Flying M Air Video Podcast Now Online

It took me a while to figure it out.

Come Fly with UsI spent about 4 hours yesterday morning and another hour this morning publishing a video podcast for Flying M Air. Why so long? Because I couldn’t find a single how-to guide online to explain how to do it the way I wanted to get it done.

On Friday, I got back from a 3-1/2 day trip around the southwest with photographer Richard Noll. Rick and I took tons of pictures and video — much of which was from the air — of the places we visited. The goal of our trip was not only to perform a final check on travel, hotel, and tour arrangements for the Southwest Circle Helicopter Adventure, but to gather images I could use to market Flying M Air’s tours and excursions. I now have over 1,000 still images and 4+ hours of video to go through.

iMovie HD 6 and iDVD 6: Visual QuickStart GuideI spent some time early Saturday morning with iMovie and Jeff Carlson‘s excellent book, iMovie HD 6 and iDVD 6: Visual QuickStart Guide. The book has everything you need to know to create a great looking movie in iMovie HD, from choosing a video camera to building the movie with titles, transitions, and effects. It then goes on to discuss IDVD (which I’m not ready for yet). I learned a lot of things, including that I can reverse and slow down video clips — two effects I’ll need for my final project: a 20-minute promotional DVD.

Yesterday’s starter project was to build a slide show of images taken in the Phoenix area. The slide show would make good use of the Ken Burns effect to add motion to still images. I’d also included opening and closing titles, transitions, and music. It was a very simple project, and with Jeff’s guidance, I was able to knock it off in about an hour with about 15 slides. The final video is about 2-1/2 minutes long.

Although Jeff’s book discusses publishing a video podcast with iMovie and iWeb, I was not interested in using iWeb. It might be a great tool for Web publishing newbies, but it lacks the control features I need. (This might sound strange, but the software is so easy that it’s hard for an experienced user to use.) I wanted to publish a video podcast of this and future Flying M Air movies right on the blog-based Flying M Air Web site. This way, the videos would be available immediately to site visitors as well as by podcast to subscribers. I knew this was possible, but I couldn’t find any clear guidance on things like format (Was the export to iPod format the right one?), linking (Was it as easy as just including a link to the file?), and server settings (Did I have to modify .htaccess?).

Phoenix Tour ThumbnailI got the answers to all of these questions through Web research and trial-and-error. I got it working at about 5:30 AM this morning and was pleased to see the new podcast file being downloaded into iTunes. I then spent another hour tweaking the settings for Flying M Air’s WordPress theme files so instructions would appear onscreen when a site visitor checked the contents of the new Video & Slide Shows category.

Interested in seeing my first effort? You can download the m4v file (which can be viewed in iTunes or QuickTime) or subscribe to the podcast.

And if you’d like to read a how-to article that provides step-by-step instructions for publishing an iMovie project as a podcast with WordPress (rather than iWeb), keep checking in. I’ll write it up today, but Informit.com has first dibs. After all, I do like to be paid for my work.

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Netflix

My capsule review of the Internet-based DVD rental service.

I joined Netflix about two months ago and, in general, have been satisfied with the service. That’s not to say the relationship has been trouble-free. It hasn’t.

Netflix offers four plans for membership. I chose the cheapest plan: $9.99 per month for one DVD at a time with an unlimited number of DVDs per month. The plan is perfect for us in that it enables us to watch, on average, two DVDs per week. That brings the per DVD rental cost down to less than $2 per title — cheaper than pay per view and both cheaper and more convenient than going to the local video rental place.

Here’s how it works. After setting up an account, you browse or search the extensive movie library for titles, actors, directors, etc. that interest you. See one you want to watch? Click an Add button to add it to your Queue. Once a movie is in your Queue you can shuffle it around in the list order. The ones on the top are the ones you’ll see first, in the order in which they appear.

What’s kind of neat is that you can add a movie to your queue before it’s available in DVD — even before it’s been released to theaters. As soon as it’s available, just shift it to the top of your queue to get it right away.

