Tag Archives: time-lapse

Quincy Golf Course Time-Lapse

Posted on by
Comment

Another one, with people.

Yesterday, I tried my hand with another time-lapse, this one involving people. I set up my camera near the base of some trees on the edge of the putting green area of the Colockum Ridge Golf Course and zoomed in a tiny bit on the pro shop, golf cart, and RV park area. I got it all started at around 6:15 AM, with one shot every 15 seconds. I let it run until about 4:20 PM — just over 10 hours. I assembled the movie two ways: 15 frames per second and 30 frames per second. I liked the shorter movie (30 fps). I used Stomp to crop the frame to 16:9 ratio as I compressed the movie, thus cutting out a bunch of boring grass and a little bit of the sky.

Here’s the final product:

Tuesday is men’s league day at the course, so I knew there would be a considerable crowd in mid-morning. I think it’s interesting to watch how the scene changes throughout the day. You gotta love the people jumping around in the frames. You can see my new neighbors arrive in the RV park — they had a heck of a time parking those big rigs in the relatively narrow parking spaces here. (I did much better when I arrived.) Did you see the birds walking all over the putting green early in the morning? And what was that that seemed to fly into the camera?

My thanks to the folks at the Colockum Ridge Golf Course. Do you golf? Have an RV? Know where Quincy, WA is? If you answered all of those questions, you have no excuse not to visit one day soon!

Quincy Clouds Time-lapse Movies

Posted on by
Comment

I draft my old G5 for time-lapse duty.

About two weeks ago, I got the bright idea that it was a complete waste of valuable camera resources to use my Nikon D80 for time-lapse photography when I had an older camera I could use. The other camera is my Canon PowerShot G5, which I bought back in 2003 for aerial photography work.

Buying the camera was a huge deal back then. Digital SLRs, if available back then, were too expensive to be an option. The G5 offered 5.0 megapixel (!) resolution — more than twice the resolution of any other digital camera we had. But it also included features we needed, including manual setting for focus and exposure.

Canon PowerShot G5Looking at the camera today, it’s amazingly big and clunky. But it takes a decent picture — certainly good enough for my time-lapse experiments. And frankly, I was having trouble getting my mind around leaving my Nikon outdoors, unattended, for hours at a time. It could be because the tripod got knocked over once and it was sheer luck that it fell toward a rail that caught it rather than toward the empty concrete behind it. I had no love for the G5; if it broke, well, that’s the way it goes. Ditto if it got stolen. In fact, I’d be more upset about losing my tripod or Pclix than the G5.

Oddly enough, the G5 has a built-in intervalometer — a fact I was unaware of. Unfortunately, the interval must be set in minutes (1 to 60) and it can only take 100 shots at a time. This simply wasn’t going to cut it for my needs. Besides, for some reason I still can’t understand, I can’t get the damn thing to work.

So I bought an optical cable for my Pclix. It arrived right before I left for Washington. I tried it for the first time on Friday.

For the optical cable to work, its end must be taped to the camera. The Pclix maker recommends electrical tape, so that’s what I used. Unfortunately, the heat of the day softened the tape. After about 2-1/2 hours, it shifted out of position. The camera stopped taking pictures. Here’s the result, with most of the beginning edited out (since there was really nothing going on):

Disappointing in so many ways. The sky was just getting interesting when the setup failed. And let’s face it — the view of the golf cart shed isn’t all that enticing.

So I tried again yesterday after recharging the camera’s battery overnight. I fixed up the camera differently and pointed it north instead of west. Same settings: one shot every minute, compiled into a movie at 10 frames per second. To prevent the camera battery from running out, I turned off the camera’s video screen. First shot at 9:13 AM; last shot at 7:33 PM. I left the camera outside all day long — even while I was out doing a helicopter ride. I never would have done that with my Nikon.

The result isn’t bad at all. I’m a little POed at myself for including the wires in the shot and it’s a little weird that some of the larger vehicles that drove by appeared in some shots — like the hay truck near the beginning! Again, I think I could have done better. But the clouds are so awesome in this movie. They build and move and swirl around. So cool. See for yourself:

I’ll keep working on this. Hopefully, I’ll get it right soon.

