Call Me Captain, 2023 Edition

I am approved for my Operator of Uninspector Passenger Vessel (OUPV) “Six Pack” captain’s license by the US Coast Guard.

I’m going to keep this short — or try to — because I’ve been working hard on getting my Great Loop blog up to date and need to spend more time doing that. I just wanted to share the news that the boat experience time, training, testing, and tedious application filing has all paid off: the US Coast Guard has approved my application for an OUPV Captain’s license. I should get the paperwork in the mail any day now and will (hopefully) have it forwarded by my house sitter before month-end.

What does this mean? It means that it’s now legal for me to take up to six passengers for hire on board my boat for tours, charters, or educational cruises. This is something I’d like to do to help me cover the cost of cruising for the next year or so along the Great Loop.

DO IT NOW Belmont Bay
Here’s my boat, Do It Now, anchored in Belmont Bay, not far from the Potomac River.

What do I have in mind? Well, I’m thinking of the following options:

  • Garmin Chartplotter and Autopilot classes. So many folks don’t understand how they can use the navigation equipment on their boats to reduce their workload and enhance safety. I’d like to show people how to use the features of this equipment while out on the water, actually crusing. I’m thinking a 4-hour course for up to two people at a time would be beneficial. I can do classes on my boat or on the student’s boat, provided the equipment is similar enough to mine.
  • Single-Handing a Small Trawler course. A lot of people seem really surprised when they realize that I’m doing the Great Loop mostly solo. They think it’s hard to single-hand a boat. The reality is that it isn’t hard at all if you know your boat and a handful of tricks to make the hard part — usually docking and anchoring — easier. I’d like to take just one person at a time on a 4 to 7 day cruise to show them what I do, let them try it for themselves, and then pretend I’m not on board while finishing up the trip.
  • Co-Captain course. Created primarily for a boat’s “first mate,” this course will cover everything the second in command needs to know to help the captain or take over for him (or her) in the event of an illness or accident. In today’s world, I expect this class to be of interest mostly to women cruising with their husbands. I’ve met too many couples on the Loop where the wife is in charge of cooking, cleaning, and tossing lines to dock hands and knows little or nothing else about operating the boat. My idea is to provide a ground up foundation of knowledge from boat operations, to trip planning, to handling emergencies. I think the second in command on any boat should be able to handle the boat when the captain needs help but the captain isn’t always the best teacher. I can be that teacher. 4 days on board should be enough to get started.

I’m also thinking about the possibility of offering 3-4 day mini cruises on the ICW to give folks a taste of what cruising is all about. Unfortunately, due to the relatively small size of my boat (and limited sleeping accommodations), it might not make for a comfortable journey folks are willing to pay for. This is something I need to explore more.

This is exactly the kind of thing I like to do: teach people something I know. I have an extensive background in training in classrooms and one-on-one, as well as charter work through my (recently sold) helicopter charter company. This should be easy for me. As usual, the hard part will be attracting potential clients. But I’m working on some ideas for that, too.

And you thought I was “retired”….

Wish me luck!

In case you’re wondering, the title of this post calls back to 2004 when I got my Captain’s bars to fly for Papillon at the Grand Canyon. You can read about that here.

Returning to Do It Now

I finally make the long cross-country trip back to my boat.

I booked my flight back in June, using miles to get the best deal and best seats for the Wenatchee to Seattle to Washington DC (Dulles) trip. I got confirmation that yes, for the third time in a row, my pups would be able to fly together in their large kennel in the belly of the plane. They’re sisters and have never been separated and I’m not about to separate them on what would be a 9-hour ordeal through baggage claim.

It’s All Good — Until It Isn’t

My most excellent neighbors, Sandy and Gary, took me to the airport Friday afternoon. I had two medium carryons, one of which holds my entire jewelry inventory, and a little back pack with my laptop, iPad, cables, and snacks. To be checked was my enormous folding wheelie bag and the dog kennel.

The Alaska Air counter staff weighed in that big wheelie bag and I was thrilled to see it was only 49.8 pounds. (Over 50 pounds and they start charging even more than their already outrageous baggage fees.) That was one worrisome detail removed from the stack of them in my mind. I produced the dog health certificate, which I’d gotten (as required for checked dogs) a few days before. But counter staff didn’t touch it. They had a problem with two dogs going into one kennel.

Alaska Air Doesn’t Care

Alaska Air Chat
Here’s the chat with June confirming that my dogs were reserved on the flight, “one kennel with 2 dogs.”

Long story short, the Alaska Air ground crew didn’t care that I had confirmation on my phone in the form of a text message from their Customer Care folks. They didn’t care that I had done this three times before with departures from Seattle, St. Louis, and Dulles. They didn’t care that I only had one kennel and that the dogs had never been separated and that I had car reservations in Dulles for that night. Or that my house sitter had moved in and and I’d have no where to sleep that night. Frankly, they just didn’t care about how their interpretation of a rule was going to — forgive me — totally fuck up the travel plans I’d carefully made way back in June to avoid the kind of surprises they were throwing at me.

Well, that isn’t fair. Two of the women and one of the men working there did care. But the one that looked like a witch and was apparently in charge of saying NO didn’t give a damn at all. Gotta follow those rules. If they were puppies they could ride together in the kennel. But not adult dogs, no matter how much room they had to move around or how well they knew and behaved with each other.

But if I could get a carryon animal carrier and fit both of them in it, well then I could carry them on board with me.

Amazing that Alaska Air cares more about its idiotic and illogical rules than animal welfare.

Although the folks at the counter originally told me that they’d rebook my flight, the witch gave me a slip of paper and told me to call reservations myself. Did I also mention that she threatened to call the “deputy” if I didn’t leave the airport? Seriously. Alaska Air customer service at small airports is apparently run by small minded, power hungry people.

I called reservations and waited for someone to answer. It took a long time. I managed to get my flight booked. It cost me another 10,000 miles. I was assured that the dogs could ride together in the main cabin with me if they fit together in the same carryon.

But I’d also been assured that I could put them together in a larger kennel in the belly of the plane and that hadn’t gone so well.

The New Dog Tote

Fortunately, my neighbor was still in town. Her husband had driven down in their other car so they let me have the truck and told me they’d pick it up later at my house. They had errands to run.

I did, too. I had to go to Petco to see if they had a carryon that both of my dogs would fit into. The one I had at home and had used with Penny the Tiny Dog would definitely not be big enough for my two girls. I actually had doubts that I’d find one they did fit into.

