Creating Time-Lapse Movies

How I do it.

I’ve been fascinated with time-lapse photography for as long as I can remember — and believe me, that’s a long time. I love the idea of compressing a series of still images into a short movie. But what I love more is the way it speeds up the process of things that happen slowly: clouds moving across the sky, shadows changing with sun angles, and things being built or moved. There are a lot of time-lapse movies on this site; click the time-lapse tag to explore them. I do want to stress that my time-lapse movies are very simple. If you want to see something amazing, look at the work of a master like Ross Ching’s Eclectic series.

I rely on certain equipment and software tools to create my time-lapse movies. Since I’ve been sharing daily time-lapse movies of the construction of my home, I thought I’d take a minute to explain how I make them.

The Camera

Hero HD
I use my old Hero HD for most time-lapse work these days.

The first thing you need to create a time-lapse movie is a camera capable of snapping an image at a regular interval. These days I use a GoPro. Although I have three of these great cameras — Hero HD, Hero 2, and Hero 3 — I tend to use the oldest (the Hero HD) for this kind of work so if it’s lost, damaged, or stolen, it’s not a huge deal.

The GoPro has an interval or time-lapse mode that I use quite often. Because the process of building my home is relatively slow, I set it to the most amount of time between images: 1 minute.

(In the past, I’ve used a Pclix intervalometer — that’s a time-lapse timer that triggers a shutter release on a camera at a preset interval — attached to an old Canon G5 digital camera. Again, the camera was old and worthless so if someone walked off with it, no big deal. Losing the intervalometer would have been worse.)

Skeleton Housing
The skeleton housing gives me access to the USB port and SD card on the GoPro.

Power is an issue when you run a camera for hours on end. I use the GoPro Skeleton housing around the camera so I can run a USB cable to it. The cable then feeds into a window on my RV where it plugs into a power source. The added benefit is that I can remove the SD card without opening the housing and changing the camera angle. I use electrical tape to cover up the two sides of the housing to keep dust and rain out.

The Camera Mount

For time-lapse photography, it’s vital that the camera be held still (or moved smoothly, if you’re going for that kind of effect). That means a tripod or camera mount.

Pedco UltraClamp
This is a must-have mount for anyone with a GoPro or lightweight digital camera.

I routinely use a Pedco UltraClamp with my GoPros. I can’t say enough things about this clamp-on camera mount. With a GoPro, all you need is a tripod mount adapter and you’re good to go.

For my construction project time-lapse movies, I clamped it onto one of my RV slide-outs, pointing at the construction site. Easy.

The Software

Okay, so the camera has been running for hours and it has collected hundreds of images. Most of my time-lapses run from 6:30 AM to 4:30 PM. That’s 10 hours with 60 shots per hour. 600 images.

The images are 2592 x1944 pixels. That’s way bigger than I need. In addition, I want a 16:9 aspect ratio, which is better suited for video projects these days. So I need to do some processing.

EasyBatchPhoto IconThe first thing I do is run the images through a program called EasyBatchPhoto. (Remember folks, I’m using a Mac.) I have the app set up to crop the image to 1920 x 1080 — that’s standard high definition. This basically crops away the edges of the image, focusing on what’s in the middle. The app also slightly sharpens the image and applies a date and time stamp watermark based on the EXIF data saved with the original file. It then saves it as a medium-high quality JPEG in a folder I specify. I do this for only the images I want to include in the movie; no reason to process them all. The rest of the images are discarded when I wipe the SD card.

EasyBatchPhoto Settings
EasyBatchPhoto can process huge batches of images at a time.

I should mention that you could probably do all this with another app. This happens to be the one I use. I’m sure some readers will share their solutions in the comments.

QuickTime Player 7 IconOnce I have the images in a folder, I open up QuickTime Player 7, which I’d updated to the Pro version years ago. This is an old version of QuickTime. The current version does not have the feature I need, which is the Open Image Sequence command. I use that command to get a dialog box prompting me to choose an image. I select the first image in the folder containing all of the images for the movie.

Choose the First Image
Use this dialog box to select the first image in the folder of images for the movie.

Image Sequence Settings
Use this dialog box to set the frame rate.

I’m then prompted to set the image sequence settings — basically the frame rate for the movie. There are a lot of options on that pop-up menu. After some experimentation, I decided on 15 frames per second for this project. That compresses 10 hours worth of images into about 40 seconds. Any faster and you miss a lot of the action. When I click OK, QuickTime makes the movie and displays it in a window. After taking a look at it, I save it to disk, usually in the same folder as the images.

Why YouTube?
I was really pissed off to discover that Viddler, the site I used years ago to host video, has made my videos unavailable for viewing. I think it’s because they expect me to pay for hosting, which just ain’t gonna happen. This screwed up a lot of embedded video on this site. Because some of the videos are very old, I can’t find the source files so those videos are gone forever. So I’ll use YouTube on a go-forward basis for all video sharing. It’s free and very easy to access.

The last thing I do is upload the movie to YouTube. I do this with the current version of QuickTime. I just double-click the movie’s icon to open QuickTime and use the share command to share it on YouTube. QuickTime prompts me for a movie description and tags. Within minutes, it’s online and available to anyone who wants to see it.

The entire software process takes about 5-7 minutes and is mostly automated.

If you make time-lapse movies and use a different set of software tools, please do use the comments to share your process. It’s always nice to learn about new software that might make things easier or just plain better.

About Style Guides…and a Tip for Writers

A writer’s cheat sheet — and how I maintain mine.

