The Gallery Exhibit

I submit 10 pieces of jewelry to a gallery’s “Gems and Geology Holiday Gift Show.”

I’ve come a long way since I started making jewelry — mostly wire-framed pendants — with rocks. Over time, I’ve stepped up my game by taking classes and trying new techniques. The results are promising. And encouraging.

My friend Cyndi told me about a special exhibit at a gallery we both sell our work at. (Cyndi makes metal art; you can find it on Etsy.) The theme was Gems and Geology, which is pretty much what my jewelry is all about. Although I’d missed the first deadline — intent to submit with digital samples — I wrote to them anyway. I got an enthusiastic response:

We’d love to have your work in our show! … This is just the type of work we were hoping for! I am so glad you reached out.

Whew!

I got to work making pieces that I thought would be appropriate for a real gallery show. I already knew that this particular gallery did not like my wire work, mostly because it simply doesn’t sell there. (Oddly, it sells remarkably well at another gallery in Ellensburg; go figure.) That meant prong and bezel settings, which I was just starting to get comfortable doing.

I made the mistake early on of sharing a photo of one of my pieces on Twitter. Someone wanted to buy it. While I love selling jewelry, I was really hoping to send that one to the gallery. Still, I had plenty of time to make a replacement and I did.

I finished making the 10 pieces two days ago. I spent this morning photographing them for publicity materials. I figured I may as well share the photos here, too.

Labradorite Pendant
Labradorite bezel and prong set on textured, reclaimed silver. Black leather cord with sterling clasp. (Learn more about my reclaimed silver in this blog post.)

Kona Dolomite Pendant
Kona Dolomite prong set on polished Argentium silver. Sterling silver chain. (This was not made specifically for the show but meets the requirements.)

Crazy Lace Agate
Crazy Lace Agate bezel and prong set on textured Argentium silver. Black leather cord with sterling clasp. (This was not made specifically for the show but meets the requirements.)

Azurite and Malachite Pendant
Azurite and Malachite bezel set on textured reclaimed silver. Sterling silver chain.

Brazilian Agate Pendant
Brazilian Agate prong set on textured reclaimed silver. Sterling silver chain.

Montana Moss Agate Pendant
Montana Moss Agate prong set on a textured sterling silver frame. Sterling silver chain.

Turquoise Pendant
Two genuine turquoise cabochons prong set on textured and hinged copper. Black silk cord with hand-formed copper clasp. (This was not made specifically for the show but meets the requirements.)

Kingman Turquoise with Spiny Oyster Shell Pendant
Kingman Turquoise and Orange Spiny Oyster Shell with bronze prong set in textured sterling silver. Sterling silver chain. (This was not made specifically for the show but meets the requirements.)

African Queen Jasper Set
African Queen Jasper bezel set in copper for earrings and a pendant. Black leather cord with sterling silver clasp for pendant; hypo-allergenic niobium ear wires for earrings. This is my current “masterpiece.”

Malachite Set
Malachite prong set on textured reclaimed silver with malachite bead earrings. Sterling silver chain; sterling silver ear wires.

Keep in mind that none of these are currently available for sale. If you want them, you’ll need to go to Confluence Gallery in Twisp, WA between November 28 and January 9. (Twisp is actually a great destination in the winter, especially for cross-country skiing. The Methow Valley has hundreds of miles of well-groomed cross-country skiing and snowshoeing trails and was my Christmas destination before I started going south for the winter.)

If you like what you see here, you’ll probably like some of the jewelry in my Etsy store. Go check it out!

How I Use a Rotary Tumbler

It’s for a lot more than just making shiny rocks.

Lortone 3a Tumbler
This is a real workhorse and probably the bestselling tumbler out there. I think everything else is an imitation.

One of my most-used plug-in (as opposed to hand) jewelry making tools is a model 3A Lortone rotary tumbler. This is most commonly bought as an educational “toy” for kids — indeed, that’s how it’s categorized on Amazon.com. The idea is that kids can go rock hounding, put a bunch of rocks in this tumbler, and, a while later, have a bunch of shiny rocks to show off to family and friends.

Making Shiny Stones

Tumbling Media
National Geographic makes it easy by selling the four grits you need in a package. (I buy my grits from a lapidary shop.)

Polishing rocks is why I bought mine about 3 years ago. I bought it as a kit, with everything I needed to get started. It’s a good thing I did. While some folks seem to think that the tumbler does all the work, it’s the variety of grits you need to use as tumbling media to grind down the rough edges of the rocks and eventually bring them to a high polish.

