Outdoor Photography: It’s All about Timing

What a difference two days and one hour makes.

Although I was very pleased with the “Desert Still Life” life photo I shot the other day, I wasn’t 100% happy with it. It seemed to me that when viewed at 100%, the photo was grainy. I decided to head back out to the same spot at roughly the same time of day to shoot it again.

I couldn’t do it the next day, however, so it was two days later when I pointed the Jeep down that ATV road, pulled out onto the ridge, and followed the dirt road there to the same site. When I arrived, it was a full hour later in the day than the previous shoot.

This is an amazing example of how important timing is in photography. These two photos show roughly the same image, but with a mere 49 hours of time between them. The one on the left is my original image; the one on the right is the later image.

Good Shot Bad Shot

Now I know what you’re going to say. The exposure is off on the second shot. It is. I exposed for the cactus flowers, which were in the shade — remember, it’s one hour later. And although I probably could have fixed this shot up a bit in Photoshop, I didn’t bother. Frankly, when I saw the condition of the flowers, I didn’t try very hard to get a good shot. I just tried for the same angle. The only reason I made the photo on the right at all was to show it in this blog post as an example of how things change from day to day.

The biggest change was in the flowers themselves. Those bright magenta blooms had mostly closed up. I don’t think this had much to do with the time of day. I just think that they were 2 days past their peak. I’d just happened to arrive on point to make the first shot when they were at their peak.

The point of this post is to clearly demonstrate that outdoor photography is all about timing. You need to get there at the right time of day when your subject matter is at its peak. If this means multiple trips to the same spot, so be it. If you’re serious, you’ll do it. You’ll go out every single morning or afternoon during the wildflower season, toting your camera and your tripod along with you just for the possibility of making the one photo that will make all the work worthwhile.

Think photography is easy? Think again.

PhotoJeeping: A Trip to Dragon Mine

I’m almost surprised we found it.

The wildflowers in the Sonoran desert around Wickenburg have been amazing lately — too amazing to ignore. So yesterday afternoon, I decided to tack a little PhotoJeeping excursion onto the end of my errands. Along the way, I picked up my friend Janet, who is an artist and likes photographing the desert almost as much as I do. We also squeezed in Jack the Dog and Janet’s dog, Maggie; they sat on the back seat beside the recycling bins.

Backlit Lupines

Lupines, backlit with late afternoon sunlight. (Click for larger view.)

At first, I’d considered another trip up Constellation Road. The last two times I was up there, the flowers hadn’t been blooming yet. Surely they must be blooming now. But when my errands called for a stop at the Shell gas station just south of town (they stock AeroShell aviation oil, if you can believe that), I thought about the desert southeast of Wickenburg. Dragon Mine was an old mine site I’d visited by Jeep years before with some friends. I thought that perhaps the juxtaposition of mining ruins and wildflowers might make a good subject.

Trouble was, I didn’t remember how to get there and hadn’t brought along my GPS.

So after one wrong turn that dead-ended in a subdivision, we tried another left turn off Grand Avenue and headed eastbound. The road wound through a subdivision and, at its east end, we spotted a dirt road winding down the side of a shallow canyon wall into San Domingo Wash. I followed the road.

Although this particular road had tire tread prints on it, the tracks were very close together. It wasn’t a Jeep road, it was an ATV road. It was painfully narrow at places — so narrow that I almost turned back several times. But I squeezed the Jeep through one narrow place after another, trying not to be bothered by the sound of branches scraping up against the side. I was glad I’d left the doors on; we would have been beaten up by thorny branches if I had taken them off. The floor of the canyon was rocky and then sandy and then rocky again, with short, steep climbs and tight turns. The Jeep, in 4H, performed admirably, as usual. The wheels spun just enough in those turns to give the illusion of a 90° turning radius sometimes. It was fun.

We stopped a few times to photograph flowers here and there. At one place, I captured a so-so image of lupines backlit by the sun, along with a shot of owl clover. The whole time, however, I was really looking for a trail that would take us out of the narrow track we were in. Something that would be easier to drive and get us to our destination — if we could find it — quicker.

Janet scouted ahead a one photo stop and found where the ATV trail climbed up a short hill to intersect with a nice dirt road. This was probably the road we were supposed to be on. I pulled up onto its relatively smooth and definitely wide surface, glad to be out of the wash.

