Helicopter Orchard Departure with Narrated Startup and Landing

A video from the FlyingMAir YouTube channel.

In this relatively short video, I start up my helicopter in a field adjacent to an orchard and depart using a maximum performance takeoff. I did my best to narrate the startup procedure, but I honestly could do better (and will in the future) — this covers the basics. I use picture-in-picture to show the view out the front of the helicopter, which includes the instrument panel, as well as the view looking in at me. (I think it’s pretty cool that you can see the terrain receding behind me in this wide angle view.) In this video, I’ve experimented with callouts to point out certain things I’m talking about and explain things I should have explained in the narration. My video editing skills are getting better, but there’s always room for improvement. I’m trying!

As usual, I’d love to get your comments about the video. Leave them in the comments section below and don’t be afraid to tell me what you need me to show or explain in future videos. I’m always looking for new topics to cover. And if you like this video, watch a few more and consider subscribing!

Flying Home from Taco Night

A video from the FlyingMAir YouTube channel.

I took my friend Cyndi and her husband Matt on a helicopter ride and they invited me over for dinner afterwards. It was taco night at her house. So I parked the helicopter in her side yard, went in with Penny for dinner, and flew home afterwards. Here’s that short flight.

I narrated this video because I was really tired from a lot of flying on a hot day and really didn’t say much during the flight. So rather than listen to a lot of silence, I thought I’d use the narration feature of my video editing software to say what I should have said during the flight. Let me know what you think. Rest assured that if the in-flight audio is interesting, I’d much rather use that.

My YouTube Surprise

I check into my AdSense account and find a bunch of money.

I’ve been publishing helicopter videos on YouTube for more than 10 years. I was always fiddling around with one kind of camera or another, getting footage in flight, and then putting that footage online. Lots of people found it interesting. I just thought it was neat to share something that had become quite commonplace to me.

In 2016, I set up my YouTube account for monetization. That means that when YouTube put an ad at the beginning of one of my videos, I’d get a cut of the money they collected from the advertiser. I didn’t expect it to be very much — after all, it wasn’t as if my videos went viral or anything. I didn’t even have that many subscribers.

That apparently all changed at least a year ago. Somehow, the Flying M Air YouTube channel attracted more than 43,000 subscribers. And one of my videos — Home to Airport, by Helicopter — got 8.6 million views.

I didn’t know this. I’d set up YouTube to contact me via a Gmail account I never check so I never got any communication from them. I actually learned all this the other day when I was poking around my YouTube channel.

Wow, I thought to myself. That’s kind of cool. But shouldn’t I have earned some money with all those views?

I poked around some more. I wanted to make sure I’d set up YouTube with the correct banking information. I had a hard time finding where the settings for that were. But before I found it, I found something else: $7,700 of earnings in my AdSense account.

My Earnings
Surprise!

It seems that for the past three years, Google had been collecting ad revenue on ads played at the beginning of some of my videos and had been faithfully recording my share in my account on their system.

But why wasn’t I getting paid? It turned out that I’d never completed the setup — I’d never given Google my tax ID or banking information. Duh-oh!

You can bet I handed over that information as soon as I figured out where I needed to enter it.

And the next morning, all that money appeared magically in my savings account.

Needless to say, I’m now very motivated to create new videos. I hadn’t realized it, but it had been about two years since I uploaded one. There were hundreds of comments waiting to be moderated and many were from people asking me why I wasn’t making more videos.

I’ve been doing a bit of flying lately and I set up one of my GoPros to capture video and audio of most of my flights. I put together the other day and, a day later, created a short at the end of that flight.

Bonneville Dam
One of the highlights of Tuesday’s flight was an overflight of the Bonneville Dam on the Columbia River.

I just went through the new comments on those videos. Most folks are thanking me for uploading new videos and telling me they want more. It’s very rewarding — and I’m not talking about the fraction of a cent I get for each view. It’s nice to know folks are out there waiting for new content. It’s nice to have them welcome me back as if they really missed me.

I’ll do my best to record new videos while flying — including new cherry drying videos this summer — and get them online. I hope you’ll check them out and maybe even subscribe to my YouTube channel: FlyingMAir.

Aerial Photography: Helicopter vs. Drone

Picking the right tool for the job.

I’ve been thinking a lot lately about aerial photography work with helicopters and drones and thought I’d take a few moments to share my thoughts and conclusions. If you think one or the other is the perfect aerial photography platform, think again and read on.

