Return of the Photo Blog

One new photo a day.

Maria's PixAbout a year and a half ago, I discovered the Monotone theme for WordPress. Monotone is a unique theme in that it can “see” the colors in a photo, choose one, and use that color as a background. The results can be quite spectacular when used as a theme for a photo blog.

Indeed, the theme is designed for just that. It’s minimalistic and doesn’t even support WordPress widgets. It showcases the photo, which it protects from right-click saving, and offers room beneath it for a description. There’s also the usual post date, category, and tags, as well as big navigation buttons. Navigation can also be achieved by clicking the left or right side of the image.

Back in the summer of 2008, I put quite a few images online in a photo blog called Maria’s Pix that I created with Monotone. But then I discovered Zenfolio as a gallery/selling tool and simply stopped posting new photos. The site languished, unchanged, for over a year. It even became inaccessible as my ISP changed my DNS record and I didn’t update the subdomain to the new IP address.

But yesterday I decided to revive Maria’s Pix, partly as an experiment to see if I could do what so many photographers — amateur and professional — try to do: post a photo a day.

While updating the blog to prepare it for its re-unveiling, I discovered another theme by the same theme author, Duotone. Like Monotone, Duotone matches photo colors. But it goes a step further by taking a second color and using it as a page background, thus eliminating the unimpressive white background found in Monotone. I downloaded it, installed it, and activated it.

And found that it displayed PHP errors instead of photos.

Apparently there’s an incompatibility between Duotone and WordPress 2.9, which is the latest version (as I write this). While some folks more knowledgeable about PHP than I’ll ever be offered some hacks to fix the problem, the only thing the hacks did for me was remove the errors. The pictures did not appear.

I switched back to Monotone.

Eventually, Duotone will be fixed and I’ll begin using it. I like it because it supports widgets, so I can add a bit of other information under the photo. I believe it reads EXIF info, too, so I won’t have to manually insert photo info. We’ll see.

Until then, I hope you’ll visit Maria’s Pix — at least once in a while — to see a few of my better photos.

PhotoJeeping: Christmas Day in the Desert

Mike and I spend a beautiful day bouncing around the desert with our cameras.

Since Mike and I each visited our families earlier this year and had no other plans for Christmas Day, we decided to take our cameras and my Jeep out into the desert north of Wickenburg to explore a few roads we’d never been on. The day was crystal clear with deep blue skies and only a scattering of high cirrus clouds. We left midday, right after lunch. We’d explore, from the ground, places I’d flown over countless times by helicopter.

[A side note here: it’s really unfortunate that Wickenburg’s economy can’t support a younger, more vibrant population. The town is absolutely surrounded by opportunities for outdoor activities — hiking, Jeeping, mountain biking, exploring ruins, digging for gold, etc. The writers at wickenburg-az.com have covered many possibilities. Although some of the retirees that dominate Wickenburg’s winter population do occasionally climb into ATVs and get out to explore, the vast majority have no interest. As a result, the desert around Wickenburg remains a vast untapped resource for recreation.]

I do want to mention that all of the photos in this blog post are straight out of the camera — no Photoshopping at all. I just threw this post together on my laptop. So if colors look weird — especially that extra blue sky! — it’s natural — at least as far as my Nikon D80 thinks.

Getting Started

Our journey started on Rincon Road, right off of Highway 89/30. It’s a right hand turn not far from the second roundabout if you’re coming from the south. The road takes you past some pasture and a roping facility, then crosses the Hassayampa River, which is usually dry there. The pavement ends and starts and ends multiple times. You’ll cross the river twice. After the second crossing, you’ll find yourself at the site of an old manganese mine. There’s a big parking area there and it’s often filled with trucks pulling trailers for ATVs or horses. Yesterday, there were two camps set up, looking out over the riverbed.

View of WickenburgWe made a sharp left to continue along Rincon Road. It climbs out of the river area into the low mountains northwest of town. At an obvious intersection, we made a right to continue on Rincon. This short piece of road is extremely rough but offers outstanding views back toward Wickenburg, as well as lots of typical Sonoran desert vegetation. And rocks — did I mention the rocks?

As we continued along this piece of road, we passed a pickup truck with a cap on top. A man was standing, shirtless, at the back. He appeared to be washing his hands. A peek inside the truck cap revealed a mattress on a platform with various supplies under it. It was clear that this was the man’s “camper.” Not everyone needs a 35-foot fifth wheel for living in the desert.

