Four Tips for Great Antelope Canyon Photos

You don’t need to be a professional photographer to get great shots of this incredible place.

This past week, I made my fourth visit to Antelope Canyon near Page, AZ.

Antelope CanyonAntelope Canyon is an incredible slot canyon cut through Navajo sandstone. At certain times of the day at certain times of the year, the sunlight enters the top of the canyon, illuminating it with a golden light. The canyon has been featured in many magazines, sometimes with shafts of light capturing particles of dust set in motion by the cool breeze. Everyone who sees these photos dreams of taking photos just like them.

The sad reality of Antelope Canyon is that it’s a major tourist attraction that has hundreds of visitors a day. The prime midday time slots are especially crowded, with dozens of photographers vying for position to capture the perfect image. Add to that the normal tourist crowd with their flash cameras and you have a less-than-perfect photo opportunity.

That said, I’m proud to say that the photo you see here was taken at about noon last Tuesday. I had never before seen so many people in the canyon. The “serious” photographers were especially obnoxious, blocking the narrow canyon with their tripods, making it next to impossible for anyone to move forward. Yet there was only one person within sight when I took this photo, and I did it with a point-and-shoot digital camera.

Here are my secrets.

  • Don’t be in a hurry. The tour groups visiting Antelope Canyon come in truckloads of 6 to 18 people each. In most cases, group members are in a hurry to get through the canyon. The truth is, the first two or three chambers are the most beautiful and usually have the best light. By hanging back in the group, you can have these chambers all to yourself — before the next group comes through. (That’s how I found myself alone with just one other photographer for a full five minutes with this beautiful scene in front of me.)
  • Turn off your flash. Flash illumination will wash out the colors and cast deep shadows where shadows simply don’t belong. If your camera has an “automatic” or “program” mode, it should be “smart” enough to get the exposure right. This photo was taken with natural light. And no, I didn’t use Photoshop to enhance it.
  • Use a tripod. This is must. Don’t trust image stabilization features. I mount my camera vertically on the tripod and extend its legs while I’m still on the truck, so I’m ready to go right away. Then all I do is spread the tripod’s legs, embed its feet in the sandy floor of the canyon, and fine-tune to frame my subject. And, in case you’re wondering, my tripod for this duty is a $10 model that was thrown in as a giveaway with my video camera — in other words, a piece of junk.
  • Use a cable release…or your camera’s self-timer. Pushing the button on your camera will shake it — possibly enough to blur the image. That’s why you should use a cable release to snap the photo. Your camera doesn’t support that? No problem. Set the camera’s self timer to one or two seconds and press the button. Your button-pressing finger will be safely out of the way when the photo snaps.

Been to Antelope Canyon? I’d love to see your photos. Use the Comments to link to your best shots and share them with the rest of us.

And if you’d like to read more about my visits to this wonderful place, read “Antelope Canyon,” a post I wrote here last year.

Buy on RedBubbleThe full-frame version of this photo is available for sale as cards and prints at RedBubble.com.

Back Again

With a nasty cold.

Five days without a blog post! Regular visitors must be thinking that I’ve fallen off the face of the earth.

The truth of the matter is, my dad and his wife came for a visit and I’ve been caught up entertaining them. The highlight of their visit was a the Land of the Navajo multi-day excursion I took them on — mostly to test the itinerary and timing for the trip.

I was nursing a cold when we left Wickenburg on Tuesday, felt a bit better on Wednesday, and hit the bottom on Thursday. The biggest problem was that I couldn’t take any medication before flying. And although I do my flying sitting down, it really sucks energy out of me.

Anyway, I’m back and my dad and his wife are on their way back to Florida. I’ll be fighting this cold today and flying tomorrow. But I’ll try to find time to post some blog entries in between — including one I started last week and didn’t get a chance to finish.

Hopi Tea

A soothing beverage from the Rez.

My first visit to the Hopi reservation was about 6 years ago. I was traveling in my Jeep with two friends. Our main destination was the annual Navajo Nation Fair in Window Rock, AZ, but my friend Shorty wanted to drive through the Hopi Reservation and visit Old Orabi, which is the oldest continually occupied village in North America. Shorty wanted to mail a letter to a friend with the Old Orabi (or possibly Hotevilla) postmark.

The Book of the HopiThe Hopi tribe, unlike many other Native American tribes in the Southwest, is working hard to hold onto its culture and heritage and keep it from being commercialized by outsiders. This is probably why so few people know anything about the Hopi people. Their ceremonies are usually closed to the public — as are entire villages sometimes — and photography is not allowed. The reservation is completely surrounded by the Navajo Reservation in northeastern Arizona and only a few paved roads go through it. There aren’t many shops or restaurants and there are no casinos. The place isn’t very tourist-friendly because they don’t want tourists around. (This may be changing as the Hopi tribe realizes the importance of tourist dollars for the tribe’s economy. I just hope they don’t lose their identity in the process.) You can read more about the Hopi people on the Tribe’s Web site or in The Book of the Hopi by Frank Waters.