We continued mostly eastbound, heading toward the low mountains in line with San Domingo Peak. As we drove, we kept a sharp eye out for the wildflowers we wanted to photography. The light was behind us and relatively low; it was nearly 5 PM and the sun would set in less than two hours. That gave us a great view of the scenes on either side of the road as we traveled east.

Strawberry Hedgehog Cactus

This “Desert Still Life” features a strawberry hedgehog cactus, the “skeleton” of a cholla cactus, a blooming creosote bush, and an iconic saguaro cactus, all under a perfectly blue Arizona sky. (Click for a larger view.)

I caught sight of a blooming hedgehog cactus about 100 feet off the side of the road and pulled to a stop. We got out and explored the area on foot. I’ve been trying hard to do all my photos with a tripod these days and although it’s a bit of a pain in the butt, I admit that I am getting used to it. After doing a few ho-hum horizontal shots of the cactus and its flowers, I scrunched down on the ground and took a look though the lens, holding it vertically. I liked what I saw. I made several shots, with and without a polarizing filter and at different angles to get the photo you see here.

There’s a certain feeling I get when I know I’ve captured a good image. I’ve felt it before, several times. I can see the image in the tiny video screen at the back of the camera, but as I age, my close vision is deteriorating so I can never really see it to be sure. It’s only when I get back home to my computer and can view it on a 24″ monitor that I know whether it’s good. I’ve been disappointed many times, but not this one. I’m very pleased with this image and think it might just be the best I’ve ever captured.

I didn’t know that for sure yet, so the rest of the trip was a slow drive toward our intended destination with me wondering whether I’d be disappointed. We made several stops and took more photos along the way. For a while, it seemed to me that the road was getting too close to the mountains. But then it swung to the north and we passed a big flat area that I remembered being south of the mine. A while later, we rolled up to the mine site and climbed out.

Marigold Steps

Desert marigolds bloom alongside the ruins of a long-abandoned mine. (Click for larger view.)

The shots I took there weren’t anything special. There’s a lot of concrete shapes, such as the stairs you see here, and plenty of metal and wood. There are two mine shafts — a vertical one at the top of a small hill and a horizontal one that enters the area from the small wash on the north side. They might join somewhere under ground; I don’t know and don’t plan on every finding out. (Exploring mines is dangerous, folks.)

It was nearly 6 PM when we were ready to move on. I was hoping to take a different and better route back. So we continued along a road that headed west from the mine. I was pretty sure it was the road I’d taken back on our last visit years before. But it swung around to the north and then the northeast. This was wrong. We wanted to head west or northwest. My gut told me to follow it, but my brain reminded me we were headed in the wrong direction. Sunset was in less than an hour and the light wouldn’t last long afterward. I told Janet that she should never allow me to take her out in the desert again without my GPS.

We followed the road for another five minutes. It headed east and north and northeast. Just when I was getting ready to turn around, it intersected with a broad, sandy wash. The tire tracks of previous travelers headed up and down the wash. Down the wash was west, so we made the left turn. I threw the Jeep back into 4H and we sped down the wash.

Topo Map

This topo map offers an overview of the path we took. I was able to map it pretty well using the points plotted by my GPS data logger. (Click to see a larger view.)

It was a long drive — maybe as many as 5 miles. The wash twisted and turned, but always headed mostly west. The sun, now very low in the sky, cast long shadows that shielded our eyes from the glare when the canyon walls were high, then blinded us when the canyon walls dropped. It turns out that we were in Monarch Wash. We passed through a gate that had been left open — without a “Keep Gate Closed” sign, we left it that way — and eventually wound up on Grand Avenue, about a mile north of where we’d turned off nearly three hours before.

It was a good little trip that might have been made better by having my GPS along. (Frankly, I still can’t figure out why so many people depend on them when traveling on paved roads with signs. But that’s another blog post.) Best of all, I managed to capture one of the best images I’ve made so far. That’s plenty of reward for the dust in my hair and clothes.

How a Tripod Can Make You a Better Photographer

My take.

Last month, my husband Mike and I went to a photography lecture at the Desert Botanical Gardens in Phoenix. (If you’re in the Phoenix area and have never been to the DBG, treat yourself; you won’t be disappointed.) The lecture was given by Arizona Highways magazine photo editor Jeff Kida and covered photographing wildflowers. (Jeff took the excellent portrait of me that you’ll find on this Web site and elsewhere; I wrote more about him and this photo in February.) We’d had a very wet winter and although the desert was greening up at the time, no one was sure whether we’d have a good wildflower season. So far, it’s turned out to be spectacular in certain parts of the Phoenix area, including Wickenburg, where I live.