The process takes about four weeks, during which time the tumbler operates pretty much nonstop. (This isn’t something you want running inside your house or apartment, folks.) Every week or so, you dump out all the rocks, water, and grit — but not down the drain! It can permanently clog your plumbing! — wash the rocks and tumbler thoroughly, and add the rocks and the next higher grit with water back to the tumbler. Then another week of rattling around in the rubber barrel before you repeat the process again. And again. If you have the right rocks (or combination of rocks) and do everything right, you wind up with randomly shaped shiny rocks after about a month of tumbling.

Interested in working with stones? You should check out Kingsley North, which sells all kinds of rough and polished rock and the equipment for working with it, including tumblers. You can get a good deal on a Lortone 3A rock tumbling kit there.

(If you’re really interested in rock tumbling, here’s a great article on RockTumbler.com: Rock Tumbler Instructions.)

I first ran mine with a combination of rose quartz (pink) and sodalite (blue) stones, got excellent results, and gave the stones away to kids shopping with their parents or others at venues where I sold my jewelry. It was a big hit. But because it took so long and because I have so much else going on in my life, that’s the only batch I did. I put the tumbler away.

Burnishing Polished Metal

As I learned more about jewelry making and started branching out to metalworking, I learned that tumblers like mine with different media could be used to burnish polished metal.

Stainless Steel Shot
An example of stainless steel shot like what I use for burnishing metal in my tumbler.

The media used for this process is stainless steel shot, which can be bought by the pound. It ain’t cheap, but it’s completely reusable. I use just a pound of it in my 3-pound tumbler. I add water and a bit of burnishing compound — although I’ve been told that a few drops of Dawn detergent does the same thing. I throw in the jewelry to be burnished, close up the barrel, shake it up a bit, and then put it on the tumbler for up to an hour. The jewelry that emerges is amazingly shiny — it I polished it properly to begin with. Whenever I do a batch of new jewelry, I throw in my rings and bracelets for a quick and easy refreshing.

Of course, I can’t do this with any jewelry that contains stones. Although some stones may survive, many others would not. It’s not worth taking a chance.

“Honing and Highlighting”

This past winter, I took a bunch of jewelry making classes in Tucson, AZ. One of the instructors told us about a product she uses to finish “antiqued” metal jewelry: Hone & Highlight.

Hone & Highlight
Yes, I lifted this artistic product photo from the Hone and Highlight website. I hope they don’t mind; I’m doing it to send them customers.

I tracked it down online. Hone and Highlight is a silicon carbide with ceramic tumbling media that gently rubs the chemically blackened metal to remove the color from high points and roughen up the metal just enough to give it a satin finish. You add it with the jewelry to be finished to a tumbler barrel, cover it with water, and add 2 drops of Dawn dish detergent. Then tumble for up to 24 hours.

(And no, I don’t know why everyone says to use Dawn but they do. They never say Palmolive or suggest some sort of generic. They always say Dawn. I buy Dawn.)

What I like about this product is that it gives my “antiqued” jewelry a consistent finish that I really like. It also keeps my hands clean. I’ll be frank: using a polishing pad to rub liver of sulfur off jewelry is a tedious, messy task that seldom gets consistent results. This never fails me. Best of all, I can do jewelry in batches, which makes good use of my time (and tumbler).

Again, I can’t use it with any jewelry that includes polished stones. Who knows what might happen to the stones?

Three Jobs, One Barrel?

I soon realized that with three different jobs I wanted to do with my tumbler, each job requiring different media, it might be handy to have more than one tumbler barrel. So I started shopping around for one.

Junky Tumbler
Spoiler alert! This is junk. Don’t buy it.

My search led me to Amazon (where else?). They had Lortone 3A tumbler barrels, but they weren’t cheap. They also had a Leegol 2-barrel tumbler with a very similar design. With a coupon, it wound up being cheaper than two Lortone barrels (without the tumbler). It seemed like a good deal — after all, I could be tumbling rocks in one barrel (keeping in mind that it ties up my tumbler for a full month) while burnishing or honing metal in another. So I bought it.

It arrived non-functional with a broken spare belt. I fiddled with it and got it running. But what interested me more was the fact that the barrels seemed to be compatible with my Lortone 3A. They had cheesier inner lids, but they worked. I had the extra barrels I wanted. And since I didn’t have any need to run two barrels at a time, I kept using the Lortone.