My Helicopter Aerial Photo Experience

I’m a commercial helicopter pilot and have been one for about 17 years now. Of the modest 3,600 or so hours I’ve spent flying, a lot of it has been on aerial photography missions:

    Airplane over Horseshoe BendOne of my favorite clients, Mike Reyfman, shot this photo of Horseshoe Bend near Lake Powell from about 3000 feet up. Note the tour plane, which was probably flying about 1,000 feet over the “shoe.”

  • Fine art photo flights over Horseshoe Bend, Lake Powell, Monument Valley, Canyonlands National Park, and the Four Corners area near Shiprock, New Mexico. (I’ve probably spent more hours with photographers over Lake Powell, mostly from 2006 to 2011, than any other commercial helicopter pilot. At one point, I could identify every point along the lake from an aerial photo.)
  • High speed desert racing photo flights at the Parker 425 in Parker, AZ.
  • High speed boat racing photo flights at Lake Havasu in Arizona.
  • Bike racing photo flights in the Lake Wenatchee and Leavenworth areas of Washington.
  • Automotive promotional photo flights over proving ground test tracks in Arizona.
  • Architectural and construction photo flights in major cities like Phoenix and Las Vegas as well as remote areas such as Burro Creek in Arizona.
  • Geographical photo flights along the Wenatchee and Columbia Rivers, Lake Chelan, and Stehekin in Washington, Colorado River in Utah, and Salt River in Arizona.
  • Agricultural photo flights in the Quincy, George, and Wenatchee Valley areas of Washington.
  • Wildlife photo flights over the Navajo Reservation and Verde River Valleys in Arizona.
  • Nighttime panoramic photo flights over a crowded football stadium at night in the flight path of Phoenix Sky Harbor airport.
  • 360° panorama photo flights over Lake Powell, Horseshoe Bend, Goosenecks, and Bryce Canyon National Park.
  • Air-to-Air photo shoots with everything from another helicopter to the world’s largest biplane to a 747 outfitted for firefighting.

Each mission had a different purpose, a different focus (pardon the pun). Each required a different kind of flying, from 4,000-foot (AGL) hovers to low-level, high-speed chases in obstacle-rich environments. Some required top speed level flying just to catch a target, others required tight, often difficult maneuvers in a choreographed dance with the target. In each case, my helicopter and I were the tools the photographer used to get the shots he needed. The photographer provided instructions and I positioned us where we needed to be.

Desert Racing TruckThere’s nothing quite like chasing trucks through the desert with a helicopter.

I love aerial photo work, especially the challenging high-speed work I did over desert race courses. There’s nothing that can give me a buzz more than chasing a trophy truck down a twisty dirt track 80 feet off the ground at 80 miles per hour, so close I can hear his passing horn when he comes up on a competitor.

My Drone Aerial Photo Experience

As I’ve written elsewhere in this blog, I was not happy when I started losing aerial photo work to drones. I fought back for a while but, as technological improvements in both the flying and photo capabilities of drones made amazing results easier to achieve, I eventually got on board. I bought my first drone last winter and got my commercial drone pilot certificate soon afterward. (Yes, if you can’t beat them, join them.)

Here’s some footage from a recent practice flight around my home.

I don’t have nearly as much drone photo experience as I do helicopter photo experience, but I’m learning more every time I go out for a flight. I’ve been doing practice flights around my neighborhood, picking photo targets and flying around them for video fly-by shots and still images. I’ve also been taking my drone out to new locations to practice in target areas I find interesting. This winter, I’ll be using my drone to take photos of campsites out in the desert, as well as my activities on various Arizona lakes and rivers. Practice makes perfect and I’d like to get as good at drone photography as I am flying my helicopter on photo missions.

The Best Tool

I have, however, already come up against the limitations of drone photography, primarily related to speed, altitude, and operating temperature. I figured I’d list a few kinds of photo missions and explain which tool I’d pick and why.

Low-level, Low-Speed Operations

This is pretty much a no-brainer: when you’re operating below 200 feet at speeds of less than 20 miles per hour, a drone is probably going to be the better tool for the job. Yes, a helicopter can fly that low and that slow, but it’s far more likely to cause a disruption.

My best example of this is an aerial photo job I did for a local video production company. Believe it or not, they got the Wenatchee Symphony Orchestra to set up and play at dawn in a local park. The park had lots of tall evergreen trees and the orchestra was set up in a clearing. I had to get the videographer low enough for his closeups. The first time we passed, the helicopter’s downwash blew the sheet music off half the stands. (Oops!) A drone would have been a much better tool for this particular mission — and I actually said so during the flight.