One of the challenges facing writers — especially tech writers — is maintaining consistency and proper usage of words and phrases that describe the things we write about. Is it toolbar, tool bar, ToolBar, or Tool bar? Is it Fonts panel, Font panel, Font window, or Fonts Pane? Is it iBookstore or iBookStore? Is it inspector or Inspector?

This might seem trivial to most folks, but for writers and editors, it’s very important. Inconsistent or incorrect use of established terms is one of the things that mark the work of an amateur. Professional writers do everything in their power to get things like this right — and editors help.

Style Guides

Chicago Manual of StyleStyle guides help, too. A style guide is a collection of words or phrases that might be used in a work, all presented as they should be in writing. You may have heard of some of the more famous style guides, including The Chicago Manual of Style and The Associated Press Stylebook. These are style guide books published for professionals who write about a wide range of topics.

But there are also style guides for more narrow topics. Apple, for example, publishes a 244-page document called the Apple Publications Style Guide. This is one of the books I turn to when I write my Mac OS books and articles. Written for developers and Apple’s in-house documentation teams, it lists the right and wrong ways to use hundreds of words, product names, and phrases. Not only does this include a correct list of all Apple trademarks, but it goes into tiny details. For example, did you know that you can “click the icon” but you can’t “click on the icon”? Page 37 of the latest (2009) edition is pretty specific on that point.

Microsoft Outlook 2011Individual publishers also have style guides. For example, when I wrote Microsoft Outlook for Mac 2011 Step-by-Step for Microsoft Press, I was handed not one but two style guides. They covered all of the product names and program terms I might use, as well as rules about usage. For example, I wasn’t allowed to write a sentence like this: “Outlook enables you to send and read email.” Why? Well, the word enables (in that kind of usage) was verboten. (The average reader has no idea what writers deal with when writing technical books for well-established publishers.)

My Style Guide Needs

Microsoft Outlook 2011Although I never used to have trouble remembering the proper forms and usages of the words and phrases I included in my books, as I’m aging — and as my life becomes more complex — I’m having trouble remembering the little things. So this past summer, when I worked on Mac OS X Lion: Visual QuickStart Guide for Peachpit Press, I developed and maintained my own style guide for the book.

The trick was to put the style guide in a place where it was easy to consult as I worked. I wrote (and laid out) the book on my old 24-inch iMac. I was living in my RV at the time, comfortably parked at an RV park with full utilities, but my workspace wasn’t large enough for the luxurious dual 24-inch monitor setup I have in my home office. I experimented with keeping the list of words and phrases in a Word document file, but the amount of overhead — Word running all the time, big window with all the trimmings, etc. — made it an awkward solution. Ditto for Evernote. All I needed was a tiny window where I could list the words I needed to use — these applications made maintaining and consulting such a list multiple times throughout the day a real chore.

The Solution: Stickies?

Stickies IconI stumbled onto the solution while writing the book. One of the apps that comes with Mac OS X is Stickies. This is an app whose sole purpose is to put virtual sticky notes up on your screen.

I never liked the app. I thought it was kind of dumb. After all, who would use an app to put a sticky note onscreen when you can just put a real sticky note on your screen?

But then I realized that the tiny windows Stickies creates were perfect for the simple lists I needed to consult. I could easily fit them on my screen, beyond the area I needed to work with InDesign.

Style Guide in StickiesAnd so I began creating and maintaining my style guides in Stickies.

And I continue to do so today.

There are a lot of benefits to using Stickies as a solution for this problem:

  • The contents of Sticky Notes are saved, even if you quit the application.
  • Stickies are easily modified and updated.
  • Stickies supports formatting, so if I want to remind myself about a word or phrase that should never be used, I can format it as strikethru text.
  • Stickies can be exported as plain text, so I could, theoretically, save a style guide list before closing the Stickies window when the book is done.
  • Stickies take up very little room onscreen.
  • All active Stickies notes open automatically when you open the app.
  • It’s easy to set up my computer so Stickies automatically opens at startup.

Sounds good, no?

For me, it’s a win-win. I get a solution to my problem. But what I also get is a reason to use a silly little free app like Stickies.

Seriously, Adobe: WTF?

A brief rant about how Adobe software took over my applications folder.

I recently got a new Mac and did a clean installation of my software. Two of the first apps I installed — primarily because I needed them to finish work on a book — were Photoshop CS3 and InDesign CS4. A few days later, I upgraded Photoshop to CS5.

The screen shot illustrates how Adobe invades a computer system and fills it with software that the end user might not want. Yes, I’ve got three versions of Adobe Bridge — which I never use. Two versions each of Adobe Device Central and Adobe Extension Manager. Then there’s Adobe Media Player, which I suppose plays some sort of media. I don’t want it. And Adobe Stock Photos? Who asked for that?

Adobe Takes Over

It gets worse, though, when you peek into my Utilities folder (also shown). One of the installers added Adobe AIR, along with its uninstaller. I do admit to adding Flash — although I really didn’t want to. But tell me, does Adobe really need three folders for its other crap: Adobe Installers, Adobe Utilities, and Adobe Utilities – CS5? Digging deeper into one of these folders (also shown) reveals even more from Adobe.

And these are just the items that aren’t hidden away in secret places all over my hard disk. It’s as if I invited a houseguest and he emptied his suitcase all over my house for the duration of his stay. What makes him think that’s okay? And if I ever kick him out, will I ever be able to find and remove all of his crap?

Even Microsoft Office doesn’t do this.

My question: Why?