Leegol Fails the Test

Fast forward to this week.

I started wondering if I could make beads by using my tile saw to cut local obsidian slabs I had into roughly consistently sized rectangles, tumbling them for a polish, and then drilling them. This would be a project that took time and the sooner I started, the sooner I finished. So I got out my tile saw, cut a thick slab into strips, and then cut the strips into flattened squares. I grabbed all that, set it up in an empty tumbling barrel with the proper grit and some water, and put it on the double-barrel tumbler. I figured that I’d let it run around the clock (as it needed to for the rocks) and, if I needed to do another job with another barrel, I could add it to the running tumbler platform without disturbing the rocks or firing up the Lortone.

Makes sense, eh? Good use of equipment.

And it actually worked out like that, at least for a few days. I made some jewelry earlier this week and put it into a barrel with the honing media for about eight hours. Rocks and bracelets tumbled side by side. I pulled the bracelets off when they were “done” and the rocks kept rolling.

Until sometime Wednesday night.

On Thursday morning, when I went downstairs to let my pups out, the rock tumbling sound I’d become accustomed to hearing from my garage was oddly quiet. I checked. The tumblers motor was running but the barrel wasn’t spinning.

I plugged in the Lortone and got the rocks moving again.

Broken belt
This belt lasted fewer than four days.

Later, I brought the new tumbler upstairs and took it apart. The rubber belt had broken into several pieces. And the spare was broken, of course.

My lesson: You get what you pay for.

(Which is something I’ve known for a while but periodically choose to forget.)

I ordered new belts for the tumbler. They come in packs of 12, likely because they’re so crappy they don’t last more than a week each.

Today I ordered spare belts for my Lortone, too. It’s more than three years old and still on its original belt.

Snowbirding 2020 Postcards: Rock Shopping

The first round of rock shopping.

If you know much about me and what I do, you probably know about my latest “hobby gone wild” and related rock problem. Basically, I collect gemstone cabochons and, a while back, began making jewelry with them. I tell people that I make jewelry to support my rock habit and I’m not really kidding.

Anyway, I buy the majority of my rocks in Quartzsite, AZ during the gem and mineral shows there in January. I started this year right on New Years Day and even took photos of my first (but not biggest) purchase.

Rocks
Among the rocks in this shot are Kingman Turquoise with Bronze, Kingman Turquoise and Orange Spiny Oyster Shell with bronze, malachite, K2 granite, azurite and malachite, blue jade, blue lace agate, and larimar.

More Rocks
In this shot, you can see bumble bee jasper, amethyst, red jasper, ruby in zoisite, rainbow calcilica, rhodenite, one I can’t remember, and a few I can’t identify because of the quality the photo.

I wound up spending over $1,000 on stones this winter. I’ll definitely have enough to take me through the entire year.

Digging Deep: Using Old Stones

My stone collecting obsession and how I’m trying to move forward.

Let’s get one thing straight from the get-go: I like rocks and always have. I’ve collected interesting rocks since I was a kid. You know — like when you’re out on a walk and you see one on the ground that catches your eye and it winds up in your pocket and later on your dresser.

Or when you’re on the beach with your family and you wind up picking up more rocks than shells and you keep them in a jar of water at home so they stay wet and shiny but become an algae-filled science experiment that disappears one day while you’re at school.

Or even in the school playground one afternoon in the 1970s when Steven Gaydos claims to have a moon rock and sells it to you for $2. (Yes, I was one of his suckers.)

Buy my jewelry!
After being encouraged (or nagged?) by too many other artist friends, I finally opened an Etsy shop to make it easy for folks to buy and for me to sell my finished pendants. It’s called MLGemstones. What I like about selling on Etsy is that it’s relatively easy to keep up-to-date — I can add pendants as I make them and remove them as I sell them — and Etsy does all the work to create for receipts and postage labels and calculate and pay sales tax.

Even when I got older and into a relationship, I collected pretty rocks. My future wasband did, too, which I always thought was natural. We’d go out in the desert and come back with a bunch of rocks. One day, while Jeeping out near Congress, AZ, we came upon a really nice, almost perfectly cubed piece of white quartz. It took three of us to get it in the back of the Jeep and it wound up in the front yard of our home. (It later disappeared; I don’t know if my wasband took it or someone looking at the house during the years it was for sale took it. I certainly had no use for it.)

