Go RVing?

Two photos from our first real campground experience.

I’ve been camping since I was a kid. My family camped with an elaborate setup of tents and equipments on family vacations until I was about 11 years old. That’s when my dad caught a nasty cold and decided on comfort. My parents bought a 22-foot Prowler pull trailer that could sleep seven [little] people. That gave us all the comforts of home.

My family always camped in campgrounds that had at least partial hookups, even when we tent-camped. Mike and I, however, have always favored “dry camping” on public land and parks. We’re not the kind of people who like to be compartmentalized in a parking spot surrounded by other campers. Once, when we were camping at a park in Hawaii, everyone else set up their tents in a big field. We passed all that up and set up our tent on a cliff overlooking the ocean. At night, we could see the lights of the big island in the distance, we listened to the sound of the restless sea’s waves on the rocky shore below us — not our fellow campers.

Anyway, about a year and half ago, in preparation for a summer-long helicopter gig that didn’t happen [yet], I bought a 21-foot pull trailer. We’ve used it a number of times for helicopter gigs: at the Mohave County Fair, Big Sandy Shoot, COPPERSTATE Fly In, etc.

The camper is rigged for dry camping. It has a solar panel on the roof that keeps its batteries charged, so we have plenty of power for the lights and stereo and water pump. It holds 40 gallons of fresh water and has gray water and black water tanks to hold what goes down the drain or down the toilet. The fridge and water heater run on gas. Water is our big limiter; if we take very short showers every other day and use paper plates for all meals, we could probably last a week. But if we’re out for longer than three days, we bring extra water in up to four 7-gallon containers.

Most recently, we used the camper for a weekend-long stay in the Parker area, where I’d been hired to do an aerial photography gig of the Parker 425 Off-road race. Since we’d planned to bring Jack the Dog and Alex the Bird with us and since our camper isn’t very easy to keep warm on cold desert nights, I decided to reserve a spot in a campground. We wound up in Buckskin Mountain State Park (highly recommended if you don’t mind camping in a pleasant parking lot), right on the Colorado River. And for the first time ever, we had a full hookup: water, electricity, and sewer.

The main benefit of this is that we could use a very quiet electric heater to keep the camper warm at night. The gas heater that’s part of the camper has a very loud fan and goes on and off all night long. With the electric heater — which our batteries could not run — we got a very comfortable good night’s sleep.

Which is kind of important when you plan to spend the next day chasing off-road racers with a helicopter.

Anyway, after the race gig, Mike and I came back to the campground. We took Jack the Dog for a walk up to an overlook right above the campground. And that’s where I shot this photo. It reminds me of all those Go RVing commercials they have on television. It also shows what Arizona is like in the winter time, when the snowbirds come around in their $300,000 motorhomes and set up in transient RV neighborhoods like this campground.

 
In case you’re wondering, our camper is the small one just to the right of the big spread of green indoor/outdoor carpeting. That’s where our next door neighbors had set up an enclosure for their tiny dog, which spent all of its time on the dashboard of their motorhome, yapping at whoever went by.

And because you know I can never leave an interesting scene without trying that fisheye lens, here’s another shot from the same spot. That’s the Colorado River bending around the campground. The 10.5mm lens exaggerates the bend a bit, but it really does bend quite sharply here, making an interesting spot along the river.

 
And, for the record, neither of these shots have been cropped.

Round Robin Photo Challenge: Landmarks

The Mittens.

This afternoon, I stumbled upon a blog devoted to sharing photos. The description on the Round Robin Photo Challenges page states:

Welcome to the official information and update journal for the Round Robin Photo Challenges. This is where you will find all the details for each photo challenge, such as the subject, the link to blog or journal where each challenge is being hosted, and all updates to the players participation lists.

The current challenge can be found at “Round Robin Challenge: Landmarks:”

Again, let’s take an opportunity to show off our hometowns. I live in the Bay Area, so I have no real shortage of recognizable landmarks, so what I would do is try to show those landmarks in an interesting lighting circumstance, such as a sunset, or under special lighting conditions. But I want to see other places, and the landmarks that make those places so special. A beautifully designed building, an incredible bridge, or a monument of some sort, or maybe even an unusual road sign. It’s all good!