In my plan, I only get one DVD at a time, so the plan is pretty simple. Netflix sends me the DVD at the top of my queue. They send me an e-mail message telling me that it’s been shipped and giving me an estimated receipt date. Since the local shipping point for me is in Phoenix, I usually get the DVD the day after it ships. So something that ships out today will be in my mailbox tomorrow.

The DVD comes in a red tyvek envelope that contains a white tyvek envelope with a sticker describing the movie. There’s no DVD case and no liner notes. Just the movie. I pop the movie into my DVD player, watch it, then pull it back out and stick it back into the red envelope, which has a tear-away portion that removes my address and replaces it with Netflix’s. I drop the envelope in the local mail box and it goes back to Netflix. It usually gets there in a day or so, depending on the day of the week. (There’s no mail service on Sundays, so that’s a dead day.) Then the whole process starts all over again.

At the beginning of this piece I alluded to a less than perfect relationship. That’s because I’ve had two problems so far:

  • One of the DVDs was scratched to the point that it would not play properly. Although most of the movie played, there was about a 15-minute sequence that was messed up, with lots of skipping forward. This is evidently a common problem, since Netflix has a customer service form with this listed as a possible reason for contact. They offered to provide a replacement DVD, but it wasn’t so bad that we couldn’t see the movie, so I let it go. Still, I’ve since looked at the underside of each DVD and have been shocked at the number of scratches on each one. Is it that the tyvek envelopes don’t properly protect the DVDs? Or are other subscribers downright careless with them? I don’t know.
  • The other day, I got an e-mail confirmation that the movie I’d returned had been received at Netflix. The only problem is, I never saw the movie. It was shipped to me and then shipped back without ever getting into my mailbox. This was a problem that was not on the customer service form and I had a heck of a time finding contact information to report the problem. Netflix responded the next day, saying that occasionally the envelopes get damaged in shipping and, when the outer envelope gets torn off, the DVD simply comes back. (Either that or one of my neighbors enjoyed the movie and graciously returned it for me.) They promised to send a replacement movie while my next selection was on its way — so I could “catch up,” so to speak. Trouble is, they sent the same movie that was next in my queue, so I got two copies of the same movie. I guess that’s what happens when you let a human take the job of a computer.

I use the “three strikes and you’re out” rule with customer service. Netflix, so far, has two strikes — in less than two months! They aren’t the only organization offering this kind of service. Blockbuster, in an effort to save their failing company, has also launched an Internet-based DVD rental service. If Netflix drops the ball again anytime soon, I’ll surf over to the competition to see what they have to offer.

Weird Flying

I fly over 7 hours, doing weird stuff with my helicopter.

No doubt about it: this was the weirdest weekend of flying I’d ever had.

Weird Flying 1: The Camping Trip

It started with the camping trip drop off on Saturday.

Jason and his girlfriend, Becky, had planned a trip to Red Creek, a tiny dirt airstrip on the Verde River. Jason flies a Citabria and has flown and out of there many times. Becky has come with him on several trips, but this was the first overnight trip they’d planned.

They arrived at the airport, where I was out on the ramp cleaning dust out of the inside of Zero-Mike-Lima. I hopped in my golf cart and rode over to Jason’s hangar to say hello. Becky was excited about the trip. She talked animatedly to me while Jason loaded their camping gear. I told them that I was planning a flight out that way, too. I was just waiting for someone to show up at the airport to come with me. I told her I’d rather fly with someone else than alone. She suggested that I stop by their campsite for a visit. “There’s horseshoes there, you know.”

I should mention here that even though Red Creek’s airstrip is extremely difficult to get to by wheeled vehicle, over the years, pilots and others have added amenities like a horseshoe pit, picnic table, fire pit with grills, lawn chairs, water jugs, etc. You can find all that near the strip on top of a small mesa overlooking the river. But my favorite camping amenity is found closer to the river itself: shade.

I agreed that I’d come visit and I hopped in my cart and put it away in my hangar. Then I went back to cleaning dust out of my helicopter.