Quartzsite Makes it Serious

Every year, when I lived in Arizona, I’d take at least one trip out to Quartzsite during the January rock shows. I exercised a lot of self-control in those days, but I did come home with rocks now and then. I had, by that time, seen the pattern of my rock acquisitions: find, bring home, set aside, lose, repeat. It made no sense to pay money for something I’d too quickly lose interest in.

After I moved to Washington state, I’d still go down to Quartzsite as part of my winter migration. And one year, I caught the rock bug bad.

Bacon Agate Pendant
It’s almost embarrassing to share this photo of my second pendant, but sometimes you need to look behind you to see how far you’ve come. I recently found this pendant (after misplacing it for a year) and plan to reframe it and wear it as a reminder of the rock that started it all.

It started with a rock seller giving me a nice, polished bacon agate cabochon. I had to do something with it. That’s when I started playing around with jewelry making. I was awful back then and never realized that I would get better. All I thought about then was that now that I had something useful to do with the rocks, it made sense to buy a few.

A few hundred, is more like it.

The Growing Collection

Kingman Turquoise
Kingman Turquoise with bronze is one of my best selling stones these days. I get these from a lapidary in Pennsylvania.

Since then — which was only two years ago this coming January — I’ve not only added to my collection, but I’ve begun displaying the stones in Riker boxes with felt inserts. Each box has a type of stone: jasper, agate, moss agate, jade/opal, turquoise/chrysocolla/azurite, etc. Each stone is meticulously inventoried with a tiny sticker on the back with its name, inventory number, and selling price. Yes, I now sell cabochons, too. I have become a rock dealer.

I get about half my stones in Quartzsite or Tucson every year. Honestly, I get better deals in Quartzsite so that’s where I mostly shop, starting as early as December.

I get another 45% of my stones from lapidaries — people who polish stones into the cabochons I use for my jewelry.

CabKing6
I bought one of these so I could polish local stones.

The final 5% are made in my shop. When I got rock fever bad enough, I bought a CabKing 6 cab making machine. I have a very large supply of local petrified wood and obsidian that I got in trade from a client. They both make very nice cabochons — when I have the time to polish them. Of course, once I got the machine, I started acquiring slabs of rock from all over the world so I could make my own cabochons. Unfortunately, I’ve been having trouble finding time to do that.

Selling Stones

My cabochons range in acquisition price from $1 to $20. I obviously sell them for more than that. I have them on display at venues where I sell my jewelry. I get a lot of rock lovers stopping by to look — some of them can spend 15 minutes or more at my booth looking and chatting with me. I enjoy sharing my knowledge and learning from some of them. And I love hearing their stories! I don’t even mind when they take up a bunch of my time and don’t buy anything. (The only thing I do mind is kids with dirty hands touching the tops of the display boxes. 🤯)

Fallon NV Wonderstone
This Fallon Nevada Wonderstone was one of the first “expensive” rocks I bought. I think I paid $15 for it. The pendant sold for $79 the other day.

Picasso Stone
This was the first Picasso stone cabochon I bought and I think it was the nicest. It sold last weekend.

Indian Blanket Jasper
This was one of the first 100 stones in my collection. I’ve since learned that square stones are a tough sell, but I suspect this one will eventually find a home.

Petrified Wood
I obtained this petrified wood cabochon long before I got about 100 pounds of local petrified wood in trade with one of my clients.

Ocean Jasper
I remember the day I bought this Ocean jasper cabochon and another very much like it in a Sacramento, CA bead shop. I paid too much (as I now know) but got my investment back (and more) when it sold last weekend.

Although the main reason I have the stones on display is to entice shoppers to have a custom pendant made from one of them — I can do it while they shop or have lunch — I also wind up selling a lot of stones. Just last February, I sold 20 stones over two days to a woman in Wickenburg, AZ — she came to my booth twice — and one day this past summer I sold 18 stones to a woman in Leavenworth, WA. These sales are good and bad. They’re good because I’m making money on inventory that requires no work other than cataloging and transporting. They’re bad because these folks often pick my best stones, leaving me with ones that aren’t quite as interesting or impressive. (Of course, that gives me an excuse to buy more.)

And then there are the folks who buy out my entire stock of one particular stone. I’ll see these folks at rock shows, like the one I do in Mesa, AZ every January. I discount all my cabochons by 20% to stay competitive with other rock sellers at the event. One day, a guy bought all of my K2 granite stones and the next day another guy bought all my bumblebee jasper stones. Fortunately, I went right back to Quartzsite the day after the show and was able to replenish my supplies.