Unfortunately, there’s no landmark in my current home town that I want to show off. As the Mayor and Council continue to make decisions that destroy what was special about Wickenburg — cutting down tall trees bordering a park, allowing new housing developments where there were once horse trails, approving road construction that will destroy the downtown riverfront — I prefer to look away, to the places that remain unspoiled.

I get around a lot — probably a lot more than most folks. And I visit a lot of landmark locations in the Southwest. And I usually have a camera with me. So there were a lot of “stock” photos in my iPhoto library to choose from. Many of them represent places I wish I could spend even more time.

I chose The Mittens — or the Mitten Buttes — in Monument Valley. Although the Tribal Park overlook where I took this photo is in Arizona, the buttes themselves are in Utah. This isn’t a terribly special photo — it was taken from the ground at a viewpoint every tourist stops at. But I like the lighting of this shot. It was an October morning, with light coming from the southeast. I like the way it illuminates the rock in the foreground, giving it texture and color far more interesting than the famous monuments that stand beyond it.

So, for what it’s worth, this is my entry. I hope to be a regular participant.

Tourist Photos from San Francisco

Or fun with a camera.

Note to feed subscribers: You may not see the photos in this article in your RSS reader. That’s because of the way they’re embedded. If you like photography, I do hope you’ll take a moment to visit the site and see the photos. If you don’t, just skip it. I understand.

I was in San Francisco last week for Macworld Expo. In the old days, I used to spend every day at the show. Nowadays, I’m more interested in seeing things outside the exhibit hall. With a half day to spend on my own, I took the cable car from Market and Powell to Fisherman’s Wharf. Here are some of the photos I took that morning.

I started my day just after sunrise at the corner of Powell and Market, five or six blocks from Moscone Hall, where Macworld Expo is held each year. This is the terminus for two of San Francisco’s three cable car lines. The photo here shows one of the cable car drivers turning the car around for the trip back to Fisherman’s Wharf. Although the photo is distorted (because of that darn fisheye lens I like so much), the ground here is relatively level. They manually push the car onto the turntable and turn it, then push it back onto the main track. After paying off a homeless person for telling me that I could buy my ticket on the cable car — it was either that or buy a newspaper I didn’t want to carry — and assuring another homeless person that I didn’t need him to take a photo of me and the cable car with my camera, I climbed on board.

The cable car took off up Powell a while later with a surprising number of people on board. The corner of Market and Powell isn’t far from the BART station and apparently the cable car is a valid mode of transportation for commuters. There certainly weren’t many tourists on board at 7:30 AM. We climbed up Powell, dropping off passengers here and there. I took this photo when the car was nearly empty. Again, there’s some distortion from the fisheye lens, but I think it’s a cool shot of the cable car and its driver.

The car deposited me at Bay Street about two blocks from Fisherman’s Wharf. From there, I wandered around, taking photos of the area. The sun was too low to get the shots I wanted, so went in search of breakfast. Boudin’s Bakery was there and I stepped inside. I love freshly baked bread, but I was on a diet and trying hard to avoid excess carbs. But I did get a good photo op when I saw this “Bread Line” sign. It was just too ironic for me to pass up.

Back outside at the Wharf with the sun still too low for shadow-free photos, I asked one of the fish guys where I could get a good breakfast in a place the tourists didn’t go. He pointed up the street to a “hole in the wall” called Darren’s Cafe. While waiting for my meal, I snapped this weird self-portrait with that fisheye lense. I don’t look happy here, probably because I knew the camera was shooting a picture up my nose.

After breakfast, I strolled north along the wharf area, stopping a few times to take photos of the fishing boats. Unlike most tourists, I didn’t stick to the well-trodden places. I poked around on all the piers, taking my time and seeing as many different things from as many different angles as I could. It was a beautiful day with clear blue skies and light wind. Not very cold, either. Here are a few of my more interesting shots in that area.

After a while, I found myself in Aquatic Park, which is part of the San Francisco Maritime National Historical Park. There are a number of old, art deco buildings there and the light was just right to get creative with some shapes and shadows on a round building that used to house a public restroom. A flight of stairs curved up the side of the building to an observation deck on top. But the views from up there didn’t interest me as much as the stairs, shown here.