After another quick photo stop, we joined Scenic Loop and headed north along its maintained dirt surface. This was familiar territory for us, so we didn’t remain on it long. Instead, when the road descended into a wash and turned to the east, we turned left into the wash and followed the sandy road northwest. According to our maps, this was scenic loop and the road we knew as Scenic Loop was actually called Stanton Hall Road. As if road names make a difference out there — none of the roads are marked and few people using the roads know their names.

We took our time along the drive, making a few stops along the way. At one point, we turned right off the main road and climbed up a side road covered with loose gravel. The road was steep and I think this is the only place where 4WD may have been required on the trip. Although we both expected the road to end, it continued past the top of the hill toward the east. We decided to turn back and stay on our original path.

The Photo Spots

I won’t bore you with the turn by turn details beyond this point — partly because I can’t remember every single turn we made as we wound down one dirt road after another, through washes, up steep grades, and around obstacles. I was glad we were in a Jeep and not something with a wider wheelbase. For most of the time, it was slow going. We didn’t stop many times for photos, on the first half of the trip because there wasn’t much of interest to photograph.

Sand MillThere were some exceptions, of course. One was Sand Mill, site of windmill, cattle tanks, and corral. I have a thing about windmills and did my usual study of this one. Unfortunately, it was broken, although I do think it could be repaired. What I found more interesting was the welded iron water tank behind it and the fencing around the corral — which was in unusually good shape. There had been two cows standing in the area when we drove up, but they ran off when we stopped. Cows out in the open range are funny like that. No matter how hard you try to not spook them, they get spooked anyway.

Anyway, here are three portrait view shots I took in the area. (Unlike a lot of amateur photographers, I’m not afraid to turn my cameral sideways.) These are a little more “artsy” than scenic. It was fun to play with the textures and patterns.

Windmill LadderFenceTank Ladder

Open Range CattleLater on, near a place called Brick Tank, I managed to get this shot of two cows. They stood there for about two minutes just staring at us as I rolled the Jeep into position and framed this shot. Then, just as I pushed down on the shutter, the smaller one (on the left) turned her head and ran off. The other followed, of course.

Mule DeerWe also passed a herd of about eight mule deer along the way. I stopped while Mike tried to get some photos. They weren’t quite close enough for our lenses — we hadn’t brought along my 70-300mm zoom. Here’s my only shot, which I admit isn’t very good. I cropped it here.

As we reached Stanton, we found the road blocked by a fence and a “No Trespassing” sign. This wasn’t good news; if we had to go back to find another route, it could have easily taken another hour to get to the same spot. Fortunately, two-track roads led around the fence, dumping us right outside the ghost town of Stanton on Stanton Road.

Stanton is owned by the Lost Dutchmen Mining Association (LDMA). It’s always had a caretaker on duty, so the few buildings that remain of the original town — stage stop, hotel, and opera house — still stand. The LDMA offers campsites for its members. On Christmas Day, the place was crammed with RVs of all kinds, from the crappiest conversion van you could imagine to a 35-foot Cameo that looked very new. These folks spend their time panning for gold, which is kind of cool. I say “kind of” because it’s a ton of work and not the easiest way to make money. But every once in a while, someone finds a gold nugget big enough to keep everyone else looking. And it’s nice to be able to spend so much time outdoors with folks who share the same interest.

The Mountainous Portion of the Trip

Stanton Road meets up with Mina Road right there and that’s where we headed to start the second part of the trip — the part I wanted to do. I’d seen a Jeep road up in the Weaver Mountains that I wanted to check out. It wasn’t far from Stanton on the back road that went from Stanton to Yarnell: Mina Road.

Our landmark was a switchback to the left in the road. The road we wanted would go straight instead of making that left turn. But sure enough, it was blocked off with a fence and a “No Trespassing” sign. We made a U-turn and went back a short distance to another road that looked as if it might parallel the one we wanted. According to my GPS and the topo maps we’d brought along, the road we were on ended. But those maps are from the 1980s, before folks with ATVs and gold fever started exploring the area. We explored the road and its side roads until we found the place it met up with the road we wanted, beyond that private property.

Desert SceneryWe drove across Antelope Creek, which still running as a small stream with a mix of spring water and runoff from snow and rain at higher elevations the previous week. I threw the Jeep into 4WD and powered up a steep, narrow Jeep trail with lots of loose rock. When I leveled out and could see the road beyond, I realized that I just wasn’t prepared to go any farther. The road was very narrow, very steep, and covered with very loose rock. I was tired from almost 2 hours of driving on back roads. I’d had enough rough road exploring.

