Wildlife Photography is about Perseverance

Stick with it until you get the shot.

A few days ago, while sitting at the dining table in the Mobile Mansion chatting with a friend, I happened to glance outside and spot a large family of quail about seven feet from my doorstep. I scrambled to get my camera and they hustled into the bushes, out of sight.

Since then, I’ve been working on getting a shot of these birds — especially the painfully cute baby chicks.

The Situation

My RV is parked on the edge of a cliff overlooking Squilchuck Valley south of Wenatchee, WA. I’m here for cherry drying; my helicopter is parked next door and the orchard I’m responsible for drying is across the street. Behind my trailer is a vacation home under construction. In front of the trailer — seven feet out the front door — is a mound of dirt and beyond that, a steep drop into the valley.

It’s quiet here at night. During the day, however, is a different story. On most days, there’s some combination of construction noises and orchard noises.

You’d think that shooting a photo out the front door of an RV at a subject less than seven feet away would be easy. Well, although I wouldn’t exactly call it difficult, it isn’t easy, either.

Preparation

First I need to make something clear. Although I’ve been known to take “snapshots” — most often with my phone — I’m usually after something quite a bit better than that. I have the equipment I need to get a good shot, so I started by gathering it together and assembling it:

  • Digital SLR. I have a Nikon D7000 that I got about six months ago. Not a pro camera, but about as good as you can get without going pro. (At least right now.)
  • Telephoto LensTelephoto lens. I have a Nikon ED AF-S Nikkor 70-300mm 1:4.5-5.6 G VR lens that I use for just about all of my bird photography. Again, not a professional lens and, as some have argued, not even a long enough lens for serious wildlife photography. But hell, this is a hobby. You have to draw the line somewhere. What makes this lens especially useful is the vibration reduction (VR) feature, which kicks in as necessary when turned on.
  • Monopod. I have a Manfrotto 679B monopod with a Manfrotto 90° tilt head on it. Yes, I know a tripod would be better, but I lack the skills to use a tripod with moving subject matter. Instead, I rely on the monopod to steady my shots.

I assembled these, made sure I had a card in the slot (don’t ask), and set the camera on Program mode. (Please, no lectures.) Then I set it near the door so it would be handy when the birds appeared.

I had some bird seed in the RV basement from the last camping spot, where I put up a bird feeder. I scattered a few handfuls where I wanted the birds to appear. I was hoping to capture them early in the morning, not long after the sun cleared the roof of my RV and illuminated that pile of dirt. That would put them in a golden light without shadows.

Back inside the RV, I slid open the plastic panel of my screen door. That that gave me an 8-inch square to shoot through.

Then I went about my business inside the RV, glancing out every now and then to see if the birds were there.

Failed Attempts

I don’t know if it’s because the birds are extra observant or if it’s because I simply make too much noise when preparing to shoot, but on the few times the birds showed up, they scattered before I had time to snap a single shot.

This happened several times over three days. Very discouraging. What’s worse is that I know how quickly these birds grow. The cute chick phase would only last about a week. If I wanted photos to include chicks, I had to get them soon.

Success!

My first success came on Sunday afternoon. After spending much of the day napping and reading and fighting off a big headache, I glanced outside and saw the chicks on the dirt pile. I grabbed the camera and began cursing immediately — I’d shut the plastic slide to keep out flies! After snapping a few shots through the plastic (not ideal), I very quietly slid it back open. That’s when mama bird appeared and hurried the chicks into the bushes.

I was about to give up (again) when a few more chicks appeared from the other side of the dirt pile. I started snapping photos. Then dad showed up. I dialed out the focal length to include dad and several of the chicks and spent a bit more time on composition. The result is shown below; you can see a larger shot in my Photo Gallery.

Quail Dad with Chicks

I do admit to being disappointed that I didn’t get that early morning light I wanted. I will try again.

Just One Example

This is just one example of how a wildlife photographer’s perseverance can be rewarded with a good shot. And frankly, it’s not even a good example.