In the end, I found a decent little Sherpa brand bag with enough floor space for the two of them to lie down side by side. The rules said nothing about the dogs being able to move around in their carryon, although my girls could move around a little. All it said was that they had to completely fit with no body parts or fur sticking out and they couldn’t be in obvious distress. They did and they kinda sorta weren’t. But they were definitely not happy about it.

I stopped at Mission Burger in Wenatchee — highly recommended! — and got the new Thai Style Wings — not so recommended, but good enough. (Pro tip: If a place has “burger” in the name, buy the burger.) I took it home. I texted my house sitter to make sure he was still coming that day. He was. That meant I was sleeping on the sofa in my jewelry studio. (Thank heaven for the garage bathroom!) I went home.

I had a late lunch upstairs in my kitchen, cleaned up after myself, and opened a few windows to air the place out — it still smelled from that morning’s deep cleaning. I got online and printed out the pet policy for Alaska Air so I’d have documentation for what their policy was if they tried to say I couldn’t bring the dogs on board. Then I retired downstairs with my pups for the evening.

I needed a plan C. I booked a rental car for a one-way drive from Wenatchee to Chester, MD where my boat is. The price was remarkably good — cheaper than the plane ticket. But the drive would take four full days. I did not want to go there.

My neighbor texted and told me to keep the truck for the ride to the airport in the morning. I could pick her up along the way and she’d drive it home. At 4:15 AM for my 6 AM flight? I asked. Sure, she told me. I’m usually up by then. Wow.

Second Go

My housesitter moved in with the help of a friend. At about 7:30, he texted to invite me to dinner. I was already under the covers on the sofa so I turned him down. I watched some YouTube videos and drifted off to something resembling sleep.

I never realized how loud the cat door is until that night. I had already suspected that my cats liked to hunt at night. Now I knew they did.

I was up from around midnight to 2 AM. Then a little sleep until 3:30. I woke up, got dressed, did my bathroom thing, and fed my pups. I spent a lot of time taking the contents of one of my carryons and stuffing as much as I could into the other. The dogs were my second carryon. The one I’d be taking now weighed a ton and it did not have wheels.

We all went out together through my new back door. The motion sensor lights in front of my garage doors lit up one after the other as we walked past. My girls did their number 1s, but I didn’t have time to coax them to do more. It was already past 4:15. My neighbor’s lights were on. I loaded up and headed up to their house.

Sandy climbed into the passenger seat. I drove us to the airport, nearly giving us whiplash along the way with the brakes that seemed very touchy in the cold morning air. At the airport I walked the girls again, trying to get a number 2 out of each of them. Lily performed, Rosie did not. Rosie is the dog that has to sniff an area for 10 minutes to decide whether it’s worthy of receiving her poo. There was no time for that.

When I got back to the truck, I discovered that Sandy, who had taken my luggage out of the back, was wearing her slippers. She recommended that I put the dogs in the bag before going inside and I was with her on that. I backed the two dogs in. Lily immediately started scratching on the front screen, but I calmed her down. If she appeared to be “in distress” inside, we were sunk and I really didn’t want to drive 2650 miles in a rental car.

Inside, I had to sit on the floor next to the carryon to keep Lily calm while we waited on line. The witch was at the counter but disappeared, perhaps when she saw me. We both knew that the previous day’s fiasco was her fault; she could have just taken the dogs in their big kennel. No one would have gotten into trouble. But things were different now. I’d be making a complaint to DOT about Alaska Air’s policy shift and what it had cost me.

Instead, I stepped up to the counter where one of the helpful women was working. She weighed my bag and, for some reason, it was a pound lighter — I hadn’t changed a thing inside it. Then she confirmed that I had two dogs in the bag, told me they’d probably be better off on the plane with me, and took my credit card for the $100 dog carryon fee. This was a $50 savings over putting them in the belly of the plane. The savings got better since she apparently forgot to take my money for the checked bag.

Pups In A Bag
That’s Lily on the left and Rosie on the right. It sure is tight in there.

We walked to security and the girls had to come out of the bag so I could carry them through the x-ray machine. They examined the contents of my other carryon, which was a mess of jewelry and electronics. I was briefly worried that they’d confiscate the silver and copper sheet I’d textured and added to the bag the night before — it did have some sharp edges, after all — but they didn’t seem interested. I put the girls back into the bag and went into the waiting room to wait. I put them on the seat next to mine; Lily seemed calmer when she could see me.

Wenatchee to Seattle

About people traveling with dogs

Okay, so here’s a tip when you see people traveling with dogs: Leave them alone.

First, they’re probably stressed to the max. Traveling with a pet is crazy stressful. So much could go wrong.

Second, they don’t want to travel with their dog but they have to. Their dog has to be where they’re going and that’s why their dog is with them at the airport.

Third, they’ve got all kinds of worries on their mind. Is the dog handling its confinement okay? Has it done its business or will it stop and squat in the middle of the terminal? Do they have what they need to clean up such a mess? Is their other bag crazy heavy? And is the dog going to stop in its tracks and refuse to move (again) because it’s terrified of the big, clunking wheelie bags zipping by?

Chances are, these people just want to be sitting somewhere, preferably on the plane nearly to the destination. (Or, better yet, at the destination with a nice cold/strong drink in front of them.) They don’t want to stop so your kids can pet the dog. They don’t want to answer questions about the breed and how old the dog is. And they definitely don’t give a shit about your rescue animal or your husband’s cousin’s dog that looks just like yours.

Traveling with my dogs is one of the most difficult, stressful things I do. (Alaska Air sure knows how to make it more stressful.) I have to assume it’s similar or maybe even worse for others.

So when you see someone at the airport with a dog, just hold your tongue and give them space. I’m sure they’ll appreciate it. I know I do.

Wenatchee’s airline service is limited: just two flights a day now and both go to Seattle. We have a little jet; we used to have turboprops. But we also used to have four flights a day in the summertime. (Remember, Alaska Air doesn’t care.)

When we boarded, the flight attendant at the door greeted us warmly and peeked into the bag, making cooing noises. She was clearly expecting us.

Of course there was a woman in my seat when I got to 12D. She offered me her seat in 7D and if I hadn’t already put away my crazy heavy bag over row 10, I would have backtracked and taken it. But she moved and I slid in, sliding the carryon with my pups inside it under the seat in front of me. It fit nicely.

Dog Carryon
Lily and Rosie in their carryon bag under the seat in front of me.

The flight crew did its flight crew stuff. I noted the emergency exits. We taxied down to the end of the runway and took off toward what looked to me like a full moon.