Desert DetailWe got out for a while to take photographs in the area. There was a lot of slate-like rock, standing straight up. Much of the rock was covered with orange and yellow lichen. It made an interesting contrast to the green and brown of the desert, the blue of the sky, and the deep shadows cast by late afternoon sun. The light hadn’t gotten “good” yet, but it wasn’t bad — probably because of its low winter angle.

Antelope CreekWe also walked down to Antelope Creek. It was great to see so much water flowing in the desert. I knew that downstream, the flow dried up before it even reached Stanton. I tried to get some photos that showed reflections in pools of relatively smooth water. The water, in some places, was about two feet deep. Although Jack the Dog drank some of it without side effect, I wouldn’t think of drinking it without treating it first; just too much open range and wildlife in the area. (That’s why its best to bring your own water, even if you know you might find some along the way.)

The Way Back

We returned to Mina Road and headed back toward Wickenburg. But rather than take the fast way — Stanton Road to Route 89 — we turned left on Stanton Road and headed back on more dirt roads.

OctaveBut first, we stopped at one of the few buildings that remain at Octave, another ghost town. The afternoon sun had drifted down quite low when we arrived and I think I got some of my best photos of the day. I have a thing about photographing abandoned buildings, and even though this was a small one, it kept me busy for a good 20 minutes. This is one of my favorite shots.

Boulders and Saguaro on Rich HillWe also stopped alongside the road where the boulder-and-saguaro-strewn side of Rich Hill was illuminated by the low-lying sun. As you look at this photo, remember that each cactus stands at least 15 feet tall. Really gives you an idea of how big the boulders are, no? The horizontal version of this photo will be my desktop pattern.

We turned south toward Wickenburg a while later. Again, I can’t remember where we turned; you’ll need to check my GPS track log to see. The following 90 minutes was spent exploring various ways to get through the desert and back to pavement near Scenic Loop or Rincon Road. We made a lot of “wrong” turns. In looking at our track and knowing the desert from previous non-GPS-assisted trips, I know we didn’t take the best path. But it was a new path, and that’s all that really mattered.

We joined back up with Scenic Loop near Sand Mill and retraced our steps. By then, the light was very low and the mountains were glowing copper colored. We made one more side trip in search of a good spot to take some final photos and found ourselves quite close to the Hassayampa River on a short cliff. Although Mike took some shots, I didn’t like anything I saw through the lens.

We backtracked all the way back to 89/93, drove through town, and headed home. It was a great way to spend Christmas Day.

Trace Our Treads

Our TrackIf you’re interested in following our route, I offer my Garmin GPX track log file for you to load into your GPS. Once you load the track log into your GPS, you can go to the center of town in Wickenburg to pick up the track and follow it. For best results, you’ll want a GPS that you can load topographic maps on; you’ll see that many (but not all) of the dirt roads we followed appear on the Garmin MapSource maps — or standard USGS topographical maps. You’ll also see where we made wrong turns and hit dead ends. You might want to review the track log before following it blindly; here it is on EveryTrail.com.

You’ll also need a vehicle with high clearance and a relatively narrow wheelbase. Leave the Hummer or big pickup truck home. You’ll do better with a Jeep or quad or some other ATV. Although we threw the Jeep into 4WD a few times, I don’t think we actually needed it more than once or twice. In this area, I always recommend using 4WD when driving in deep sand (especially along the Hassayampa River, which is notorious for quicksand).

And I know I don’t have to tell you to bring water, emergency gear, etc., right? Our route travelled to some pretty remote areas of the desert. If we had a breakdown, it would have been a long walk to help.

Creating a Photo Calendar with InDesign

An overview of how I did it and the results.

This year, I decided that I needed an affordable yet memorable holiday gift to send out to all my customers and the folks I do business with. I wanted this gift to be an in-your-face-all-year-long item. That means it had to be something the recipients would want to keep and refer to.

A calendar seemed to fit the bill.

Now every year, I get sample calendars with my company name on it from various printers who print promotional items. They’re usually pretty boring; certainly not the kind of calendar you’d want to use all year long. Clearly, I had to do better than that.

The solution was a custom calendar using the photos I’ve taken over the years to show off the places I fly to and my helicopter. The challenge was to make a professional-looking, attractive calendar that was cost-effective to print.

iPhoto’s calendar printing option was the obvious choice for creating the calendar. It offers several different formats, many of which would meet my needs. What did not meet my needs, however, was the price: $19.99 per calendar. Since I figured I’d need at least 50 of them, that was far more than I wanted to spend.

