Is America a Free Speech Zone?

Apparently not.

I just read an article on Wired.com, “NYPD Intellligence Op Targets Dot-Matrix Graffiti Bike.” The article provides background information about a bicycle built by Joshua Kinberg which uses computer technology to spray dot-matrix characters in water-soluable chalk on pavement as he rides. This same bicycle was featured on a number of popular Web sites, as well as Popular Science magazine.

Kinberg, a proponent of our First Amendment right to free speech, had planned to use the bike to spray messages around the streets of New York during the 2004 Republican National Convention. As reported in the article:

Though they’d never seen him use the bike, the police arrested Kinberg on criminal mischief charges prior to the convention start, during an interview on Broadway Avenue [sic] with MSNBC’s Ron Reagan. The arrest took place on a spot where, two days earlier, Kinberg had printed out the water-soluble message, “America is a free speech zone” during an interview with MSNBC’s Countdown With Keith Olbermann.

The article goes on to provide information about how the NYPD had been collecting information about Kinberg and his bicycle long before the arrest was made, thus proving a “premeditated desire” to prevent his project.

It’s been more than a year since the arrest. Although Kinberg has gotten his computer and cell phone back — both of which were part of the bicycle’s equipment — the police still have the bicycle. In addition, the NYPD will not release Kinberg’s file, so he has no idea what kind of “information” has been collected about him. (Sounds a bit like Big Brother style secrets to me.)

You can learn more about Kinberg’s efforts on his Web site, Bikes Against Bush.

Bill Gates on the Daily Show

I have to add my two cents.

Although I haven’t seen a single word from the blogosphere yet this morning, I know what everyone’s probably typing (or has typed): Bill Gates is a dork.

I’m not writing this to make fun of Bill Gates. I’m just writing this as a statement of opinion based on observations during last night’s Daily Show interview.

Okay, so he’s not really a dork. After all, he’s the richest man in the world. How can the richest man be a dork?

But he certainly comes off as a dork on television. Maybe that’s why he doesn’t do many television appearances. He certainly did not look comfortable sitting in the chair opposite Jon Stewart.

Microsoft Windows Vista Home Premium 64-bit for System Builders - 3 pack [DVD]Stewart was kind to him. He joked around with him and did a little gentle teasing about Microsoft and Windows, but he certainly didn’t stick the knife in or zero in on the man’s dorkiness. And Bill Gates joked back — at least a little. There’s definitely a good brain lurking inside that dorky exterior. But I laughed out loud when he pushed his glasses up on his nose. (I’ve been using a Mac long enough to remember the Bill Gates screen saver, which showed a cartoon character of Gates on a window-washing scaffold cleaning the screen. One of the configuration options was to set the “neurotic” level; the more neurotic, the more he’d push up his glasses.)

The interview took up two of the show’s three segments. There was more comedy than actual information — which is what you’d expect from The Daily Show. I still don’t quite understand why Gates appeared on that show and not something more mainstream. It certainly increases my respect for him. Anyone who appears on The Daily Show or The Colbert Report has guts. Stewart and (especially) Colbert can make a guest’s head spin when they want to. (Colbert is famous for making politicians look incredibly stupid in an interview.)

Anyway, I’m sure there’s much better analysis of the interview out on the blogosphere. I’ll probably find a bunch of good links later on today and add them to a links list entry.

I do want to add one note. As Bill Gates walked on stage during The Daily Show last night, he reminded me of someone. (Mind you, I haven’t seen any live-action footage of Gates in years and my brain isn’t wired well to recognize faces.) My mind started searching for the identity of the person he reminded me of. Kind of chunky, short hair, glasses. And dorky, of course. Who?

John Hodgman. The PC.

The Lost Painting

History that reads like a novel.

Book CoverI saw The Lost Painting by Jonathan Harr in a copy of Bookmarks, a magazine full of book reviews. I added it to my Amazon.com wish list.

The Taking of ChristThe book is an account of the finding of a painting by Caravaggio, a 17th century Italian artist. The painting, called The Taking of Christ, was found in the 1990s by a restorer.

Evidently, many paintings from that time were lost — they’d be sold by the artist or a dealer to a wealthy patron or art collector to be hung in a home. Over the years, the paintings would be moved around, handed down to descendants, sold, and resold. The records regarding these paintings were not always complete, so paintings would disappear from the records and thus “disappear” from the art world. In some cases, a painting’s value would be understated and the painting, aged, dirty, and possibly damaged would simply be discarded by an owner. Many masterpieces were lost this way.

The book tells the story of how two art history students stumbled upon some evidence that the painting had been sold to a Scotsman in 1802, who believed the painting was done by a different artist. The painting was then traced to an auction house where the trail went cold. Had it been sold? No one knew. And no one knew what had become of it.

The book is written like a novel, complete with dialog and some characterization. But all the characters are real people, many of whom were interviewed by the author during his research. This keeps the book from being a dry history tome. Instead, it has life and is quite interesting to the average reader.

The book was listed on the New York Times Book Review 10 Best Books of the Year for 2006. The edition I read included an epilogue by the author which covers the discovery of another version of the same painting.

I recommend the book to anyone interested in art, history, art history, or the process of searching for lost artwork.