Poppies and Desert Chicory

Desert chicory’s white flowers among golden poppies. (Click for a larger image.)

The lecture included a discussion of equipment and that equipment list included a tripod. I have a tripod — in fact, I’m ashamed to say that I have numerous tripods, far more than any one person should have. (I was always looking for the right tripod and have finally zeroed in on a good combination with a Manfrotto tripod and ball head.) And I agree that everyone serious photographer should have a tripod.

But then Jeff said something I’d never thought about. I wish I could remember his exact words. The gist was that using a tripod would automatically improve your photographs.

Whoa. This was something that interested me. Although I have all these darn tripods, I don’t use them very often. Maybe I should.

A Tripod Eliminates Camera Shake

I mostly use them for low-light situations when I absolutely must have a tripod. After all, a tripod’s main purpose is to hold the camera steady to take the shot. When used with a cable release (or similar device) or the camera’s built-in timer, motion from external sources should be eliminated. The final image should be clearer. But that was low light. Surely on a bright sunny day — just about every day here in Arizona — a tripod wouldn’t be necessary.

I also put a lot of faith in my camera’s VR (vibration reduction) lenses. I have two of them now and I can clearly hear the VR motor kicking in when I prepare to take a shot. Surely that would help keep my camera steady for each shot.

Poppy Blanket

A blanket of poppies and other wildflowers cover a hillside in the Sonoran desert near my home. (Click for a larger image.)

But since that lecture, I’ve been giving my photography a lot of thought. For the past two years, I’ve noticed a serious decline in the clarity of my photos. I was beginning to think it was the camera (a Nikon D80, now 3-1/2 years old) or my preferred lens (a Nikon 16mm-85mm zoom). Perhaps one or both of them needed adjustment or cleaning. I even went so far as to print out warranty repair authorizations for both of them in preparation for sending them back to Nikon for inspection, cleaning, and possible repair.

Perhaps the problem wasn’t my equipment. Perhaps it was me. Maybe I think I’m holding the camera steady for each shot or that there’s enough light to get the image, but maybe I’m moving the camera when I “snap” the photo by pressing down on the shutter release. Maybe I’m ruining my own photos. Or at least preventing them from being as good as they could be.

I decided to experiment by using my tripods and cable release more often. By ensuring that there’s no camera shake when images are being captured, I can eliminate camera shake as a cause of my problem. If the problem persists, I know it’s either bad focusing on my part or the camera’s. Since I don’t have the best vision, I trust my camera’s autofocus feature to get the focus right. So either I’m not telling the camera to focus on the right thing (my fault) or the camera can’t focus properly (the camera’s fault). Using a tripod would help me troubleshoot the source of the problem.

Using a Tripod Forces You to Slow Down and Compose Properly

Vulture Peak Poppies

This is my secret poppy place on the east side of Vulture Peak near Wickenburg, AZ. (Click for a larger image.)

I went on a photo shoot the other day out in the desert near my home. The poppies were blooming and I knew exactly where to find a lot of them. (Hint: Getting there requires a Jeep, ATV, or horse.) We took the Jeep out and found the poppies right where I expected them. We also found lupines, chicory, and a bunch of other flowers I didn’t even know existed.

The big problem with the site is that the flowers covered a steep hillside. Setting up a tripod was a royal pain in the butt. I admit that I cheated and took quite a few shots the lazy way. But then I remembered my mission and went through the bother of setting up my tripod and cable release and framing the photos. It slowed me down considerably. But I reminded myself that I wasn’t in a race. The best light was already gone for most of the day and the flowers weren’t going anywhere.

And that’s when I realized that using a tripod had yet another benefit: it forced me to slow down and pay close attention to what I was doing. It forced me to try harder to make every shot count. Because of all the extra time and effort required to make each photograph, I was motivated to put more effort into composition.

Could that be what Jeff meant?

The Jury is Still Out

The few photos on this post are among those I made that day. In general, I’m more pleased with the quality of the images. But I’m not done testing to see if the problem is with me or my camera. It’ll take more photo shoots with the tripod to convince me.

In the meantime, it’ll be interesting to see if I can shoot better photos just because I’m using a tripod.

Any thoughts on this? I’d really like to get some feedback from other photographers.