My husband suggested MagCloud, which I’ve been using for other print-on-demand needs. At first, I didn’t think it would work out. After all, MagCloud produces stapled magazines sized just under 8-1/2 x 11. But then I held a sheet of paper up to the Robinson Helicopter calendar on my wall. And guess what? It was the same size.

So I decided to go with MagCloud for printing.

At that point, it looked as if I’d be creating a 28-page calendar from scratch. Not something I looked forward to. But I did a Google search for 2010 InDesign Calendar Template, which directed me to the 2010 InDesign Calendar Template by Juliana Halvorson on the Adobe Web site.

I downloaded it and discovered that it was almost what I needed. The template assumed a landscape orientation. I wasn’t sure if MagCloud would accept the document created that way. So I modified the template to make it portrait orientation and rotated all the calendar grids. A few adjustments to the margins and bleeds (which I initially got wrong) and it was a good starting point for my own project.

First up was reviewing the holidays. Juliana had included several extra religious and “Hallmark” holidays that just weren’t appropriate for a general use calendar. I removed them. I also changed the wording of some holidays — for example, changing Thanksgiving Day to just plain Thanksgiving.

Then I needed to redo the thumbnail calendars for the previous and next month that appear on each calendar page. The type was just too small. That turned out to be a time-consuming chore, as I had to basically reformat each little calendar individually. But it was worth the effort; the numbers are now far more readable.

Here’s a little movie of the calendar’s pages. You’ll need QuickTime to view it.

Then the big task: finding the images I needed in my calendar — 12 full-page images and about 16 smaller ones — cropping them for the right proportions, saving them as TIFFs, and dragging them into my working file. It took me two full days to get the job done. In the end, it was very tedious and I just couldn’t wait to finish it.

Since the calendar’s pages had to be in multiples of 4, I had to stretch my 26 page document to 28 pages. That also meant filling in 2 more pages with something. I decided to put information about Flying M Air’s services, along with thumbnail images from the big pictures.

Once completed, I created the PDF MagCloud needed to print my calendar. The first upload (which took 4 tries on my miserably slow Internet connection here in Wickenburg) resulted in an error. I’d gotten the bleed measurements wrong. I fixed them and (fortunately) did not need to adjust the layout. Two hours later, after about 8 upload attempts, the file was online. The preview looked good.

I ordered the free proof and am now waiting for it to arrive. If it passes muster — and I’m about 95% sure it will — I’ll order about 50 copies to give as holiday gifts to clients and friends.

In the meantime, I’ve “published” the calendar so others can preview and (hopefully) buy their own copies. There is one caveat, however. Because MagCloud publishes magazines and not calendars, if you buy from MagCloud, you’ll have to punch your own hole in the top of the calendar.

I’ll be doing a lot of hole-punching next week.

At the Right Place at the Right Time

I tag along on a mystery tour — of the Kolb Studio living quarters.

Outside Kolb Studio

The public entrance to Kolb Studio, which clings to the rim of the Grand Canyon.

If there’s any such thing as “luck” I think it has to do with being at the right place at the right time. People who are truly lucky can recognize such an alignment and take advantage of it.

Like I did yesterday.

I was in the Kolb Studio at Grand Canyon Village. The Kolb Brothers were the original photographers of the Grand Canyon. They shot more images of tourism at the South Rim — there are 60,000 negatives in the archives — than anyone else. They also made a movie of their boat trip down the Colorado River through the Canyon and it played daily at their studio for over 45 years, making it the longest running movie in the world. That’s what the Ranger told us, anyway.

Today, the Kolb Studio is known primarily as a bookstore and art gallery. The old movie screening room which is on the second level down, has been converted into a gallery. Last time I was at the Canyon, the gallery was closed for some reason. This time, when I stood at the top of the steps to look down into it, I saw that they were packing up artwork to ship it back to the artists.

But as I stood on that upper landing, a young, thin, female ranger walked by, followed, like a mother duck, by a long string of tourists. There must have been about 15 of them. They were walking purposely down the stairs, past the barrier that had been erected to keep people out. I asked one of the last people, “Is this a tour?”

“Yes. Go to the desk to see if you can join us.”

I knew that if I went to the desk, even if they said yes, I’d be too late. So I just followed them.

Mind you, I had no idea what the tour was about. I had time to kill and it was clear that these people were going someplace I’d never been before. I wanted to go with them.

Kolb Sitting Room

The sitting room in the living quarters at Kolb Studio. Beyond this is a “sunroom” with windows looking over the canyon.

I’d hit the jackpot. It turned out to be a tour of the Kolb Studios living quarters — the home of the Kolb Brothers.