The flight was uneventful, as every good flight is. We climbed to about 12,000 feet to cross the mountains and descended. The airplane made a sweeping turn to the north, giving me a good look at Mount Rainier poking up above a blanket of clouds. Then we descended through the clouds with the woman behind me fretting about how much she hated flying and groaning when the plane hit the runway harder than usual, bounced, and landed again. We were on the ground by 6:40 AM. Sure beats the 4-hour drive.

Mt Ranier at Dawn
When we turned to the north, I got a nice view of Mt. Rainier behind us.

My girls didn’t stir until the airplane started to taxi in and the passengers started getting restless. That’s when Lily started whining. This is a pretty new thing for her — maybe about a year now? She does it in the boat when I’m trying to dock. It’s very annoying.

I got us and my super heavy bag off the plane. At the door, that same flight attendant told me how much better it was that my dogs could fly with me instead of in the cargo area. She’s been briefed on the troublemaker after all.

I had to take a ramp down to the tarmac and then follow a pathway with more ramps up to the terminal. It was a long walk and mostly outside. I put my pups down, zipped open their bag carefully, got them both on short leashes, and started the walk into the terminal.

They were excited to be out of the bag, walking as far ahead of me through the terminal as fast as their little legs could carry them and the short leashes allowed. We’d landed at Gate C10 and I knew there was a “Pet Relief Area” on the far side of Terminal C, so that’s where I headed.

We walked right by the man with the two Bengal kittens on a bench and stopped near a fake fire hydrant and a stinky patch of astro turf. My girls looked at me as if to say, “You expect us to go there? No freaking way.” Rosie looked absolutely forlorn. They thought I was taking them outside or maybe even home. Nope. We were in travel mode and the quicker they caught on, the better off we’d all be.

Without any success on my mission — to get a number 2 out of Rosie — we walked back to the food court. I dumped my crazy heavy bag and their dog carryon at a table near the coffee and bakery booth and got on line. A latte and an apple fritter. I took it back to the table. While I ate, I moved heavy stuff out of one carryon into the dog carryon, lightening it up for the walk to Gate D5.

Seattle to Dulles

I took them to the pet relief area again with no success. The man with the kittens was gone. I’d seen him in the food court wearing the kitten carryon on his chest.

We went to gate D5 to wait another hour for our flight. The girls jumped right up onto the seat next to mine and went to sleep. Or at least Rosie did. Lily is not likely to sleep in strange surroundings.

Dogs in Waiting Room Sleeping Rosie
The girls got comfortable on the chair next to mine. Rosie fell fast asleep.

They eventually started to board us. Of course, I had to offload everything I’d put into the dog carryon bag so I could get the dogs back in there. They seemed to accept the inevitability of the situation. I zipped them in and put the shoulder strap for their bag over my shoulder. One of them started shaking — probably Lily.

I was in boarding group E and I boarded with group C. I was prepared to tell them that I needed more time to seat myself, which was no lie at all. The middle seat person was there already and had to get up so I could get in. I wasted no time settling in. The girls were already relaxed in their bag. I was amazed at how well they’d taken to it — not that an 8-pound dog has much of a choice.

Another flight crew did its flight crew stuff. The plane taxied down to the south end of the runway. By this time — 9:55 AM — it was full daylight on a very cloudy day. We took off into the sky.

Once we’d climbed above the clouds, I enjoyed the breathtaking views of Mt. St. Helens, Mount Rainier, Mt. Adams, and Mt. Hood. Until the woman text to me asked me to lower my blinds because it was so bright and she’d had eye surgery. (Why couldn’t she get a window seat and control her own blinds?)

Mountains from Plane
From left to right: Mt. Adams, Mt. Hood (barely visible in the distance), Mt Rainier, and Mt. St Helens.

Progress
You can use the free limited Internet to track your plane’s position in flight.

The flight was long and boring. I’d forgotten to bring a pair of ear buds so I couldn’t watch a movie — which normally makes these flights go so much faster. I did write this whole blog post — up to here, at least. And I got a chance to stew about Alaska Air’s policies and how I felt kind of screwed over by this episode. Did I mention that I had pre-purchased lunch on the flight I couldn’t get on, thus throwing away another $10 on this fiasco? I had to buy a deli snack pack for this flight, which was high on carbs and salt and low on nutrition. A bloody Mary gave me the veggie serving I needed. And, between glimpses out the window that forced the woman in the seat beside me to shield her eyes, I napped.

We’re about an hour out now — I can follow our progress on the Alaska Air home page that appears with free limited internet. I can only text people with iPhones (via iMessage) and I’ve already bothered enough of them.

An hour left. If only I could stretch my legs out…

On Whiners

Well, I decided I wanted to spent the last half hour of the flight lookig out the window so I opened the shade. The woman next to me immediately started whining about how inconsiderate I was and how it was a medical problem and how I should just close the blinds. So I told her I’d been considerate the entire flight and I paid for a window seat and I wanted to look out the window and if it hurt her eyes, she should just close them. She she got up, bothering the woman on the aisle to do so, to ask the flight attendant if she could change seats. I tried to explain myself to the woman on the aisle but she didn’t care either way and didn’t want to hear it. But the woman behind me said I should have left my blind up for the whole flight because I’d paid for that seat and if I wanted to spend the flight looking out the window I should.

Well, the whiner came back to fetch her things and got a middle seat on the other side of the plane two rows closer to the front. I opened both of my window blinds — did I mention I had two of them? — and spent the remainder of the flight sucking the view through my eyes.

Later, in the terminal, as I was letting my pups out of their carryon, the whiner came up to me to tell me how inconsiderate I was. I told her she was an idiot and if she had eye problems she should have had dark glasses or a night shade and that because she was an idiot I didn’t want to talk to her about it. So she told me the flight attendant had my seat number — I guess we’re back in high school? I’m left thinking that I was seated next to a childish moron for the flight and that if I’d opened the shade earlier I could have gotten rid of her earlier. Lesson learned.

Finishing Up this Tale

I’m not on the plane anymore. Now I’m on my boat in Chester, MD after a long day of cleaning topped off with a martini — with ice I had to bum from a boat that just came in — on the command bridge for sunset. So I’ll make this short.

We found our way to the outdoors where neither of my pups would do their business on pavement — no grass around — but I did manage to find a free luggage cart so I didn’t have to carry that crazy heavy bag anymore. We went to baggage claim and waited. The moron with the surgery eyes was nowhere to be seen, but I was ready to tell her what an idiot she was again if she did show up again. My giant 49.8 pound bag was one of the last off. I put it on the cart and went outside in search of the rental car van.

Of course, the van driver made me put my pups back into their carryon.