A while later, I heard an airplane engine start. It may have sounded rough — I don’t know. To me, all airplane engines sound a little rough. It ran for about three minutes, then shut down. A minute or two later, it ran for another minute. Then silence.

I was wiping dust off the inside of the cowl near the hydraulic fluid reservoir when I heard my name called. It was Becky.

“Jason’s plane isn’t running right,” she told me. “The needle is going up and down. He says it might be the spark plugs. So I was wondering, could we charter you to take us to Red Creek?”

I thought for about two seconds. “Sure,” I told her. “It would be fun.”

We loaded all their gear into the helicopter. It fit under the seats and on one of the rear passenger seats. We put Jason up front because he’s tall and his long legs wouldn’t have fit comfortably in the back. I started up, warmed up, and took off. It was Becky’s first helicopter ride and she let out multiple squeals of delight as I climbed up over route 60 and back toward the east. I showed them my house from the air and continued toward Red Creek, adjusting my course slightly to overfly a waypoint north of Cave Creek that I’d already programmed in.

We talked the whole time. I showed them the abandoned mansion overlooking Lake Pleasant and they were surprised to see it — like most local pilots who understand the joy of flying low and slow, they’d explored quite a bit of the area in Jason’s Citabria. I was going to show them the ruins on Indian Mesa, but they’d already seen them. So we continued over the Agua Fria Arm of Lake Pleasant, climbing as I flew over I-17 in preparation for the high mesas ahead.

I saw a mesa that seemed broken off from the main mesa and pointed at it. Jason said, “Yeah.” In the back, Becky was fiddling with my iPod.

We were nearly up to this mesa when I said, “Wow. Doesn’t that mesa look like an island in the sky?”

“Yeah,” Jason agreed. When Becky didn’t reply, he added, “Look, Becky. Doesn’t that mesa look kind of cool?”

She looked. “Yeah,” she agreed. But she didn’t sound very interested.

“I bet the views from up there are great,” I said, starting to slow down. The mesa offered excellent views of Phoenix, Scottsdale, Cave Creek, Carefree, and Deer Valley to the south. “The lights at night must be incredible.”

“Yeah, this is a really great spot,” Jason said. “I think we should camp here.

That got Becky’s attention. “Here?”

“Yes. What do you think, Becky? Should we camp here?”

By this time I was circling, looking for a good landing zone.

“No!” Becky yelled, sounding a bit frantic at the thought.

I almost laughed into my microphone.

“Red Creek is better. It has horseshoes.”

This time I did laugh.

“We can go to Red Creek anytime,” Jason said.

“That’s right,” I said. “But you can’t land a plane here.”

“But…”

“I want to camp here,” Jason said firmly. His tone of voice suggested that when he really wanted something badly enough, Becky usually gave in.

“It’s a really nice spot,” I added. “And the views are great.”

“Well, if we’re going to camp here, then maybe we can find Skeleton Ridge and camp there,” Becky said. “Or someplace where there’s indian ruins. Let’s find someplace with ruins.”

“We can’t tie up Maria all day,” Jason said.

By this time, I’d found a spot to land and was just waiting for the cue to start my approach. Becky gave it.”Okay,” she said.

I made my approach to a spot near the middle of the mesa. When I set down, I was less than 100 feet from the waypoint I’d programmed into my GPS that morning.

They unloaded their gear. Becky wanted me to shut down and hang out with them, but I’d been experiencing intermittent starter problems and did not want to get stranded on top of Black Mesa with them. So I left the engine running and held the controls while they unloaded. I told Jason to stand back when I took off, wished him luck, and lifted off.

Of course, I was in on the whole thing. Jason had called a month before to reserve the drop off and pick up dates with me. He’d sent me GPS coordinates, a map, and this photo only days before. He was planning to propose and to make the event more memorable, he thought a helicopter drop off and pick up at a remote location where no one would bother them would be ideal.

Photo

Who says men can’t be romantic?