Of course, blowing things around isn’t the only issue a low-flying helicopter can cause. It can also be a distraction to people on the ground. One of the flights I did for the same video company was a flight down Wenatchee Avenue not much higher than the highest buildings in the area. I had to fly sideways since the videographer was shooting out a side door. Although we got the job done, I think a drone could have done it better: it could have flown lower without distracting or disturbing drivers and pedestrians. The fight was short — we got the footage in less than 30 seconds — but a drone could have done the same thing without anyone on the ground even noticing it.

Better Choice: Drone

Low-Level, High Speed Operations

Of course, when you add speed, the drone simply can’t do the job. Consider my work chasing vehicles on land or over water. I’m usually flying at 50 miles per hour or more. (Seriously: on some of the boat shoots, I could not keep up; those things are fast.) I know that my drone’s top speed is about 22 miles per hour; even if a drone could go faster, could it keep up? I doubt it. And what happens when it gets out of range of the operator and his controller?

Better Choice: Helicopter

High Altitude Operations

While too many drone pilots seem to ignore drone altitude restrictions, they do exist and violating them is a good way to get into hot water with the FAA. Of course, trouble is a lot better than the possible alternative: flying into the path of another aircraft and causing a crash. As a helicopter pilot with no minimum altitude, I’m terrified that this might happen to me.

In the U.S., the FAA has established a maximum altitude for drones of 400 feet. Although it may be possible to get a waiver for a specific mission, it can take up to 90 days to get that waiver. How often do you know what you need to shoot 90 days in advance?

Helicopters, on the other hand, don’t have any altitude restrictions — other than those related to the helicopter’s performance capabilities. I’ve done photo flights where I had to hover at 9000 feet above sea level. Even if a drone could get up there, without a waiver it would not be legal.

Better choice: Helicopter

Operations Where Drones Aren’t Allowed

One of the things that really bugs me as a drone pilot is the number of places where drone operations are simply not allowed.

Some of them make sense — after all, do you really want to step up to the rim of the Grand Canyon and see a cluster of drones buzzing around in your view? Or attend an outdoor concert with drones flying back and forth over your head?

Meanwhile, drone restrictions in other places seem to make little or no sense. There are parts of Death Valley, for example, that are so remote they have few (if any) visitors and no wildlife. Why not let someone use a drone to take a few great photos that show off the barren wildness of the terrain?

Whatever.

The point is, there are places you can’t take a drone and, oddly enough, you can still take a helicopter. While flight over the Grand Canyon might be off-limits below 14,500 feet in most places, there are many national parks and other places where drone flights are prohibited but there are no restrictions on helicopter operations.

Let me be clear here: Most national parks are charted and pilots are requested to maintain at least 2,000 feet above the highest terrain in the area. Note the use of the word requested. I’ve written about this before. Although it is legal to fly lower in these areas, it’s not something you should do if you can avoid it. If you become a nuisance, you will be cited and will likely have to fight the FAA to keep your certificate. That’s why a lot of commercial pilots simply say no. Also, if people keep flying low-level through these areas, the FAA will make it illegal.

Until then — well, get those shots with a helicopter because without a waiver, you won’t get them legally with a drone.

Better Choice: Helicopter

As for flying low-level over crowds, that’s just plain stupid. Don’t do it with any aircraft, no matter what size it is.

Operation in Extreme Temperatures

All drones have operating temperature limitations, often due to battery capabilities. My drone, for example, will only operate in temperatures between 32°F and 104°F (0°C to 40°C).

My helicopter, however, doesn’t have any temperature limitations specified in the pilot operating handbook — although many people will argue that since performance charts aren’t available below -20°C or above 40°C, flight at those temperatures isn’t allowed. Newsflash: I’ve seen in-flight OAT temperatures of 112°F (45°C) in my helicopter and it still flew. I’ve also flown it when the outside temperature was about -10°F (-23°C) — the hardest part was getting it started; when it finally warmed up, it flew fine. (Unfortunately, it was a door-off photo flight; I don’t think I’ve ever been so cold in my life.)

The point is, if you need to do the shoot in very hot or very cold conditions, you might have to use a helicopter — or wait until conditions change.

Better choice: Helicopter

Operations Over Long Distances

I once had a photo shoot that included dozens of target locations along a 30-mile stretch of the Wenatchee River, a 50-mile stretch of the Columbia River, and the remote lakeside town of Stehekin on Lake Chelan. In my helicopter, we were able to knock off every location on the list in a total of three hours.