I waited about 15 minutes to get my car. Enterprise had two guys at the desk and each time they finished checking someone in, they’d escort them outside to their car. At one point, no one was at the desk. It was idiotic to handle rental cars like this at an airport.

They gave me a boxy little Kia. It’s cute and easy to park. I loaded everything on board, including my pups, and went in search of grass. I found some at the Atlantic Aviation building. Atlantic is an airport FBO — I used to park my helicopter at the one in Deer Valley north of Phoenix. They had lots of grass. I let the girls out and they did some number 1s for me. They we piled back into the little car, I set my phone up with the stereo, and told Google Maps to direct me to the marina where my boat was waiting. It told me the ride would be about an hour and a half.

At the Boat

It was longer because I hit traffic. We got to Chester around 8:30 PM. I stopped at the supermarket to get some food, but mostly milk for my morning coffee. And coffee in case I didn’t have any on the boat. I have priorities.

Then we went to the boat. I found it parked alongside the dock where they stage boats for the TravelLift. That’s the machine that pulls boats out of the water. My boat was probably the last one it had hauled.

Things at the boat didn’t go as smoothly as I thought they might. First of all, I quickly realized that I had no DC power. Most of the boat’s lights are DC and none would go on. The refrigerator is also DC so if I didn’t get the DC power working, my milk (and yogurt and salad, etc.) would go bad. I used the flashlight on the phone to look for a circuit breaker to check. My brain, after 14 straight hours of sometimes very stressful travel, had switched off. I texted a friend in Washington with the same boat. He called. I was just thinking about the thing he told me to check first when I answered. Of course, it was that: the master switch for the House and Engine battery banks had been turned off, probably by the crew who had installed my new Garmin stuff.

I chatted with my friend for a while as I fed my pups. By this time, it was well after 9 PM — of 6 PM Pacific Time. As I hung up, I looked around the now lighted boat. The place was an absolute mess. Had I left it that way? I remembered stowing a lot of stuff inside that had been outside but found it hard to believe I’d left it so bad.

I didn’t care. All I cared about was getting the bed made so I could go to sleep. I took my pups for a walk — finally getting the numbers I wanted out of them — and we all went back to the boat. They settled into their bed on my bed. I settled down with a cup of water and my iPad. I was asleep before 11 PM local time.

And I slept great.

Exploring Visual Art

I begin to explore visual arts: watercolor painting, drawing, and linocut printing.

In my previous post, I shared a lot of info about how I’ve been moving from creating with words to creating with my hands. In a quick review of that post, I realized that I didn’t share much about the art I’ve been exploring.

Painting

Bob at Easel
A publicity photo of Bob Ross.

It started with Bob Ross. You know — the white guy with the afro and soothing voice from the PBS The Joy of Painting series? I don’t recall when I started watching his videos, but I must have seen at least half of them. They’re all on YouTube and if you want something to calm you down or put you to sleep, I highly recommend them.

I wanted to try what he was doing. It looked so easy. But I had no artistic skills. I knew that if I wanted to follow along, I’d need the exact materials and tools he had. But the idea of working with (and cleaning up) oil paints was daunting, especially with so much time spent traveling every year. So I never hunted them down or bought any.

And then I started thinking about watercolor and how easy it was to clean up and how it didn’t matter if the paint dried in your palette. And I started watching YouTube videos about that, starting with videos by Jenna Rainey. I bought her book (as I’m prone to do), Everyday Watercolor, and started following along with her exercises, using her suggestions on brand and colors of paints, brand and sizes of brushes, and brands and types of paper. That’s how I wound up using Winsor & Newton Professional Watercolor paint in tubes, Princeton Heritage Series 4050 Synthetic Sable Brushes, and mostly 100% cotton cold press paper. Not the cheap stuff, but not crazy expensive, either.

It worked out well for a while — until I got bored painting leaves and flowers, which is apparently what she mostly paints. Around this time, I also saw a change in her videos. She’d obviously made the YouTube big time and had money to burn. She had a new studio and new camera set ups and was extremely self-promotional. As a YouTube creator — you know I have a YouTube channel of helicopter videos, right? — I know how they push us to bring in more subscribers, viewers, and money. I find it a turnoff when it goes beyond a certain level. She had gone beyond that level. So I stopped watching her videos.

(I’m so sick of YouTube creators caving to the demands of YouTube and video sponsors.)

I started watching other videos and reading other books and learning from other watercolor artists. Here’s a list if you’re interested:

YouTube Channels

I watch more YouTube than any other “television.” There is so much to learn online there if you are careful about what channels you watch for good info. Some are just plain crap. And I didn’t think I’d ever say this, but if you watch a lot of video, subscribe to Premium. It’s worth it just to get rid of those f*cking mid-roll ads that YouTube demands creators include. You can always fast-forward through the sponsor messages, which are prevalent on popular channels.

Anyway, here are the watercolor artists I watch most on YouTube these days.

  • Paul Clark
    Paul Clark looks like a nice guy, no?

    Paul Clark is a Brit who does a lot of line and wash painting, which I like. He explores other styles, too. He’s got a nice sense of humor and I enjoy watching him paint.

  • Karen Rice Art features another Brit who does a lot of abstract watercolor painting, which I like. She’s very down to earth, with a good attitude.
  • Erin Eno is a watercolor artist with lots of beginner and otherwise very easy tutorials. My only gripe with her is that she has a tendency to overwork her paintings — it’s like she can’t finish. I’ve also seen evidence that she experiments while she records video and has no idea how something will turn out. This occasionally leads her down a bad path, so beware if you follow along!
  • The Mind of Watercolor is Steve Mitchell’s channel. I think it’s more advanced than some of the others, but it does include beginner videos. I like his style, mostly because he’s just explaining things one artist to another.
  • Diane Antone
    Diane Antone. Not sure about the hat.

    Diane Antone Studio is an ambitious channel with lots of new videos every week — she promises a new one every day. These days, many of her videos seem to be the obligatory video created solely to reward a sponsor for sending her product. To make matters worse, I’m pretty sure she’s the one who gets preachy once in a while. (After a while, they all blur together in my mind.)

  • Paul’s Watercolor Studio (which is a new name for that channel) features another Brit named Paul. I don’t like his videos quite as much as Paul Clark’s and I noticed that he’s been doing a lot more promotional stuff than he used to. But he’s still a good resource.

There are a few more I watch once in a while, but I can’t really recommend any of them. So many of them are the same stuff over and over. Or “artists” talking about their life while they put blobs of paint on wet watercolor paper and then doodle on the result with permanent markers. Not something I can really learn from.