Sunrise Time-Lapse with a Bonus

Posted on by
1

I swear I’ll stop posting these. One day. Soon, maybe.

Nice colors and a bonus feature near the end.

The clouds were set up in the northeastern sky for an interesting sunrise when I woke up before dawn (again) this morning. So I set up my camera to record a time-lapse of the sunrise on the clouds. Settings: 1 shot every 10 seconds, made into a movie at 15 frames per second.

Caught an unexpected feature near the end.

Office Cleaning Time-Lapse

Posted on by
Comment

Oh yeah. I’m really hooked.

But the good part about all this is that it’s encouraging me to keep moving.

I created this time-lapse today, while cleaning my office. Here are the before and after images; as you can see, it really needed some work.

Before

This is what I had to clean.

After.jpg

This is what it looked like when I was done.

Ready for the action? Here it is. The formula: one shot at f22.0 (which explains the blur) every 30 seconds, put together in a 10 frames per second video. The lens used is a 10.5mm fisheye. Be sure to check out my dog.

This is too much fun.

Sunset / Moonset Time-Lapse

Posted on by
Comment

Oh, I’ve got it bad.

I really feel almost addicted to making these movies. I know they’re not really any good, but I think they’re interesting (at least). And they’re helping me to understand how to create time-lapse movies, what works, and what doesn’t work.

Yesterday afternoon, I set up my camera and time-lapse equipment on the upstairs patio of my house, pointing at the sunset. Then I let it go, shooting one image every 20 seconds. It was nearly 11 PM when I turned it off. By that time, the crescent moon had set, too.

The resulting video included a lot of blank sky. My exposure was not lengthy enough to capture the stars after sunset, although one very bright star does set with the moon when it finally makes its appearance. I cut the video into two pieces: sunset and moonset. Here they are.

Sunset Time-Lapse

It was a pretty good afternoon for shooting the sunset. In Arizona, we don’t get clouds very often — although this year, our annual monsoon may be starting early. Yesterday afternoon, there were a lot of clouds out to the west — enough to completely filter the sun and give it something to paint with color as it set.

I should mention here that this is the same sky you can see in the time-lapse I did earlier in the day of the saguaro flowers. I just moved the camera upstairs and excluded anything other that the sky (and a tiny bit of a distant tree — darn it!). The only thing I wish is that I’d begun the time-lapse before the sun entered the camera’s frame. I think it would have been more interesting to see it drift in and then set.

I also need to point out that this video (and the one with the cactus flowers) really illustrates what I find attractive about time-lapse photography. It isn’t showing us anything we can’t see on our own. But it’s speeding up the process, making it possible to see motion where we normally wouldn’t. For example, this video is 20 seconds long. I created it using images spaced 20 seconds apart, then put them together in a 15 frames per second video. Do the math: 15 x 20 x 20 = 6000 seconds of real time. That’s 100 minutes. Would you sit still for 1 hour and 40 minutes to watch a sunset? And, if you did, would you see the clouds and sun moving as they clearly are in the video?

Moonset Time-Lapse

I cut out all the boring black night sky to produce this short video of the setting crescent moon. Not terribly exciting, I’m afraid.

One of the things I learned here is to set the exposure manually so all shots are the same. Let’s face it — the brightness of the image shouldn’t change. One exposure should do the trick. If I’d made a longer exposure, I would have had a brighter moon and more stars. And if I’d fixed the exposure to be the same for every shot, the brightness of the moon wouldn’t change from one shot to the next. (I sure hope some more knowledgeable photographers out there will correct me if I’m wrong on this.)

What Do You Think?

I’d love to get your feedback about my time-lapse mania. Are you enjoying them as much as I am? Am I wasting my time? Do you have any specific topics you’d like to see in time-lapse? Use the Comments link for this post or any of the other time-lapse posts to let me know.