Distributed Proofreading

Doing my part to preserve history and get out-of-copyright books into digital format.

Distributed ProofreadersAbout a month ago, before I left home for the summer, I stumbled upon the Distributed Proofreaders Web site. The best way to describe the site is to echo the text on its home page under Site Concept:

Distributed Proofreaders provides a web-based method to ease the conversion of Public Domain books into e-books. By dividing the workload into individual pages, many volunteers can work on a book at the same time, which significantly speeds up the creation process.

Here’s how it works. Someone, somewhere scans printed book pages into a computer as images. OCR software is applied to translate the text into machine-readable text characters. Then volunteer proofreaders step in and compare the original scanned pages to the editable text. Proofreaders follow a set of proofing guidelines to ensure consistency as they modify the translated text. Each page passes through a series of steps that eventually turns all of a book’s pages into a single text document. That document is then released as a free ebook in a variety of formats via Project Gutenberg.

I became a volunteer. So far, I’ve proofed 14 pages. I know that doesn’t seem like a lot — and it’s not — but if 100 people each proofed 14 pages a week, 1,400 pages a week would be proofed. That’s what the “distributed” in Distributed Proofreading is all about.

The good part about being a proofreader — other that warm, fuzzy feeling you get from helping to make the world a better place — is that you get to read lots of old books about topics that interest you. The day I joined, I proofread two pages of a New York newspaper account of World War I. It was fascinating. Today, I proofread 12 pages of a biography of Benjamin Franklin, who I believe is the greatest American who ever lived. (There is a lot to be learned from Franklin’s life and writings.)

Why am I blogging about this? Well, I’m hoping that other folks will embrace this project and donate an hour or two a week (or a month) to proofreading pages. The more folks who work on this project, the more quickly these great old books and other pieces of literature will get into free digital format for readers and students to enjoy.

Want to help ebooks thrive? Give distributed proofreading a try.

A Simple Wildlife Photography Setup

What I’ve found useful.

Juvenile Robin
Juvenile Robin captured at f/5.6, 1/30 second, ISO 400 with 300mm lens.

Let me start again with this disclaimer: I am not a professional photographer. I am a relatively serious amateur who happens to have a bit of extra cash now and then to invest in decent quality — but not professional grade — camera equipment.

Yet I made all three of the bird photos in this blog post and a bunch of others I’m pretty proud of.

I believe in simplicity when doing photography. I don’t like to carry around a lot of stuff. I feel that the more crap you carry around and have to juggle to get the shot, the less likely you are to capture the fleeting images that we see — and miss — every day. And there’s nothing more fleeting than wildlife, especially birds and insects.

After yesterday’s impromptu shoot from my camper — when I went outside barefoot in an attempt to photograph a killdeer mother and her three chicks — I realized that there are only three pieces of equipment a serious amateur wildlife photographer needs:

  • Nikon D80

    A decent quality digital SLR. Mine is a Nikon D80. It’s two years old and it does what I need it to do. My husband just got a D90 and it looks like another good option. Some folks like Canon equipment. That’s supposed to be very good, too. (My favorite point-and-shoots were always tiny Canon PowerShots — but they’re really not appropriate for serious photography.) The important thing is that it offers all the features of an SLR camera, including various modes so you can shoot with aperture or shutter speed priority, with manual settings, or using the camera’s built-in programming. And, of course, it needs to support interchangeable lenses.

  • Nikon 70-300mm Zoom Lens

    A good fixed focal length or zoom telephoto lens. I’m talking 300mm or better here. I have a Nikkor 70-300mm f4.5/5.6 ED-IF AF-S VR Zoom Lens. This is not a cheap lens; don’t get suckered in to buying the cheaper version of this — or any other lens — if you can afford the better lens. AF stands for autofocus, which I actually need, as my vision deteriorates. VR stands for vibration reduction. There’s some kind of a motor inside the lens that kicks in to steady the image when needed — usually when I zoom in to 300mm. If you’re an old film photographer, keep in mind that most digital cameras, for reasons I’m not 100% clear on, have different focal length equivalents from your old film camera. On my Nikon, it’s a 1.5 ratio. That means a 300mm lens on my Nikon D80 is equivalent to a 450mm lens on my old Nikon 6006. That’s a lot of magnification.

  • Manfrotto Monopod

    A good quality monopod. Yes, a tripod would be steadier, but I simply cannot capture those fleeting moments when I’m fiddling with a tripod head to get my camera set up right. I know because I tried my tripod first yesterday. I got fed up within 60 seconds and switched to the monopod. My monopod is a Manfrotto 679B with three sections. It has a foam grip and rubber foot and makes an excellent walking stick for hiking. I bought it over a year ago and didn’t use it for six months. I tried using it with video and it wasn’t steady enough for me. But it’s perfect for still photos using that big zoom lens.

Now put the lens on the camera and the camera on the monopod. Resist the urge to take along any other lenses or equipment. Go to a place where you know there will be wildlife. Extend the leg of your monopod so the camera is about level with your face. Be quiet. Wait. When the wildlife comes, point and shoot.

If you’ve been following this blog, you know I’m living in a trailer parked in the small RV park at a golf course. Every night they water the lawn between the sites. Every morning and evening the birds come out to pick in the grass for worms and other goodies.