Books

I already mentioned one book. Here are a few others I like:

  • Watercolour Book Cover
    Paul Clark’s watercolor book. I bought the ebook version, which is easy enough to consult while I’m painting.

    Watercolour: Techniques and Tutorials for the Complete Beginner by Paul Clark. Yes, the same Paul Clark as the videos. It’s full of practical exercises that build on each other and are not limited to leaves and flowers. I’m working my way through them slowly in a watercolor notebook I have. Oddly, I can hear his voice in my head as I read the text.

  • Watercolor Workbook: 30-Minute Beginner Botanical Projects on Premium Watercolor Paper by Sarah Simon. The best thing about this book is the color mixing recipes with places to paing your own version beside or beneath a sample. It’s challenging to get it just right. The exercises are pretty much the same, requiring you to outline a drawing and then color it in with the colors you mixed for the exercise. The paper is not “premium watercolor paper” by any stretch of the imagination. It’s thick and rough (like cold press) but is definitely not cotton and does not handle water well. I’m about 1/3 done with the exercises but I’m bored with them. Too much like a coloring book.
  • The Complete Watercolorist’s Essential Notebook: A Treasury of Watercolor Secrets Discovered Through Decades of Painting and Experimentation by Gordon MacKenzie is basically a tips book, with a few exercises to illustrate each tip. It’s extremely thorough and has the kind of tips that it could indeed take decades to come up with. It’s the kind of thing I dip into once in a while to fill in the gaps of my knowledge.

The trouble is, watching videos and reading books is not the same as practicing what’s in those videos and books. I got immersed in other things in my life — traveling on my own boat, organizing my last season of flying work, prepping my house and packing for a prolonged trip (with a new house sitter to hold down the fort). I didn’t practice much and, when I did, I didn’t like the results. I was getting seriously discouraged no matter how many videos and books I consumed.

Drawing

And then there’s the simple fact that I can’t draw my way out of a paper bag.

I would never be able to make anything more interesting than blobs of color resembling flowers and trees viewed with my contact lenses out unless I learned how to draw the things I wanted to paint. I love the concept of line and wash — where you take a rough drawing done in permanent ink and add watercolor washes for color, highlights, and shadows — but the only way I could do such a thing was to start with someone else’s picture. That’s fine for practice, but I should be able to do better.

So I started watching videos and reading books about drawing. Here’s what I found helpful so far.

YouTube Videos

Artisto Videos
The Artisto Sketching Course on YouTube covers all the basics.

I’ve only seen one series of videos so far and I admit that I fell asleep watching them so I need to watch them again. It’s the Artisto Sketching Course on YouTube, which I discovered on a slip of paper that came in an Artisto notebook I bought. I can’t say much about it other than the fact that it’s a good primer that covers all the basics. Next time I watch them, I won’t be sitting on the sofa at the end of a long day. I’ll be sitting at a table with a sketchbook and sharp pencils in front of me.

Books

I’ve also looked at a few books, two of which I really like.

Again, watching videos and reading books isn’t enough. I have to practice all this stuff.

Enter Linocut Printing

As if I didn’t have enough art-related hobby stuff to neglect, I got interested in another type of artwork: linocut printing. It started when I watched a YouTube video suggested by The Algorithm: Artist Demonstrating Picasso’s Reduction Linocut Technique. I was fascinated.

Linocut is a method of block printing where you carve a picture or design into a piece of linoleum (or something similar). You then apply ink to the cut surface, put a piece of paper on top of the cut, and rub the paper into the ink (or put it through a press) to transfer the image onto paper. Whatever you carve away has no ink on it so the paper stays white. Whatever remains raised is inked and creates the image. In a reduction linocut, the original linoleum carving is carved away before each color is applied. If you’re having trouble understanding this, do watch the video. It’s very good.

Speedball Kit
The Speedball kit I bought. The only thing missing was drawing skills and paper. I had one of those things.

I probably wouldn’t have gone any farther with this, but I happened to be in Hobby Lobby — which I honestly do hate with a passion but it’s the only art supply store in town now — and they had a Speedball Water-Based Block Printing Starter Set on sale for just $19.99. It had everything I needed (except drawing skills; I wish they came in the box) to create and print a linocut image. I bought it. I carved a simple seascape drawing with a lighthouse and ocean and waves and a crescent moon. It printed okay. (Not good enough to take a picture of since I don’t seem to have any pictures of it and now it’s packed away so I can’t take a picture.)

I was hooked.

Watercolor of Berries

First Berry Print

Colored Berry Print
The inspiration for my berry linocut print (top), my first print with chatter (middle), and my first colored in print (bottom).

What I wanted to do was create single color linocut prints and then use my watercolors to apply color and shading. It would be a line and wash, but the line would be a block print.

But I had a problem. The kit came with water-based ink. Even after it dried, it smeared when it got wet. It would definitely not work with watercolor paints. I needed oil-based ink. That wasn’t available locally, so I bought some online at Dick Blick. I bought Speedball Oil-based Relief Ink because that was the only brand I knew.

Meanwhile, I saw a simple watercolor painting on Mastodon that inspired me. I printed a copy of it and traced it onto Speedball Speedy Carve Block. Since the oil-based ink hadn’t arrived yet — Dick Blick has a great selection, but shipping takes over a week — I printed it with my water-based ink. It came out ok, although there was more “chatter” than I wanted. I’d need to do more carving to get rid of it, but that could wait until the next print, with the oil-based ink.

Although I knew I couldn’t use my watercolor paints to color my print in, I did have oil pastels — we called them “cray-pas” when I was in elementary school and I loved them. I used them to color in the berries as blueberries and apply a gradient background over the chatter. I was pleased with the results. It wasn’t perfect, but at least I liked it. (Ask anyone and they’ll tell you that I’m my worse critic.)

Of course, I needed to learn more. So I started watching more videos and reading more books. And I started learning about more interesting techniques to apply the colors, like chine collé. There was so much to explore!

YouTube Channels

Here are a few very good channels with linocut content worth watching:

  • Handprinted has all kinds of videos about all kinds of printmaking. Very approachable.
  • Laura Boswell Printmaker has more advanced tutorials and demonstrations that really show off what you can do with printmaking.
  • Linocut Elina Artist is wonderful for demonstrations of reduction printing, although she focuses on the actual printing part and not the cutting part. The videos I’ve seen on this channel are not narrated, but they’re fun to watch. I especially like the “Red Rooster” demonstration.

Books

Block Print Magic Book Cover
I absolutely love this book and can’t wait to work through all the exercises.