Emory and Elsworth Kolb were given a piece of land at the edge of the canyon by Ralph Cameron who owned Bright Angel Trail and a bunch of other land on the rim. This was back in the early 1900s and Bright Angel Trail was a toll road. The Kolbs were given the land with the stipulation that they were to collect the tolls when Cameron wasn’t around. The Kolb brothers built their studio — first a tent, then a wooden frame building — on the edge of the cliff. A window on the building looked out over the start of the trail. The Kolbs would snap photos of the groups of mule riders going down. Then one of them would run all the way down to Indian Gardens, which is 4-1/2 trail miles and 3,000 feet down, where there was water. He’d develop the glass plates, make prints, and run all the way back up to the studio. When the riders returned, the photos were ready for purchase.

Inside Kolb Studio

Inside the actual photo studio. The window on right right is the one they took photos of mule riders through.

There’s a lot more history to the Kolb brothers, but I’m not about to retell it here. Check out the PBS documentary about them or look them up in Wikipedia to learn more.

The more interesting thing is the house. It was built with its top floor level with the canyon rim. Subsequent floors were added below that. So the house literally clings to the side of the cliff. And it looks as if it were built over time by people who cared more about functionality than architecture.

Kolb Dining Room

The dining room at the Kolb Studio living quarters. Those windows look right out over the Grand Canyon.

But inside — wow. A perfect example of early 1900 homebuilding. The house I grew up in was built in 1901, so I know the style. Plaster walls, wood floors, molding. And all the windows looked right into the Grand Canyon.

The ranger led us though about a dozen rooms, including the sun porch, sitting room, kitchen, bedrooms, dining room, and, of course, studio and darkroom. (The darkroom was added after water became available at the Rim.) We were invited to take photos — even through the window the Kolb Brothers had used all those years ago. It was fascinating and a real treat for me.

Kitchen at Kolb Studio

The kitchen at Kolb Studio.

Let’s face it: I come to the Grand Canyon at least two dozen times a year. I’ve seen all the usual things. I’ve taken photos from the rim trail and every single rest stop or parking area on the rim. I’ve visited all the shops and eaten in all the restaurants and stayed in all of the hotels. I’m at the point where I’m almost bored when I come here. Almost.

When I finished the tour, the first thing I did was call Mike to tell him. I think he was jealous. Heck, I’d be if he’d gone without me!

Shots from the Edge

Two photos from yesterday’s hike.

Yesterday afternoon, I hiked up Doe Mountain, a mesa west of Sedona, AZ. The mesa has sheer rock walls on all sides except the northwest — that’s where you’ll find a 8/10 mile trail that climbs nearly 400 feet to the mesa top. The top is almost completely flat with stubby trees, bushes, yucca, and various types of cactus and desert grasses. It’s an amazing place at any time of day; simply walk to the side of the mesa with the view you want, sit down on a rock, and suck it all in.

I went up there around 3:30 PM; sunset was around 5:30 PM. It took nearly an hour for me to do the hike. I can hike on flat terrain or downhill all day long, but make me climb and you’ll be waiting for me. I was by myself, so I didn’t hold anyone back. When I got to the top, I was hot and thirsty.

I wandered around as the light continued to soften and redden. I found an excellent spot for photos on the north side of the mesa and shot the two you see here. These are unedited.

From Doe MountainI’ve been experimenting quite a bit with foreground/background combinations. This shot of grasses, rocks, and trees with the red rocks in the distance behind them really called out to me. The foreground elements are on the mesa top. About 10 feet beyond them is a sheer cliff with a drop of 300-400 feet. The green trees you see beyond that are full-sized pinon and juniper pines. The red rock cliffs are several miles away. This one’s a “keeper” that I’ll likely put in my Photo Gallery. (That’s also why it’s so small here; I don’t share larger images unless they’re watermarked.) The only reason it’s not there now is that I haven’t had time to examine it closely and remove any optical imperfections due to dirt on the sensors. (It’s a never-ending battle against dust here in Arizona.)

Maria in SedonaThis second shot is a self-portrait. I broke my third wired shutter release and there’s no way I could have used the self-time for this. So I used the camera remote. Of course, the sensor for the remote is on the camera’s right side (when looking at the front) and I was sitting at the left. Hence the stretched out arm and rather cranky look on my face. It’s a dopey picture and I look like an idiot. I guess that’s why I like it.

Oh, and I was about 5 feet from the edge of the cliff in this shot.

More from this trip in future posts. I’ll have better WiFi in Page.