Digging Deep

My stone inventory is listed by date and I still have a bunch of stones from my early days of collecting them. I’ve begun making a conscious effort to get these stones out of my inventory by making them into jewelry. And that’s what I’m showing off here: photos of stones I’ve had in my collection for over a year that I’ve finally made into jewelry.

It’s interesting to note that I started writing this blog post earlier this month when I began making these pendants. Since then, three of the five have sold. That tells me that even back when I first started collecting I had pretty good taste in stones.

Over time, I’ve learned what sells quickly and, when I get to Arizona, I’ll be stocking up on those stones. But I’ll also be on the lookout for some other beauties that I won’t be able to resist. When I find a stone I really like, I price it so high that no one wants to buy it so I can keep it as long as possible. But everyone seems to have their own idea of how much is too much and I often sell them to collectors anyway. That’s okay; it funds my future collections.

As for my current status, after buying and selling stones and pendants made from stones for nearly two years, I have 370 cabochons in my collection. Is it any wonder that rock lovers stop and stare when I have them laid out in my booth for everyone to see?

Booth Shot
My stones get their own table when I set up my jewelry booth at shows, like this Holiday Artisan Fair in Wenatchee last weekend.

A Tab-Mounted Gemstone Pendant

I make my first tab-mounted gemstone pendant.

Cabochon Definition
The definition of cabochon from Merriam-Webster dictionary.

I have about 500 gemstone cabochons in my collection these days. When customers marvel at them on display, I joke that “I make jewelry to support my stone habit.” Sadly, although it’s a pithy punchline, it’s also kind of true.

Picasso Stone Pendant
I made this Picasso Stone Jasper in sterling silver and copper pendant recently.

I use the cabochons (or “cabs”) three ways:

  • I make silver and/or copper framed pendants from cabochons I select from my collection.
  • I let customers select cabochons from my collection and make silver and/or copper framed pendants for them.
  • I sell cabochons from my collection. (Yes, I mark them up from their purchase price. No, I don’t double the cost to come up with my price.)

That Rose Quartz Cab

I purchase most of the cabochons at gem and mineral shows or directly from lapidaries. I do, however, also have a CabKing cabochon maker, which I can use to make my own cabs from rough or slabs. While I’m glad I have the CabKing, I honestly don’t use it enough to make it worth buying. The trouble is, it takes a long time to make a cab — sometimes an hour or more per stone. So unless I can’t get a cab elsewhere, it just doesn’t make sense for me to make it myself. At this point, I use it to make cabs from local stones such as petrified wood, obsidian, Ellensburg Blue agate, and Washington State jade.

But back when I first got it, I made a bunch of cabs from stones I’d bought to tumble. One of them was a piece of rose quartz that, for some reason, I’d cabbed into a triangle. (What was I thinking?) The piece sat in my collection for well over a year. It was time to do something with it.

Tab Mounting Ideas

I pulled it out on Sunday and took a good look at it. I wanted to use it with one point down, but I knew that it would look ridiculous framed in wire. And then I realized that it might be a candidate for a new (to me) technique I wanted to try: tab mounting.

Tab mounting requires you to take a piece of metal and cut tabs into it that you can then bend up and over the stone to secure it in place. I had seen a few videos about the technique and even read up on it in some of my jewelry making books. Coincidentally, I had passed on a jewelry making class in Tacoma that very weekend that covered tab-mounting. (I had already driven to the west side of the mountains three times this autumn and felt that was enough.) Maybe it was time to try it myself.

I took out a piece of paper and started sketching — which is something I rarely do. (I have no drawing skills.) I came up with an idea that might work, however, and got very excited about giving it a try. Unfortunately, I was at my day table booth in Pybus Market for the day and had agreed to meet a friend at the neighborhood winery afterwards. So it wasn’t until Monday morning, after dropping off my truck for some maintenance, that I had a chance to explore my idea.

Making the Pendant

Sketch 1
Here’s the sketch with the stone positioned on top. Because the stone was translucent, I wanted the area behind it to be mostly empty.

Sketch 2
Here’s the sketch without the stone. I shaded in the area that would be cut away.

Sketch Glued
I glued the sketch diagonally on one end of the metal strip.

After cutting
Here’s what the piece looked like after it was cut.