I only have one book about linocut printing (so far) and I love it. It’s Block Print Magic: The Essential Guide to Designing, Carving, and Taking Your Artwork Further with Relief Printing by Emily Louise Howard. It covers all the basics about tools and materials, explains how to keep cutting tools sharp, and then launches right into several projects, with lots of illustrations and step-by-step instructions.

I’m looking at a few other books online, but I think I’ll hold off until I get to Dick Blick in Washington DC next month where I hope to be able to browse better.

It’s All Packed and Shipped

I can’t do any artwork right now because I’ve packed and shipped all my materials and tools to my boat. After a long, dull summer at home, I’m finally heading back to Do It Now next week. I’m spending these last few days packing and cleaning and getting the house ready for its live-in house sitter. I barely had time to write this blog post, which I started this morning and then finished after a long day mowing my lawn, taking my trash on its 2-mile drive to “the curb,” and prepping my garden for winter.

It’ll take a few days to unpack everything I’ve shipped to the boat — I’m thinking there should be about 20 packages waiting for me when I arrive — and reprovision for the first leg of my trip south for the winter. I’ll be spending more nights at anchorages and should have plenty of time to get some practice in. With luck, I’ll be able to show off more work in a few weeks, assuming there’s work to show. I’ve also decided to do block printed holiday cards this year and will be working on those.

In the meantime, if you have any insight into any of this and want to share some of your favorite resources, please take a moment to leave a comment on this post. I’m really interesting in learning as much as I can from as many good sources as I can. Can you help? Don’t be shy! Leave a comment!

Making

Going from working with words to working with my hands.

For years, my creativity has always centered around writing. I started writing in my early teens — fiction, back then — and managed to turn my writing skills into a career starting in the early 1990s. I wrote books and articles, mostly about how to use computers. Later, I wrote about flying and, most recently, about boating. And, of course, I’ve had this blog for nearly 20 years.

Building Solutions

But it was around 2014 that I started branching out into other creative endeavors — actually making things with my hands. It started when the building that would become my home was under construction and I had a need to make things for it. I think the first thing I might have made for the inside of my shop was my workbench, a sturdy affair made of 2×4 lengths and plywood. It’s ugly, but it’s sturdy as hell, mostly because it weighs a ton.

Shelves
This is the first set of garage shelves I built. It’s 8 feet tall, 8 feet wide, and two feet deep. I put Penny the Tiny Dog on a shelf for scale. I built this on the garage floor and needed help getting it upright.

Since then, I’ve built various other solutions for needs I’ve had, including a number of other work surfaces, storage shelves for my garage and garden shed, and three chicken coops. (It was the third coop, a 4 x 8 foot building with a metal roof that’s large enough to walk into and has four perches, six nests, and a brooding area, that finally did the trick.)

I did a bunch of the work necessary to build or finish my home, too. I wired the whole place, laid down Pergo laminate flooring and tile, built stub walls and a shower stall, constructed deck rails for my outside deck and inside loft, put down the Trex decking on my 600 square foot deck, and added trim around doors and walls. More recently, I worked on a bathroom project that required me to lay out plumbing drains and vents, install insulation, and put up paneling. Although none of these activities called for much creativity, they still involved making things with my hands.

Along the way, I’ve accumulated a pretty respectable collection of power tools — certainly more than my father, stepfather, or wasband ever had. I have a chop saw and a table saw. I have an impact driver, three drills, and a pair of battery operated screwdrivers. I have a circular saw, a reciprocating saw, and a jig saw. I have an angle grinder and a Dremmel. I have two nail guns and a big compressor with enough hose to reach anywhere in my home or garage from the garage. And hand tools! I have just about everything I need. As my wasband used to say, “Any job is easy when you have the right tool.” Hell, yes!

And I’ve come to realize, after nearly 10 years of doing this kind of work, that I like it.

Making Jewelry

Elsewhere in this blog, I’ve already discussed how I got started making jewelry so I don’t want to rehash that here. Instead, I want to talk about how making jewelry makes me feel and why it has become a part of my life.

I look at jewelry making as a combination of challenges:

  • The engineering challenge is to come up with a design that physically works. For example, a pendant that includes a stone must have the features necessary to hold the stone securely in place. It must have a bail to hang it from a chain or other necklace. It must be balanced so it doesn’t hang awkwardly from its bail.
  • The aesthetic challenge is to come up with a design that looks good. What design elements can I include? Which stone will I work with? How will the overall design complement the stone?
  • Ruby In Zoisite
    This piece on includes two ruby in zoisite stones. It was entirely handmade from sterling silver sheet, bezel strip, and wire. The skills I used to make it include cutting, piercing, filling, stamping, shaping, and soldering the metal. As for tools — well, it took a lot more tools than I could take with me in my travels.

    The skills challenge is to be able to create the piece of jewelry I’ve designed using the silversmithing skills I have or am building. Those skills include cutting, filing, texturing, and soldering metal. My skills improve with every piece of jewelry I make, but they’re limited, in part, by the tools I have available. (I have a full set of jewelry making tools in my home-based studio, but I’m very limited when I travel.)

It’s these three challenges that make jewelry making a rewarding activity for me. There’s always something new to try. There’s aways a skill to build or hone. I will never be an expert, although I will get better and better at what I do just by doing it.

Making Jewelry for Sale

When my seasonal flying work was earning enough income to support me, making and selling jewelry was a “side gig” and it didn’t matter much whether I made more money than I spent on materials and equipment. But with my retirement this year, that has changed. I’m now treating my jewelry business more seriously as source of income. That means making more (and selling more) jewelry.

I’m fortunate in that I have several avenues for selling and they’re all pretty good. Some are better than others. About a month ago, one of my wholesale clients pretty much cleaned out my inventory of pendants, leaving me with slim pickings for my online shop and a lot of work to do before my next art show. That show is coming up in about 10 days, so, as you might imagine, I’m hustling to make more inventory.

The challenge now is to keep my creativity level up and not just make different versions of the same item. I do that, too — it’s quick to be able to make certain designs in “batch mode” — but it also takes a bit of the fun out of making. (See the second bullet point above.)

Lately, I’ve been very busy with garage projects, but for the next 10 days, I’ll try to spend 4 to 8 hours a day in my studio. (Fortunately, it has an air conditioner, which I’ll definitely need with temperatures getting into the 100s for the next few days.) I’ll work primarily on pendants, which I’m so short on, but will also try to get some earrings made. In the evening, while I’m relaxing with my pups upstairs, I’ve been making the beaded necklaces that coordinate with the pendants; I’ve made four in the past three days.