From Black Mesa, I headed up to Prescott. Oddly enough both the folks at Guidance Helicopters and I had golf ball drops on Sunday: we were hired to drop golf balls out of a helicopter onto a target. The closest golf ball(s) win a prize. Its a fund-raising event. Theirs was for Special Olympics. Mine was for Wickenburg Youth Football. At Prescott Airport, I got a chance to see the device the Guidance folks had rigged up for the drop. It was very impressive. Guidance never does things halfway. Of course, it was not the kind of thing Mike and I could whip up in two days. We’d have to come up with a different solution.

While I was up there, I hopped in my old Toyota MR-2 and took it to the malls. As usual, that little car started right up and seemed eager to roll. I hit a few pet store places, bought a coffee pot for my Braun coffee machine (which I’d broken the morning of a dinner party, forcing me to buy a piece of crap coffee maker in Wickenburg to make coffee for my guests), and bought a bunch of fish for my big fish tank, which I’m just getting restocked after the fish from hell ate all his companions. I came back to the helicopter, loaded all my purchases under the seats, and buzzed back to Wickenburg.

I left the helicopter out on the ramp overnight. I had to fly it the next day.

On Sunday, the first order of business was to pick up Jason and Becky. I was late getting to the airport, primarily because I had to stop at my office and pick up a few things I’d need later on. Although my fuel level was lower than I wanted, I decided to pick up Jason and Becky first and get fuel afterward. I didn’t want them waiting on top of that mesa in the sun, wondering when I was going to get there, when they were expecting me at nine.

I made excellent time flying right to the mesa. At first, I didn’t see them. But then I spotted them on the north end of the mesa, right where it narrows to join the larger mesas to the north. There was an excellent landing zone nearby: level and rock-free. The only catch was that there was only about 10 feet of mesa in front of me and thirty feet behind me — beyond that were sheer, 500+ foot cliffs. A real pinnacle landing. I made it without trouble and was comforted by how firmly the helicopter sat on the ground. I frictioned-up the controls and got out to help them load. Becky showed me her engagement ring. Not only was Jason romantic, but he was generous and had excellent taste. The ring was a real beauty.

I asked them if they minded going to Deer Valley for fuel before I took them up to Peeples Valley. No problem. I lifted up, added forward cyclic, and gave us all the incredibly unsettling feeling of falling off a cliff. (For sheer thrills, a helicopter flight off the edge of a cliff can’t be beat. Unlike amusement park rides, it’s real and passengers must wonder whether they’re going to come out of it alive.)

Deer Valley wasn’t busy but the folks at Cutter were. They were terribly slow. I bought 15 gallons at $4.06/gallon. It took nearly 20 minutes to get and pay for it. Then we were on our way, first west per the controller’s instructions and then north toward Peeples Valley.

It was a pleasant flight: nice and smooth. I showed Jason how my traffic reporting system works. I also told them about how the helicopter works. Jason wants to learn, but not unless he could buy a helicopter. “That’s the tricky part,” I told him. “Anyone with time and money can learn to fly a helicopter. But to buy one isn’t quite as easy.”I showed them the canyon where the Weaver cabins are. We couldn’t see them from the air. Then we hopped over the top of East Antelope Peak and the town of Peeples Valley was before us. I descended down to the runway Jason had carved into a pasture at Becky’s house and landed. Becky’s parents came out. I told Becky to give her mother the news while I helped Jason unload.

It was a happy scene and it felt great to be part of it.

Weird Flying 2: The Golf Ball Drop

From Peeples Valley, I flew back to Wickenburg, where I topped off the tanks. Mike and I rolled the helicopter back into the hangar so we could work on it. We still needed a golf ball dropping solution. But Mike wanted lunch first and I needed to run home to get the golf balls we had for experimenting. We wasted about an hour on all that. Mike took the fairing off the pilot side front skid leg so it wouldn’t get damaged when we dropped the balls. But we couldn’t come up with a solution. In the end, we decided to use whatever bag or box the group provided.

We did take off and drop a bunch of balls out in the desert. I wanted to make sure that the balls wouldn’t bounce up if they hit the skid. They didn’t.