With all this in mind, we drove into the reservation and found Old Orabi. I don’t remember much about it. The Hopi tribe are pueblo indians and they built their homes on the edge of the three Hopi mesas: First, Second, and Third Mesa. I remember walking around one of the villages, past ancient stone homes, some of which were still occupied.

Eventually, we got to the post office, which I think was in Hotevilla. I remember this a bit better. It was a standard tiny-town post office with a bulletin board in the outer vestibule, where all the mailboxes were. Shorty spotted an “ad” for blue corn meal. We made a call from a pay phone and were soon on our way to a Hopi home.

It was a more modern home than the stone structures in the old villages. We were invited inside and I remember being surprised at how remarkably “normal” it was. (I don’t know what I was expecting.) We sat on a sofa while kittens played around us. The Hopi woman we’d met there had a big galvanized metal trash can that was absolutely filled with finely ground corn meal. She measured out quantities of the stuff with a round, flat pan not unlike a cake pan and stuffed it into a Blue Bird Flour bag. She told us how the cornmeal had been ground as part of a wedding ceremony. This was the leftover cornmeal from that celebration. When the bag was full, Shorty handed over some money and took the bag. (I wound up buying about half of the cornmeal from Shorty and still have some in stock.)

The conversation turned to dance shawls. A friend of the woman’s made them and had some for sale. Were we interested in seeing them? Shorty was. So we hopped into the Jeep and followed the woman to her friend’s house. The shawls were pretty — square or rectangular with really long fringe — but the colors were too bright and gaudy for my taste. Shorty bought one or two, possibly to be polite. And then we got on our way.

This whole experience really made the visit to the Hopi reservation special to me.

From there, we stopped at the Hopi Cultural Center for a bite to eat. Unlike my companions, I had a traditional Hopi dish that included lamb. This was before the vendors started setting up stalls outside, so after lunch we continued on our way.

As we were leaving Second Mesa, we passed a shop on the left called Tsakurshovi. (Don’t ask me to say that.) We stopped in. It was a small shop that caters primarily to the Hopi people, offering the materials they need to conduct their ceremonies. There were dozens of traditional-style Hopi kachinas — figures carved to represent Hopi religious and ceremonial people — furs, herbs, and more. The shop had two small rooms and a friendly young Hopi man behind the counter.

Turns out, this shop is owned by the Days — Janice and Joe. Janice is Hopi, Joe is not Native American. And it was mentioned in a recent story on NPR, which interviewed Joe’s son, Jonathan. Jonathan grew up spending his summers on the Reservation and the rest of the year in Boston with his mother. He now lives in Flagstaff where he runs a shop that I suspect is very similar to his father’s.

Traditional Hopi Kachinas: A New Generation of CarversI don’t remember why I bought the hopi tea. Perhaps Shorty bought some. Perhaps I asked the guy behind the counter what the bundles of sticks in a Ziplok bag were all about. In any case, I bought a bag of three bundles of sticks for $4.

I also bought a copy of Jonathan Day’s book, Traditional Hopi Kachinas: A New Generation of Carvers, which I had autographed on the spot by the guy behind the counter, Wallace Hyeoma, who happened to be one of the featured artists (page 47). (A year later, I would return to the shop and buy several traditional style Kachinas, one of which was carved by Wallace’s uncle.)

We continued on our way, leaving the Hopi Reservation. Our next stop was at the Hubbell Trading Post, where I wound up buying a Navajo rug. But that’s another story.

Much later, when I returned home, I found the bundles of sticks in my luggage. I boiled some water, broke off a few sticks and leaves, and dropped them in. In minutes, I had a hot cup of some of the most soothing tea I’d ever tasted. Clean, fresh, and simply delicious. No need for sugar or milk or lemon. This tea, like green or jasmine tea, is perfect straight. Now I commonly drink it on cold, lazy afternoons, when I feel a cold coming on, or when I’m feeling blue. To me, it’s like a comfort food beverage.

Those three bundles of sticks lasted a long time. A few years ago, I was back on the Hopi reservation and bought more. But today, waking up with a head cold, I decided to forego my usual morning coffee in favor of the clean flavor of Hopi tea. As I brewed up a cup, I realized two things: (1) the long story of how I’d discovered Hopi tea might be interesting to at least a few blog readers and (2) I was running low again.

I did some research for this blog entry. I discovered that Hopi tea is from a plant commonly known as greenthread and scientifically known as Thelesperma filifolium. You can see some photos of it as a plant and stick bundles, learn how to brew it, and read about its medicinal values on the New Mexico State University’s Medicinal plant Web site. I learned that it grows in abundance in the Navajo, Hopi, and Zuni reservations of the Four Corners area. I also found an online source for purchasing Hopi tea online, High Desert Farmers. High Desert is a small scale grower which sells Hopi tea as traditional bundles (they call it “bulk”), loose, and as tea bags. Since the bundles weren’t available, I bought bags and loose. It cost me $14.50 (including shipping), but saved me a 200+ mile trip to the Hopi reservation.

If you like plain, soothing hot teas like green tea, you’ll probably like Hopi tea. If you ever see some in your travels, I recommend it. And I hope you story of first acquisition is as memorable to you as mine is to me.