I have two back-to-back shows in Leavenworth, WA, including a five-day show for Labor Day weekend. Then I might do a half-day show in Twisp before taking whatever inventory is left to my wholesale customer in Winthrop and a gallery in Twisp. By then, it’ll be pretty close to the end of my stay at home and the start of my travels.

On the Road

Will I make jewelry while I’m away?

It was easy when I traveled with the cargo trailer I turned into a mobile jewelry studio. I could camp out in the desert all winter and spend as much time as I liked inside it with just about every tool I needed within reach. But I’m not traveling with the cargo trailer anymore. These days, I’m on a boat and space is very limited.

Ruby In Zoisite
Another ruby in zoisite piece, but wire-framed. I can make this kind of pendant anywhere and it still sells well, but I’m bored with it.

The main challenge will be to put together a set of tools and materials that’ll keep me producing without taking up too much space. The wire work I used to focus on is extremely portable, but I’m kind of sick of doing that. Beading is also something I can do anywhere, but even the beads take up a surprising amount of space so I’ll need to limit what I bring along.

I’d like to be able to keep fulfilling online shop orders as I travel, but that means taking all of my inventory with me. That’s not a huge deal since jewelry is relatively small and I have a good storage case to keep it all in. I’d also like to be able to set up new wholesale accounts along the way — but that means having enough inventory to sell. And that means making while I travel.

So the answer is yes, I will make jewelry as I travel. I just don’t know how much. The next 12 months should be quite a challenge.

Why I’m Leaving Etsy — and Maybe You Should, Too?

For years, I had an online shop on Etsy to sell my jewelry. Not anymore.

I’ve made some changes in my online shop and I thought I’d take a moment to explain why and what I changed. But let me start with an explanation of how I sell my handmade jewelry.

How I Sell My Work

Most of my sales are either directly to buyers at art shows, via consignment sales at two Washington State galleries, or wholesale to a variety of gift shop owners. Each method has its own pros and cons:

  • Art shows take a lot of time and effort. I’ve got to get to the show, set up my booth, and then sit in it for the duration of the show. At the end, I have to pack it all up and get it home. Those are the cons. On the plus side, however, is that I have complete control over my inventory and sell at retail price. So I have the potential to make more money per item sold.
  • Consignment is a different ball game. I drop off inventory that the consignment place may or may not put on display immediately. When I drop it off, I lose control of it and can’t sell it. But I also have to keep track of it. If and when it sells, I get a check for 60% to 65% of the retail price. Ouch. If it doesn’t sell, I get it back, usually in serious need of cleaning before it can go back into my inventory. Those are the cons. On the plus side, it doesn’t take much effort to sell and my work eventually appears in a shop with other gallery quality items. I generally get checks every single month, year-round. Still, I’d rather not do any more consignment selling, especially for high ticket items.
  • Wholesale is pretty much the same as retail with the main benefit being that I get paid up front, don’t have to keep track of what’s sitting out there, and I never see it again. It’s the same as selling to a retail buyer, but at a deep discount. Once it’s gone, it’s gone for good.

I’d like to do a lot more wholesale selling and a lot less art show selling. Part of that is that art show success is so dependent on the venue and the weather. I usually turn a decent profit at each art show I attend, but I did lose money at a Christmas Show in Spokane last year and that hurt.

When I sell wholesale, I know my cost of sales right up front: the amount of the discount I have to offer and the cost of getting the merchandise to the buyer. When I sell at art shows, I have a lot of costs to cover before I can start seeing profits: jury fees, entrance fees, transportation costs, lodging costs, etc. — and that doesn’t even include the cost of my booth tent, tables, table coverings, displays, etc. It’s possible to pay $400 for a booth at an outdoor show 50 miles away and have weather so miserable that no one comes out to the show. Or pay $500 for an indoor show 150 miles away and be stuck in a back room none of the shoppers walk back to. This has happened to me and it sucks.

Selling Online

Of course, selling online is probably the best of all worlds. I keep control of my inventory and sell it at retail price (or maybe a slight discount with a coupon or sale). The online shop calculates and collects the money and sends my share — more on that in a moment — right to my bank account. I package the merchandise — which is easy because I’m selling small items — and ship it out. I don’t have to set up, sit in, or tear down a show booth. I don’t have to sell at deep discounts or wait until an item out of my control is sold. When an item is sold online, it’s gone and I never have to think about it again.

Lots of folks think this is the only way to sell. They think it’s as easy as setting up an online shop and ringing in the sales. But what they don’t understand is that people not only have to want what you sell, but they have to be able to find it.

And that’s where Etsy comes in.

Etsy — Then and Now

Etsy started as a marketplace for handmade goods — items created by crafters and artists. It built a reputation as a place where you could buy unique things while supporting makers. And, for some people who don’t know any better, it probably still has that reputation.

Mastodon Toot
A response to my toot this morning about my switch from Etsy to Square for online selling. I giggle at the word “tat,” which is apparently UK English for “junk.”

But it’s a farce. Etsy is now full of manufactured junk, much of it made overseas and passed off as “handmade” by people trying to cash in on Etsy’s reputation. As a web designer on Mastodon commented to me today, “I was looking at selling on Etsy lately and was dismayed to see it now sells all the same tat as eBay/Amazon, and appears that the only way to actually sell anything is to pay them to boost listings.”

And that brings up another one of Etsy’s ploys. If you search Etsy for an item — say “silver jewelry” — it will bring up search results with Etsy sellers who paid to have their posts boosted before any other sellers. Sometimes, the search results don’t even match the search phrase. In so many cases, the results that come up are cheap crap that you know isn’t handmade.

Etsy Search Results
My search for “Silver Jewelry” brought up this collection of garbage. Are we expected to believe that someone will make you a personalized name necklace for only $16? And how much of this stuff looks like silver to you? The whole second row is paid advertising. Scrolling down (beyond this screenshot) displays more of the same. As a seller, do you think anyone will find what you make in this mess?

White Buffalo Pendant
While this might not be your taste in jewelry, it’s solid sterling silver, hand formed from sheet, strip, and wire with a genuine White Buffalo Turquoise cabochon in it that was hand polished by a lapidary friend just for me. Even the beaded necklace has sterling silver beads, although the white beads are howlite.

So I’m making quality sterling and fine silver jewelry with gemstones using a wide variety of silversmithing tools and techniques and I’m competing on Etsy with this crap?

But wait, there’s more!

Recently, Etsy decided, out of the blue, that it was going to hold back 70% of my payment as a “reserve.” No real explanation of why. It just had to wait an extra week or two to get my money.