We flew back to Wickenburg and landed at the golf course, right on the fairway near the green where we’d be dropping the balls. Mike got out to watch my tail while I cooled down and shut down. It was a good thing he did. Three young boys came running toward the helicopter’s tail while it was still spinning. Mike’s loud whistle and hand motions stopped them in their tracks and got them into a retreat.

Up at the event, things weren’t nearly as busy as I’d expected. Christie, who I was working with, greeted us and showed us the duffle bag the balls were in. We decided that we’d put the bag on Mike’s lap, strap them both in, and let Mike just dump the balls out. We had some iced tea while we waited. Then, at 1:50, we went down, put the Mike and the balls in, and started up. A few moments later, I was airborne, moving into position about 200 feet above the green where they’d marked a silly little target.

We did the drop. I circled around. We’d hit the green but pretty much missed the target. When I landed to give back the bag, they asked me to do another drop. Mike said no, but I said okay. All the kids who had been watching sprung into motion to gather up the balls. Within two minutes, all 1,000 of them were back in the bag. A man helped Mike load the balls back into the helicopter on his lap. Then I took off again. This time, a bunch of the balls were inside the target. Enough to award prizes. We dropped off the bag and left.

Weird Flying 3: Follow that Car!

Back at the airport, we put on the helicopter’s doors. I didn’t even bother shutting down. We were due at a proving grounds an hour away at 3:30 PM for my last weird gig of the weekend. It was already 2:20 PM. I punched a waypoint into my GPS and we took off.

My flight path took me over Glendale Airport. The controller there was cranky. We listened to him scold a pilot before calling in. He instructed me to cross over the airport at 2600 feet. Nosebleed territory for me. I obeyed, wondering whether I’d be punching into the bottom of the Phoenix Class B airspace. As soon as I was clear of Glendale’s space, I dropped back down, closer to earth.

We passed over the proving grounds on our way to a nearby airport for fuel. They were spraying water alongside a road for a landing zone. I waved to the folks who looked up and continued to the airport.

After refueling, we landed on a road at the proving grounds. That’s when the really weird assignment began.

I’d been hired by a carmaker to take a photographer around to video a car on the track. That’s not so weird. Yet.

The video crew was not from this country and spoke very little English. Since I had four seats, they wanted to fill them all. But I’d been told that there would be only one cameraman and I’d topped off the tanks, so I couldn’t take three passengers, especially when I may need all the power available to me. So they settled on the director and the cameraman. They wore harnesses and we strapped them in with the cameraman behind me and the director beside me. All doors were off. The cameraman’s camera was rigged to a viewer that the director held in his hands, so he could see everything the cameraman saw. The director also wore two headsets: mine and his. Mine was attached to the voice activated intercom system and his was attached to a radio in his pocket. He held a push to talk switch for that so he could talk to the driver. One headset’s ear cup was on one ear and the other’s was on the other. But every time he talked to the driver, I could hear him because of the mouthpiece on my headset. That didn’t matter much because he was speaking their language and I couldn’t understand a word of it anyway.

I took off and began flying in formation with…well, a car. It was a bright blue car that’ll probably never be sold in this country. I don’t know much about it and even if I did, I couldn’t tell you. Mike signed a nondisclosure form for me and I’ll accept that as binding. It doesn’t really matter anyway.

First the car drove clockwise around the track. Since the cameraman was behind me, I flew on the outside of the track, following him. The entire time I flew, I heard words, commands, and conversations in that other language with the occasional “faster,” “slower,” “higher,” “lower” thrown in for me. The track was easy to follow, but there were some obstructions: a tower on the one corner was the first concern. Later, as I flew lower and lower for them, I worried about telephone poles with wires and other larger obstructions. I surprised myself with the amount of flying skill I had. We did flybys and other shots that amazed me. My favorite was this. I’d hover about 3 feet off the track while the blue car raced towards us. Then, when it was about 20 yards away, I’d pull pitch and rise 20 feet straight up. The car would pass beneath us.”Beautiful!” the director would exclaim.

So this is what the helicopter pilots who flew movies did. Cool. I could do this.