From the park, there were sweeping views of San Francisco Bay. But the best views were obviously from the curving arm of the Municipal Pier. So I took off on foot along the long, crumbling concrete and steel pier. The only people on the pier were a handful of Asian fisherman, although when I reached the remains of the building at the far end, another tourist pedaled up on a bicycle. We had a short chat before I walked back. Here are the photos I took along the way. They show, in order, the rust of steel embedded in the concrete, the Golden Gate Bridge, and Alcatraz.

It was nearly 10 AM by the time I got off the pier. I had to check out of my hotel by 1:30 PM, but I had a few errands to take care of on the way back. So I walked up to the cable car terminus at Hyde, which is just a few blocks away. By this time, the tourists were coming out and there was about a dozen people waiting. I snapped a series of photos of the cable car being turned. If I look at them quickly in sequence, they look like a movie. Here are five of the six shots in miniature:

Cable Car Turning at Hyde

On the way back to the Union Square area, I had a nice conversation with a woman who lives in San Francisco and uses the cable car to commute back and forth to work across the city. I couldn’t help but be envious. How wonderful it would be to ride in an open seat through such a beautiful city every day.

At Macworld Expo

Are you there? I’ll be there soon.

As this is appearing online, I’m boarding a plane for Macworld Expo in San Francisco. This is yet another one of my quick in and out trips — I really can’t afford to be away from my office for more than two days. I’ll arrive in SF around 9:30 this morning and depart around 3:30 on Thursday afternoon. In between, I’m staying at the Nikko.

I have a lot to squeeze into this trip:

  • Wednesday, 12:00 PM – meeting with two editors, one publisher, and a representative from an online publishing group regarding ebooks and ebook piracy issues. I’m tired of seeing little ebook revenue while copies of my ebooks are floating around on file sharing sites. Armed with some excellent feedback from an ebook reader, I’m going to propose some changes to the way my work appears in ebooks. I also hope to spend some time talking to one of my editors about a book we hope to start next week.
  • Wednesday, 2:00 PM – appearing at the Peachpit Press booth on the show floor. I’m doing a 45-minute presentation and hope to cover some productivity tips and tricks for Leopard users. Peachpit will be videoing the presentation for eventual distribution online.
  • Wednesday, after 3 PM – seeing the show floor. I’ll be walking around armed with my cameras: Treo for instant Web publishing of images, Nikon D80 with fisheye lens for a very different look at the show floor, and video camera for content I hope to put together as a short Macworld Expo movie.
  • Wednesday, after 6 PM – attending one or two parties (depending on how tired I am).
  • Thursday, before 1 PM – see Wedneday, after 3 PM. More of the same.

If you’d like to see photos from Macworld as they are taken, visit my TumbleLog. I expect to start sending photos as soon as I arrive in SF. I’ll try to make them interesting.

Product ImageI’ll also be giving away two copies of my Leopard book during my Peachpit booth presentation. One of them will go to the first presentation attendee who tells me he/she read about the giveaway here.

If you’re at Macworld Expo and want to say hello, drop by the Peachpit Press booth. I usually pop in now and then during my time on the show floor. I’d to meet you!

Christmas Off-the-Grid, Part II

Photography, dinner, and more photography at the Grand Canyon.

We closed up the shed and headed out to the Grand Canyon at around 4 PM. We’d wanted to get an earlier start to do some hiking along the rim, but it had taken too long to troubleshoot and fix our water problem.

I should mention here that last year when we came to Howard Mesa for Christmas, the water pipes were broken. Mike spent the entire first day and half of the second day finding and repairing broken pipes. Since then, we’ve replaced the PVC with copper. But it seems like there’s always something to fix up here. It’s part of the place’s charm, I guess. Mike doesn’t seem to mind. And in my mind, nothing could be as bad as the mouse problem we’d had, which forced me to start every visit here with a 2-hour cleaning job.