Add that to Etsy’s fees:

  • 20¢ for each listing, including automatic re-listing of an item that didn’t sell in 60 days and automatic listing of multiple quantity items when one sells. So, in other words, you’re going to pay 20¢ per item just to be able to show it on Etsy.
  • 6.5% of the order total, including shipping and gift wrapping fees, if charged.
  • 3% + 25¢ for payment processing fees.
  • 15% of the order total for sales made through the use of Etsy’s offsite advertising. Yes, if Etsy puts an ad on Google and someone clicks that ad and it takes them to your shop and they buy something, you pay Etsy an extra 15%. This is an opt-in feature and I’m pretty sure the fee used to be 20%. I opted out when I realized what it was costing me; somehow all of my sales were being hit with this fee.

And this doesn’t even begin to cover the optional monthly fees you can pay for shop customization options or the optional marketing fees you can pay to boost listings and get them at the top of search results.

So, in all, we’re looking at roughly 10% to 25% of the listing price to sell it. And that’s if it sells the first time it lists. You’ll pay an extra 20¢ every time it’s relisted.

Yes, I know this is less than the cost of selling by consignment or wholesale and even less than the cost of selling directly to buyers at art shows given the cost of doing art shows. But I think it’s a bit outrageous when you consider that I’m not getting my money immediately and my work is pooled in with so much other crap.

Sellers Revolt

Etsy sellers are not taking this sitting down. Or at least some of them aren’t. The withholding of money has gotten Etsy sellers up in arms enough that they’re threatening to strike. And that has resulted in Etsy backpedaling to reduce the amount it withholds. I got an email telling me that they were only going to withhold 30% of my sales.

Too little, too late. For the reasons listed above, I’m outta there.

I set up my shop to be “on vacation” with a vacation notice that says my shop is permanently closed and they can find my new shop on Square. Of course I included a link. I also turned off all automatic listing renewals for everything still listed in my shop. One by one they’ll disappear. When they’re all gone, I’ll delete the shop. Unless Etsy deletes it first.

The Square Solution

I use Square for credit card processing. I have been using it since it first appeared as a credit card acceptance option, back when its target market was garage sale runners and babysitters.

Back then, I set it up for my flying business. I was tired of using a credit card acceptance system that charged me a minimum monthly fee, statement fees, and a relatively high credit card processing fee. It was costing me more than $50 a month, even when I didn’t accept any credit cards.

Square was different. It used a smartphone app, charged a reasonable processing fee, and that was it. No monthly fees, no minimum fees. The only catch (back then) was that they wouldn’t pay out more than $1,000 per week. They weren’t expecting folks like me who sold service that often started at $1,000. But I was able to get around that with them by providing documentation that proved I was legit and had other credit card processing service in the past. The upped my weekly limit to $5,000, which was fine. (There isn’t any limit anymore.)

So when I started doing art shows, it made sense to set up a Square account for my jewelry business. While people might whine and complain that the rate is too high — seriously? — or they have some other imagined gripe about it, I have no complaints about Square, at least not yet.

One of the things Square now offers is the ability to sell online. While they didn’t implement this in a user friendly way, I have enough tech knowledge that I was able to figure it out. I started building my online store more than a month ago and now have most of my inventory in it. You can find it at MLJewelryDesigns.square.site.

It’s simple, but that’s okay. I think it looks professional — certainly a lot better than Etsy ever looked. It works.

Best of all, it’s free. No listing fees, no selling fees. All I pay is the cost of credit card processing, which I would if I were selling at an art show. It even has a built in shipping calculator that lets me buy discounted postage to ship items out. Just like Etsy.

Yes, there are upgrades available for a monthly fee. One of them would let me use a custom domain name, which I’m considering. Others offer better marketing options or shop analytics — most of which I don’t need and certainly don’t want to pay for. I’m not fooling myself here: I don’t sell much online and don’t think I ever will. But I want the option. I want to be able to send folks to a place where they can buy what I make 24/7.

And that brings me to marketing.

Promoting My Online Shop

I remember the early days of the worldwide web — you do know that’s what the WWW stands for, right? Back in the day, everyone wanted an online shop. They thought that all you had to do was set up a website and people would just buy, buy, buy whatever you were selling. No one seemed to realize that people had to want what you sell and find your shop before you could maybe sell to them.

And that’s where marketing comes in.

Yes, I have an online shop. Yes, there are features built into Square’s online shops to be found by Google in searches. But I’m not dumb enough to think that I can just sit back and let those two things bring me sales.

If Facebook is your business’s website, you’re doing it wrong.

Serious business owners have real websites for their businesses, not Facebook pages.

You might think it’s enough to just put your business on Facebook and steer folks to your page, but it isn’t. First of all, it’s alienating people like me who wouldn’t open a Facebook page to follow a friend, let alone get more information about a business. Second, as discussed in this blog post by UK web designer Nick (who also authored the Mastodon toot above), you’re at the mercy of Facebook’s algorithms to determine whether what you post on Facebook will even appear for the folks who follow you.

You can do better than that without breaking the bank. Heck, even my WordPress-based sites have the ability to forward all of my posts to the folks who want to see them. No algorithm will block that.

No. I have to send people to my shop. And I do that several ways:

  • Maintain a website. I use the ML Jewelry Designs website as way to share news with visitors, including folks who actually subscribe to get that news. And yes, I get a bump in website hits and even a few online sales after every art show I attend. Also note that I used the word “maintain.” That means adding fresh content regularly. No one wants to visit an out-of-date website more than once.
  • Distribute business cards at art shows. My cards have a photo of one of my pieces of jewelry and a link to the ML Jewelry Designs website. The website is not my shop, but it does have links to my shop and links to specific pieces of jewelry. Those cards are not only available in multiple places in my booth, but I also slip them into the packaging for every single item I sell.
  • Post about new work on social media. The website does this for me. I use WordPress which posts to Mastodon for me. I’m not on Facebook or Twitter (or X, the dead bird site) anymore. I do have an Instagram account and I try (but mostly fail) to post there. Any social media post I make has a link to either my website or the actual listing in my online shop for the jewelry I’m showing off.
  • Link where appropriate. I link to the ML Jewelry Designs website wherever appropriate, including this blog and from the organizations that sponsor the shows I do.

No More Etsy for Me

While I know that several of my artist friends have had some success with Etsy and haven’t seemed too bothered with the reserve or fees, I can’t say the same. If you’re like them and Etsy is working for you, stick with it. But if, like me, you’re tired of your work being hidden away among so much manufactured crap, maybe it’s time to find another solution.

I’m done.