The cameraman only puked once. He was obviously very experienced at this. He puked right out the helicopter and didn’t get a drop of it inside.

This went on for over an hour. My right wrist was getting sore from the deadman’s grip I had on the cyclic. And I think I built new muscles in my left arm from manipulating the collective as much as I did.

The director called for a break and I went back to the landing zone where I shut down. The crew guzzled Diet Coke. I drank water.

We put three of the doors on, leaving the front passenger door off for the cameraman. The director sat in back. The director wanted to put a third person in again but I said no. With the kind of flying they were asking me to do, less was better than more. Then we took off to do the dusty part of the filming. The car would drive on an inner dirt track.

It was more of the same with a bit of out of ground effect hovering thrown in for good measure. No playing chicken this time; there was too much dust.

The sun got lower in the sky. I told the director it would set in less than 20 minutes. They got a few shots from the east with the sun shining through the dust churned up by the blue car. Then the sun was down. Now we chased the car around the track, videoing its red taillights in the dust.

I think we would have done that all night if I didn’t pull the plug. “I can’t see the wires anymore,” I told the director. That was a lie, but I knew I wouldn’t be able to see them in another 15 minutes. And I wasn’t looking forward to flying back to Wickenburg at night, without a moon to light the way.

I landed and they got out. I calculated the charges for this extravaganza. Over $1400. My contact, who spoke perfect English, gave me a credit card.

Everyone was happy. Even I was happy, although I was exhausted.

It was about 40 minutes past sunset when Mike and I took off. We had plenty of light for the first dark part of the flight but it was pretty dark by the time we got to Glendale. It was 7 PM by then and the cranky controller had gone home. I overflew at 2000 feet, turning the pilot controlled lighting runway lights on just to watch them light up as I flew over. When the last light of the city passed beneath us, I shifted to the east to follow the lights of Grand Avenue the rest of the way to Wickenburg. I set down on the pad, locked up, and went home.

Clash of the Technologies

I teach an old computer new tricks.

I have a 20th Anniversary Mac. I bought it about six months after they were released and got a pretty good deal on it. It sits on a table in my living room, a piece of functional art. It runs System 7.6 — if anyone can remember that. The cool thing about this computer — other than the fact that both a floppy disk drive and CD ROM drive are built into the monitor — is that it has a Bose sound system. It also has a stereo receiver and, somehow, my cleaning lady has learned how to tune in Mexican music while she works.

Anyway, I bought an iPod Photo a few months back so I could write about it. I really don’t need an iPod Photo, but once you have something like that, you try to come up with ways to make it useful. I thought, wouldn’t it be nice if I could attach the iPod to the Mac, play music through those Bose speakers, and show photos onscreen?

Remember, the 20th Anniversary Mac is old technology. It dates back to ADB, Serial, and SCSI ports. There wasn’t any USB or Firewire in those days. But it does have an S-Video port and a microphone-in port. So I started experimenting.

The iPod Photo’s dock includes both an S-Video port and an audio line-out port. I didn’t have an S-video cable with the multi-pin connectors on both sides. But I did remember someone saying that an ADB cable’s pins are the same configuration as an S-video cable. So I took an old keyboard cable from the office, brought it home, and used it to connect the Mac to the dock. Then I took a standard RCA-type stereo cable and connected it from the line-out port on the top of the iPod to the Mac. (When I connected that cable from the dock to the Mac, I had no volume control and I still can’t figure out why.)

I fired up the two devices and set up a slide show. The iPod’s music immediately played through the Mac’s Bose speakers. It sounded really good at any volume. But to get the video to show up, I had to fire up an application that comes with the 20th Anniversary Mac. I think it’s called Apple Video Player. It enables me to use the built-in TV tuner (which doesn’t work here on the edge of nowhere) or to take video from an external source. It recognized the iPod Photo’s signal and displayed the images onscreen as a slide show. The only drawback: I had to set monitor resolution to 640 x 480 to get it to work right.

So now, when I have company, I can entertain them with music and a slide show, playing in the background while we chat.

Needless to say, I use the 20th Anniversary Mac a bit more often now.