There’s a family of killdeer that absolutely taunts me. I see them from my window every day: a mom and three chicks. The chicks are adorable; miniature versions of the mom. I’ve been trying to photograph them for days, but they’re extremely skittish and run off across the parking lot as soon as they see me.

Juvenile Robin

Juvenile Robin, captured at f/5.6, 1/60 second, ISO 400 with a 300mm lens.

I tried again yesterday. When they ran off, I set my sights (and lens) on a number of baby robins. The photos in this blog post are the result. I used the equipment listed here. The camera was set to program mode. No flash (of course).

I shot 79 photos in the span of about 30 minutes. I never ventured farther away from my camper than 150 feet. I couldn’t; I was barefoot! (Next time I’ll remember to throw on a pair of shoes.) I was shooting two juvenile robins at the base of a tree when they suddenly flew up into the tree. They perched on low branches well within reach of my lens. I got many good shots of them but I think these are among the best. The other shot was taken a bit later when a mother bird came to drink and bathe at a puddle near her “baby.”

First Bath

Mother robin showing her baby how to bathe, captured at f/5.6, 1/400 second, ISO 400 with a 300mm lens.

The two bird close-ups are full-frame photos — not cropped at all. The photo of the mom and her baby is cropped; I discovered that when you get too close to a robin and her young, the robin will fly off, leaving the baby behind. So I kept my distance for this shot to include both of them.

Anyway, the point of all this is to remind photographers that they don’t need a lot of fancy equipment to get good wildlife photos. What’s more important is having quality equipment, some kind of steadying platform for the camera, and patience. Go where the wildlife will be. Wait. If you can get into a kind of hidden position, great.

I’m sure I’ll be repeating this exercise again soon. I still need to capture those elusive killdeer.

The Truth about Flying Helicopters

A lighter look.

My buddy Rod called me yesterday and we chatted for about an hour. Rod’s an experienced utility helicopter pilot who got his start in agriculture (spraying), spent some time doing tours at the Grand Canyon, and worked his way into long-line work. He’s a great pilot who’s extremely conscientious, takes great care of the helicopter assigned to him, and gets the job done responsibly and safely. It’s no wonder he never has any trouble getting a job when he wants one.

Rod’s only problem is burnout. After a season working fires or moving stuff around at the end of a long line, he just wants to go home and be with his fiancé and dogs. The 14 on/14 off schedule usually sounds okay at the beginning of a season, but by the end of the season, the 14 off just aren’t enough days off. That’s when he takes a break and does other stuff.

Rod always gets a kick out of these young guys who want to be helicopter pilots. We both know that these wannabes really don’t know what it’s all about. Everyone thinks it’s a glamour job, but Rod knows better. He does the kind of work that pays well and takes the unglamorous “perks” that go with it: extensive travel to places in the middle of nowhere, crappy motels, greasy spoon restaurants. Even I can attest to the less glamorous side of flying helicopters — look at me right now, blogging from a 22-foot travel trailer, parked in the RV park/golf course in the middle of a farm town.

Although Rod’s not very computer literate, his fiancé is. They found this video on YouTube, and sent me the link last night. It takes a more realistic — yet hilarious — look at what it’s like to become a helicopter pilot. The words and video clips together make this a classic. It even has a catchy tune.

Enjoy!

Found Photos: Wheat Harvest

A new meme.

This afternoon, while looking through some photos to send to an editor, I stumbled upon one I’d forgotten all about. This isn’t a great photo, but it’s a cool photo. The kind of photo I want to share with others. It doesn’t show off my photography skills, but it tells a story all by itself.

I realized that I had a lot of photos like this. Photos that weren’t good enough to make it into my Photo Gallery but were certainly worth sharing. So I figured I’d create a new meme for them in my blog: Found Photos. I’m hoping to fill it with the kind of fun photos we all have but hesitate to share because they’re not quite “perfect.”

The first photo in the series, Wheat Harvest, is a good example:

Wheat Harvest

Wheat Harvest Location

I must have geotagged the photos I shot that day; iPhoto provided this location information.

I shot this image through the plexiglas window on my friend Jim’s helicopter. We were flying from Coeur d’Alene, Idaho to Chelan, Washington. It was late afternoon. Jim was at the controls and I was shooting photos. When we came upon these combines, our flight turned into an impromptu photo shoot, with Jim swooping around to put my into position to get the shots. One of the shots, “Combine in Action,” ended up in my Photo Gallery. But this one seemed too goofy to include. After all, it includes the helicopter shadow and everyone knows that you don’t want your shadow in your photos.

Or do you? This is kind of fun, isn’t it? Seeing the helicopter’s shadow on the ground with the two combines? All going the same way?

The picture has problems. Focus is off and the horizon, which I probably should have excluded, is not level. I think it also shows the curvature introduced by the camera’s 28mm wide-angle lens. I could have done better if the door was off and I was trying a little harder. But we were just having fun and I think this picture shows that.

I’m back in Washington and so is Jim. Last year, we promised to take turns flying and shooting photos. Before the end of July, I’ll remind him of our promise and get some new photos from the front passenger seat in his helicopter.