Takin’ Pictures

I get out and try to photograph the world around me.

I brought my Nikon D80 camera and four of its lenses with me to Washington state. I’ve been out a few times taking photos. I got some nice bird photos on Sunday, but I’ve also taken photos of some less interesting subjects. The other day, on a walk near the golf course late in the day, I got some nice photos of a wheat field and some weeds growing alongside the canal.

I like the wheat field photos. One of the themes I’m always pursuing in my photography is infinity. I like photos of things that seem to go on forever. The fields of wheat, corn, alfalfa, and other crops here are huge and, from the right angles, it’s easy to get a photo of the crop that fills the photo. The photo shown here, shows the deep furrow created by the irrigation circle’s tires as it moves through the field. I have other shots that are just wheat.

Here’s another fill-the-frame image. It’s the bark of a tree alongside the golf course. I love the texture of this. I think it’s a birch tree — most of the bark is white — but the white bark is split, with deep brown-gray cracks. There’s a lot of depth to this. It makes a nice desktop picture. (So does the wheat.)

I took this photo yesterday while on a bike ride. It’s a good example of the kind of farm fields around here. This is an alfalfa field with an irrigation bar on wheels parked on one end. This kind of irritation travels up and down a field — it doesn’t do the circle thing. The alfalfa has been cut and baled. The bales are left out in the field until they can be gathered. While this isn’t an especially good photo, it’s a typical scene in the Quincy area.

Yesterday afternoon, I went back to Quincy Lakes with my camera, 70-300 mm lens, and tripod. Although the lens has image stabilization built in, the tripod really is necessary when you set it to the full 300 mm setting. My goal was to get a photo of a Yellow-headed Blackbird. Not only did I get a photo of the magnificently marked male, but I also got a shot of a female. I got both of these photos from the same place I shot the Redwing Blackbird on Sunday.

I also saw and photographed an American Coot, which is like a duck, and its babies, but none of the shots are good enough to share here. I might go back in a few days and try again. I know where one of the nests are and as the babies begin to mature, I should be able to get better shots of them.

I went out last night to take some photos, too, but I’ll save those for another post.

Flying Things of Quincy Lakes

A few photos of the wildlife I spotted during my day trip to Quincy Lakes.

I spent most of Sunday at Quincy Lakes, a weird area of small lakes nestled among the rocks southwest of Quincy. I brought along my camera and my big lenses. Unfortunately, I didn’t bring along my tripod. But I did manage to get three pretty good shots of the critters flying around there.

I’m pretty sure this is a redwing blackbird. I could be wrong. If anyone knows, please share info in the Comments.

I have no clue what this bird is. I don’t have any of my bird books with me and my Internet connection isn’t as reliable as I need it to be to look things up. Know what it is? Use the Comments link or form.

A butterfly.

Saguaro Flowers

Some more photos from my yard.

Yesterday, one of the buds on the saguaro cactus in my front yard bloomed. Today, there were many more blooms. I took this photo from the covered walkway near my front door using a 200mm lens. The blue color of the sky is not enhanced in Photoshop; it’s a direct result of the polarizing filter on the lens.

 

Saguaro flowers bloom at night and are pollinated by bats. Bees and birds do a bit of pollination during daylight hours. After a day or two in the sun, the flowers wilt. Fruits begin forming shortly thereafter. The fruits are small and hard and, as they ripen, they split open to reveal red pulp. Seeds are tiny — think smaller than poppy seeds on a bagel — and are eaten and passed through by the birds who feast on the fruit.

Keep in mind that this cactus is 15-20 feet tall. The flowers are on top. This is one of the reasons it’s so difficult to get good photos of saguaro flowers — it’s not like you can stand right next to them.

I just ordered a 70-300mm Nikon lens with image stabilization. I think it’ll help me get better shots of things like this. I’m also looking forward to using it on my flight to Washington state this coming weekend.

More Than Just Business

Some photos from a business trip.

As I type this, I’m sitting at Gate A6 at Burbank Airport. I just finished up a five-day business trip in Ventura, CA, where I worked with a new client. It was a very satisfactory week, primarily because the client picked up all of my expenses and they put me up in a very nice room on Ventura Harbor.

Yes, it was a Holiday Inn Express. But it was also one of the nicest hotel rooms I’ve stayed in for a long time. My first floor room may have lacked a patio, but it had vaulted ceilings and floor to ceiling windows that looked out over the harbor. This, in fact, was my view:

That shot’s only slightly zoomed in. The boats were so close that, if my window opened a bit wider, I could have lobbed bars of soap at them.