I started by re-sketching the idea. You see, it required a lot of cutting with a jeweler’s saw — a skill I learned last year during the three-day Beginner Intensive Metalworking class at the Tacoma Metal Arts Center. I’d been taught to take what I wanted to cut and paste it onto the metal with rubber cement. After it was cut, the paper could be peeled off.

So I traced the stone on paper, drew dashed lines to mark the center, sketched in the tabs I’d need to cut out, and then drew the pendant’s border around the stone. I shaded in the area that would be cut away, mostly so I wouldn’t make any mistake about where I cut.

Then I prepared the metal. I planned to use 22 gauge copper for this first experiment. I needed a piece approximately 2-1/4 inches wide so I cut a strip that wide with my bench shear. I wanted the metal textured and decided to use my rolling mill to keep the texture uniform. It was important to roll the copper before cutting it since rolling it tends to stretch it a bit. I picked a texture plate and rolled it out.

Next, I cut out my sketch with a pair of scissors and glued it to the textured metal. It didn’t matter which way the texture ran so I placed it on the metal to minimize waste.

Now the fun part (not!): cutting. There were two cutting techniques required for this piece:

  1. Cut around the outside of the template. This was easy — I did it with a pair of metal shears.
  2. Pierce cut along the black lines inside the pattern to remove the shaded area. This required me to drill a small hole in the shaded area (to pierce it) and then thread a thin blade on my jeweler’s saw through the hole. Then, resting the piece on my bench pin, I sawed on the lines. Although this wasn’t particularly difficult — the jeweler’s saw is made for this kind of work — it was time consuming. And I did break three saw blades. (#4/0 blades are a lot thinner than the #2 blade I use for most of my work. Fortunately, I buy all my blades in 24-blade package.)

Once it was cut out, I peeled away the paper and cleaned any remnants of glue off the piece. Then I spent a while doing my least favorite thing: filing and sanding the rough edges. One of these days, I will find the perfect tool for doing this quickly and consistently. Monday was not that day.

At this point, I could have mounted the stone and finish up. But I wanted to use another technique to add some creative elements to the metal: fusing sterling silver onto its surface. I dug into my sterling scrap bag — I recycle all my sterling silver — and pulled out a piece of 22 gauge square wire. I cut it to length and curled its ends into a pair of spirals. Then I took my beloved solder cutting tool and chopped up the remaining square wire into tiny pieces. I positioned all this silver onto various places on the textured copper and laid it out on the charcoal block at my soldering station.


I cannot say enough good things about this torch, which can supposedly reach 2500°F and doesn’t have sissy features like child-proof ignition.

I used my new Blazer Big Shot butane torch to melt the silver onto the copper. This is something I’d learned earlier in the month at a jewelry making class. It’s not difficult to do, but it does require your full attention and quick reflexes. I wanted the tiny chips fully melted but I wanted to retain the shape of the swirls. I think I did a decent job, although I wish I could have melted the left swirl a little better.

As you might imagine, the copper got very hot — glowing red. I let it cool naturally on the block for a short while, which really didn’t make sense because charcoal really holds the heat. Finally, I quenched it in some water and dried it off. It was very black. I used a 280 grit radial polisher on my flex shaft to clean it off, then repeated the process with a 400 grit polisher to give it more shine.

I was going to do some fire painting to bring some more color into the copper, but so little copper showed through the silver that I didn’t think it was worthwhile.

Finished Pendant
Here’s the almost finished piece. I still have to add a bail at the top. It’s interesting the way the silver appears shiny in some places and blackened in others. I like that look. I’ll probably make a pair of simple copper with fused silver earrings to go with it, using the same spiral motif.

So, instead, I just mounted the stone. It was easy enough to do: I pulled the four tabs forward, bending them where they joined the rest of the piece. To my utter amazement, the stone fit perfectly between them. I bent the tabs back over the stone. It was all very easy to do since the piece had been annealed when I melted the silver.

I’m very happy with the results. I know that this kind of jewelry isn’t for everyone, but neither are my sterling/copper framed cabochon pendants. I think it’s important to have a variety of items to appeal to many people. I can see making a “line” of jewelry in this style. Every piece, of course, would be different.

I can make silver pendants this way, but I can’t melt copper onto them. I’d have to use other techniques to make the pendant’s backing interesting: texturing, stamping, antiquing, etc. It’s exciting to me, in a way, because I get to try different things. When I show them at art shows, etc., I see the reaction of shoppers and learn what works and doesn’t work.