The Grand Canyon is a 40-minute drive from our place. About 1/3 of that time is spent just driving the five miles from our place to pavement. (Not an easy task, as there was more mud and the pickup did a lot of fishtailing on certain parts of the road.) The rest is on SR 64, a two-lane road that stretches from Williams, AZ to the Grand Canyon. The speed limit on the road is 65 MPH for most of its distance, but because there’s only one lane in each direction for most of the way, it’s pretty common to get caught behind slower vehicles. They added some passing lanes clearly marked with signs that say, “Keep right except to pass,” but since everyone is more important than everyone else, no one moves over to the right. So you basically have to pass on the right.

We were heading toward the canyon at about the same time someone who had left Phoenix earlier in the day for a leisurely drive up there would be arriving, so there was a surprising number of people on the road.

Grand Canyon Wide AngleInside the park, we got a parking spot in the small lot right near El Tovar, where we’d be eating dinner with friends. The hotel is right on the Rim, so we spent some time out on the pathway there, looking into the canyon as the sun was dipping ever lower into the southwestern sky. I played around with my fisheye lens — this was the first time I’d had a chance to use it at the Canyon — and got an interesting shot that includes the snow all around on the Rim.

It was cold. There wasn’t much wind, but the breeze contributed some wind chill to the situation. I don’t own a good winter coat anymore — I’d rather avoid the cold than buy special clothing for it — so I didn’t want to spend much time outdoors.

We went into Hopi House for a short while. This used to be one of the nicer gift shops at the Canyon, a place where everything was high quality. Somewhere along the line, Xanterra (which runs the park concession) had decided to add the kind of tourist crap you can find in most other gift shops there, especially t-shirts, hats, and sweatshirts that say “Grand Canyon” on them and a lot of fake Indian-style dolls, statues, rugs, etc. The good stuff — including a wonderful selection of Native American handmade jewelry — is still in the gallery upstairs, and we made the climb to see it all.

Grand Canyon MoonriseAfterwards, we came out for another peek into the canyon and were rewarded with a view of the newly risen full moon inching into the sky over the north rim. I snapped a few photos of it, but was too cold (or lazy?) to set up my tripod and do it properly, so the shots I took with my 200mm lens aren’t as clear as they could be.

We met our friends inside the hotel. We were booked for the private dining room just to the left of the hostess desk at the restaurant entrance. We’d eaten there the previous year for Christmas Eve. It had been just six of us last year: Mike, me, our two friends, and his parents. A quiet dinner. This year there were ten of us; our friends had invited six of their friends. The rectangular table in the small room was filled to capacity.

Our waiter was excellent. Extremely professional, full of advice, attentive to most details. The food was very good, too — although not as good as I remember from our early days visiting El Tovar 20 or so years ago. (I know: things change.) Conversation was relatively interesting, too. It was a nice meal. The only thing that marred it was when it was time to pay the bill; certain members of the party didn’t chip in their fair share and Mike and I and our friends wound up making up the difference, paying about three times as much as some other members of our party. I know we drank, but we didn’t drink that much.

Christmas TreeAfter stopping for some photos inside the hotel lobby where a tall Christmas tree stretched up to the second floor, we stepped outside and walked back to the Rim. The moonlight was shining brightly down into the canyon, casting shadows that defined the rock walls. It was a beautiful scene, but one my camera couldn’t seem to capture properly. (I really need to play around a bit more with the bracketing feature.)

I’ve been at the Grand Canyon many times at night. If there’s no moon, you can look down into the canyon from the Rim and not see a single detail at all. It’s like a black abyss that could be a hundred miles deep. But add some moonlight and you get a completely different picture. This is part of what makes the Canyon such a special place. Different lighting conditions can completely change the experience.

Hopi House at NightSince I was out there with my tripod, I took a few moments to photograph Hopi House and El Tovar. Hopi House was especially festive with its [electric] luminarias.

El Tovar at NightIt was after 9:30 PM and it wasn’t very cold at all. The wind had died down and the air was crisp and dry. There wasn’t anyone around except us. That made good conditions for taking these photos. They create the illusion that the historic buildings along the Rim are private, special places. In reality, during the day, these places are mobbed with tourists and it would be nearly impossible to photograph them without including a few people in each shot.

We drove back to Howard Mesa in the full moonlight. There were few cars on the road.

As I opened the gate on our driveway, I noted that all the mud was frozen solid.

It was warm and cosy inside the camping shed and even more so under the covers in bed.