Let me just say a few more things about this most excellent room. It was quiet — no sound from next door, no sound from the hall, no sound from outside — even with the window open! It included a nice sized fridge, two burner stove, microwave, sink, and various pots, pans, plates, and utensils. In other words, I could have prepared my own meals. The bathroom was huge and included a glass-enclosed shower stall, deep jacuzzi tub, and vanity with stool. The main room had a comfortable king-sized bed, sofa, desk, and round table with two chairs right in the prow window. Not only was it bigger than my first apartment, but it was a heck of a lot better equipped. Although I didn’t spend much time there, it was nice to come “home” to such a nice place after a long day at work.

On Tuesday, after work, I walked to the ocean from my room. I figure it was about a mile each way, walking along the south side of the harbor. I took some photos.

Here’s a flower right outside my hotel. I don’t know what it is, but it was beautiful. And my CoolPix’s macro mode did a nice job of capturing it, even in questionable light.

Near the end of the harbor was an arcade with a tiny carousel inside. I took a few shots of the ride in motion, but I like this shot, which I took after the kids had climbed off, the best:

After dinner at Andria’s, I walked back the same way I’d come. I caught sight of what I think is a Great Blue Heron just moments after it plucked a fish out of the water. I got this slightly blurred shot of the bird with the fish in its mouth:

Last night, I could see a great sunset from my window. I went out in my slippers for a better angle and got this shot:

I had a surprisingly good time in Ventura. It’s a nice little town with lots of great dining opportunities. I ate as I always do when I’m away from Wickenburg: as if I haven’t eaten a good meal in years. Next week, it’s back to my diet.

The Deadman’s Curve

Why helicopter pilots balk when asked to hover at 50 feet.

Last year, I joined a listserve group of professional aerial photographers. These folks, who are based all over the world, have been working at their profession for years. I’m a relative newcomer to the aerial photography scene and arrive as a pilot — not a photographer. (I want to take photos, but it’s tough when my right hand is stuck holding the cyclic during flight.)

I introduced myself and an engaging conversation about flying helicopters ensued. As you can imagine, many of the photographers had worked with helicopters. One of them was even on board during a crash!

One of the photographers in the group told a story about photo flights he’d taken with helicopter flight school instructors. He included this comment:

I was shooting a lot of sailboat races at the time, so where I wanted it turned out to be in a hover at 20 to 50 feet above the water which made some of the instructors nervous. I told them to get over it.

A lot of pilots won’t work in what’s commonly referred to by helicopter pilots as the “deadman’s curve.” All helicopter pilots should know what this is, but here’s a brief explanation for those of you who aren’t familiar with helicopter flight.

The “Deadman’s Curve”

Height-Velocity Diagram for R44 HelicopterThe Height-Velocity diagram in the pilot operating handbook (POH) shows the combinations of airspeed and altitude at which an experienced pilot (or test pilot) should be able to make a safe autorotation in the event of an engine failure.

The diagram shown here is for a Robinson R44 helicopter, but they’re all very similar. The idea is to stay out of the shaded area. Generally speaking, you want either altitude or airspeed — or (preferably) both. Hovering at 20 to 50 feet puts you in the “deadman’s curve” — it’s a combination or airspeed (0 knots) and altitude (20 to 50 feet) at which a safe autorotation is not possible. So if the engine quits, you’re dead.

The height velocity diagram also clearly shows the recommended take-off profile. When a pilot does a “by the book” take-off, this is what he’s doing: picking up into a hover less than 10 feet off the ground and accelerating through 45 knots. Then pitch up slightly and climb out at 60 knots. (You can get an idea of this in my “Shadow Takeoff” video.) Doing a “straight up” take-off like you see in the movies or on television puts the helicopter smack dab in the middle of the deadman’s curve until he’s moving faster than 50 knots or has climbed several hundred feet.

Wondering how the chart is created? With test pilots and helicopters. If you take the Robinson Factory Safety Course, you’ll see videos of the flights they used to build the chart — including one flight that demonstrated what happens when you attempt an autorotation while inside the deadman’s curve.

