

It seems like win-win-win:

  • Amazon wins because it gets more books in the Kindle Owners’ Lending Library, thus enhancing the value of the Kindle and Amazon Prime programs.
  • Kindle Owners with Amazon Prime memberships win because there are more books available to borrow for free.
  • Authors/Publishers win because they actually get paid when people read their work.

I thought long and hard about why I might not want to give this a try with Making Movies.

The only drawback for me as a publisher is that I had to give Amazon.com the exclusive right to sell/loan my ebook for at least three months. I could not distribute an ebook version of the title anywhere else — not on Apple’s iBookstore, not on Barnes & Nobel, not on MagCloud, and not even on my own website or blog.

I looked at the sales figures from all the places my book appeared. I’d already sold more copies with Amazon.com than with all of the other retailers combined.

It was a pretty easy decision.

So today I enrolled Making Movies in KDP Select.

The way I see it, three months is not a very long time. If I fail to bring in enough royalty money during that period to continue allowing Amazon to have an exclusive on my ebook, I’ll drop out of the program.

And I know of at least one other author who has enrolled his title: Andrew Dambe with his novel Soleá. (I started reading it; it’s a neat book.)

It’s worth a try, right?