None of the flying was very special. It was relatively low and slow stuff, with some slow circling around points of interest. In fact, all of the shots could have been made with a drone. But that drone would have had to be driven to each location and launched for a flight there. It would have taken many hours to get all the shots and, if light was important — as it was for this shoot — the drone pilot/photographer probably wouldn’t have been able to shoot more than two to four locations each day. Add to that a half-day ferry ride to Stehekin, an overnight stay for the best light, and the half-day return trip and the project could have taken up to a month to complete.

Yeah, it would have been cheaper to do it with a drone. But time is money.

Better choice: Helicopter

Not Quite What I Expected

Part 107 Explained
Want to become a commercial drone pilot? Start by learning all about the FAA’s Part 107. This book will help. Buy the ebook edition on Amazon or from Apple. Or buy the paperback edition on Amazon.

In writing this and thinking about the kinds of aerial photo flying I’ve done, I’m surprised at how few photo missions are better handled by a drone than a helicopter. It seems to me that drone aerial photo flights are pretty much limited to situations where the camera needs to fly low and slow. Anything else would probably exceed the capabilities of the drone or violate the law. That might be where a helicopter can get the job done.

Fortunately for commercial drone pilots, there are plenty of missions that require low and slow flight. So there will never be a shortage of work for them.

But what makes me very happy is the knowledge that drones will never fully replace manned aircraft — including helicopters — for aerial photo missions. After all, that’s the kind of flying I really like to do.

Personal Aerial Photography

A few thoughts from someone who has been doing it for a long time.

I’ve been doing aerial photography since I began flying helicopters, way back in the late 1990s. At first, it was a few digital images shot awkwardly with my left hand while my right hand was busy on the cyclic. Later, I went through a variety of different cameras mounted in and on the helicopter, some set to automatically shoot whatever was in front of them and others with limited control from inside the cockpit. I had a POV.1 camera in 2008, which I replaced with a GoPro Hero in 2010. Since then, I’ve had a variety of GoPros, right up to a GoPro 3+. (Even I get tired of throwing money at new versions of hardware.) I’ve created numerous still and video images from my helicopter, some of which still amaze me.

Great Salt Lake
This is one of my very favorite aerial photos: the north end of the Great Salt Lake, shot with a GoPro 3 mounted on the nose of my helicopter as I flew it south to Arizona last autumn. The camera was set to time-lapse mode, shooting one photo every minute. We were probably about 700 feet up here.

But the point of this discussion is this: I’ve been looking at the world from a different point of view for about 20 years now. It’s not the same point of view as an airliner cruising at 29,000 feet and 500 mph. And it’s not the point of view of a private plane cruising at 1,500 feet and 140 mph. It’s the point of view of a helicopter, usually cruising at an average of only 500 feet at 90 miles per hour, with the ability to stop, make sudden turns, or descend for a closer look.

Pilots get used to seeing the world from this different perspective. After a while, it isn’t anything special. We can get a feel for how different things might look from the air: a canyon, a river, a farm, a junkyard. That doesn’t mean it gets boring — it doesn’t. But it does mean that we don’t see anything special about it anymore.

Kind of sad, isn’t it?

That’s one of the reasons I like flying with first time passengers. I get a reminder of what it’s like to see things from a new perspective.

Part 107 Explained
Want to become a commercial drone pilot? Start by learning all about the FAA’s Part 107. This book will help. Buy the ebook edition on Amazon or from Apple. Or buy the paperback edition on Amazon.

But I was reminded again about the novelty of seeing everyday things from above when I watched a documentary on Lynda.com called “Flight Club: Drones and the Dawn of Personal Aerial Imaging.” Listening to the people explain how they felt when they saw these low-level aerial images really helped me understand just how amazing aerial photography is, especially to folks that don’t have a helicopter at their disposal — which, admittedly, is most people.

Folks who know me well know how anti-drone I was when they first started appearing on the scene a few years back. But what convinced me that they were serious photography tools is the quality of the images they produced and the ease at which an operator could get them. I dove into drone photography last winter with the purchase of a Mavic Pro and will be doing a lot more of it in the months to come.

If you are curious about drones for aerial photography, I highly recommend you spend 25 minutes or so watching the documentary I saw last night. I think you’ll enjoy it and learn a lot about why people are so excited about it.

If you do watch, let me know what you think.