My Experience with the Deadman’s Curve

I get some photo gigs because I’m willing to operate in certain areas of the deadman’s curve to meet my client’s needs. I’m a single pilot operator so I’m responsible for myself. Other organizations are responsible for their pilots and tell their pilots not to do anything that could be “unsafe.” This is often the situation at flight schools that do photo flights for extra revenue. Those pilots are usually the school’s CFIs, sometimes with only a few hundred hours of flight time. The school makes a rule — no operations under 300 feet — and all the pilots are required to comply.

Operating in the deadman’s curve requires that you have a lot of confidence in your engine and mechanic. The engine failure statistics on Robinson helicopters show that the engine — a Lycoming, after all — is very reliable. And I take meticulous care of my aircraft with two experienced mechanics to do the work. I’m confident in my aircraft. So I take the risk and I get the job.

But I do warn my passengers of the risks inherent in that type of flying. And If a maneuver puts me too close to obstacles or requires me to do something I think is beyond my skill level, I won’t do it. (I don’t have a death wish.)

Get Over It?

“Get over it,” is a pretty funny thing to say to a pilot when requesting (or demanding) that he perform a maneuver he’s not comfortable with or authorized to do.

The pilot who balked at hovering 50 feet off the ground was doing it for safety — his and his client’s. The photographer who told him to “get over it” was unfair to expect the pilot to operate where he was not comfortable. At the same time, the pilot should have clearly stated the limitations of the flight before accepting the job so the photographer wouldn’t expect the pilot to perform maneuvers beyond his normal operating scope.

Unfortunately, more than a few pilots will simply cave in under pressure to please the client. Sometimes this is can be a very bad thing that both the pilot and his client don’t live to regret.

A good pilot will evaluate the risks, make a decision, and stick to it. A pilot who is easily bullied by passengers (or management, for that matter) needs to look for a new career.

Misleading Statements in Popular Fiction

I actually wrote most of this post months ago and mothballed it to finish at a later date. But yesterday, I read something in a novel that made it clear how little the general public understands about helicopter operations.

In the story, the protagonists are passengers on a helicopter that’s running out of fuel. The lead protagonist tells the pilot to lose altitude. His reasoning:

Helicopters sometimes survived engine failures at a few hundred feet. They rarely survived at a few thousand.

The above statement is false. Reverse the facts and you get the correct statement, which I could word like this:

Helicopters rarely survived engine failures at a few hundred feet. They usually survived at a few thousand.

Why the difference? The H-V Diagram is a big part of it. Take a look. If a pilot is flying at 200-300 feet, he’ll have to be moving at at least 50 knots to stay out of the deadman’s curve. The H-V Diagram clearly shows that the higher you are and the faster you go, the farther you are from the deadman’s curve. Altitude and airspeed are two energy management components that can save a pilot’s life in the event of an engine failure.

If you’re operating outside the deadman’s curve, the thing that makes higher altitudes safer is time. If you’re cruising along at 500 feet AGL at 100 knots — a perfectly safe combination of altitude and airspeed, according to the H-V Diagram — you’re going to be on the ground a lot quicker than if you were doing the same speed at 1,500 feet AGL. That’s less time to correct any problems with your autorotation entry, pick a good landing zone, make a Mayday call, brief your passengers, etc. Now imagine cruising at the unlikely altitude of 3,000 feet AGL. In a good gliding helicopter, like my R44 or a Bell LongRanger, you have lots of time to set it up and do it right.

Clearly, higher is better.

There were some other errors in the book as far as the helicopter was concerned, but I’ll save them for another post. (It really does bug me when books, movies, and television send inaccurate messages about how helicopters fly.)

Why Not Get the Facts Straight?

Time passes. I don’t recall when I started writing this post, but I know I didn’t last long with the photographers in that group. They were very full of themselves and highly critical of newcomers. And some of them echoed the same uninformed ideas about the safety of helicopters that I hear everywhere else. Worst of all, they didn’t seem interested in learning the truth.

I wrote a post earlier this month titled “Why Forums Suck” that describes the atmosphere in this particular group. Maybe it’s me, but I simply don’t have patience for people who behave the way some of these guys (and women) did.

And, in case you’re wondering, I e-mailed the author of the book with the errors. I hope he didn’t think I was being rude. But I want him — and anyone else preparing material about helicopters — to get the facts straight before releasing it to the public. In his case, any helicopter pilot could have pointed out the problems I found and reported to him. A few minor changes to the manuscript would have made it accurate without impacting the story one darn bit.

I just wonder if other pilots who read the book were as irked about the errors as I am.

Probably not.