After all, I was sitting in the comfort of the Mobile Mansion, just waiting for my subjects to appear. I didn’t have to stand or sit in the hot sun or in a swamp swatting mosquitos. I didn’t have to hike miles with heavy camera equipment. I wasn’t even watching for my subjects the whole time. I’d made getting the shot secondary to the rest of my daily routine.

In the past, however, I have worked harder — much harder — to get bird photos. In each case, I’d gone where I thought I might find subjects at the time of day I thought would give me the best light. In most cases, there was a lot of waiting involved. And in many cases, my efforts went unrewarded. (Good thing this is just a hobby for me.)

I guess my point is this: If you’re serious about getting good photographs of wildlife, you need to be willing to try repeatedly and/or wait to get the shot. With perseverance, you may be rewarded for your efforts.

Pelicans

Absolutely prehistoric looking.

Back early in May, I finished up a week in Ventura, CA, where was I updating my Twitter course for Lynda.com. Although Twitter’s feature set didn’t change much since I recorded the second version of course in April 2010, the interface has. The course really needed an update to bring it back into sync with the way the service looks. It should be published shortly. If you have any interest in Twitter, I hope you’ll check it out.

A Backstory

High-Flying PelicanThe folks at Lynda.com put authors up in an area hotel. The first few times I came out here, they put me in a Holiday Inn Express near Ventura Harbor. I really liked my room, which was on the first floor with big windows overlooking the marina. There was a lot of life there — people walking, birds flying, boats, dogs, joggers.

Then, a little over a year ago, they switched to a hotel in Oxnard. Admittedly, it was a nicer facility with better accommodations for us. The rooms were little L-shaped suites roughly the same size as the Holiday Inn’s, but more modern and upscale. And the Internet service was about 5000% better. (Okay, so maybe I exaggerate, but it was better.)

Trouble is, it also lacked everything I liked about the Ventura Harbor place. The place was condo-like, with square 2-story buildings, each having eight units. The windows were small. There were balconies, but no reason to sit on them — and no furniture to sit on. The place was heavily wooded and it seemed dark and dank, like an unpleasant rainforest that was constantly shedding leaves and branches all over the property.

So on this last trip, I asked to stay at the Holiday Inn again. And the nice folks at Lynda.com booked my room there.

The Pelicans

High-Flying PelicanWhich brings me to the pelicans.

It’s odd that I don’t remember them, but they must have been here all along. They fly over the marina every evening, scouting the water between the boats for fish foolish enough to swim close to the surface. When the see their prey, they tuck their wings and dive, landing in the water with a great splash. They bob to the surface, often busy swallowing a fish.

Pelicans are absolutely prehistoric looking. I mean seriously — what other bird looks more like a pterodactyl?

I spent one afternoon after work walking around the marina, settling down in a spot where I could wait to photograph them. Unfortunately, I didn’t bring the appropriate equipment. All I had with me was my 16-85mm lens, which is a great multi-purpose lens but a pretty crappy lens for photographing wildlife. My 70-300mm lens was home. So was my monopod and my tripods.

Pelican Over WaterIn other words, I wasn’t properly equipped.

Still, I made the best of it. What you see here are among my best shots, taken late in the afternoon as the sun was sinking low on the horizon. One thing I learned that afternoon is that pelicans don’t like to dive when someone is standing nearby with a camera. Ah, if only I had my long lens and monopod! Next trip. (If you’re a Lynda.com subscriber, please do give my courses lots of positive feedback so I can some back and record more; next time, I’ll bring that lens.)

The shots here are the best I took that afternoon. Please pardon the ugly watermark, but I’m really sick of seeing my work on other people’s websites without attribution.

Enjoy.

The Arizona Cardinals

No, not those Arizona Cardinals.

Female Cardinal

Male Cardinal

Male Pyrrhuloxia

I’ve been feeding the birds in my backyard whenever I’m home. I go through 10 or 20 pounds of bird seed a month. We have a pair of bird feeders and, more recently hung a quail block — that’s a big, 20-pound block of bird seed — from a mesquite tree. As a result, there are birds in the backyard during all daylight hours.

On Sunday evening, about a half hour before sunset, I went out onto the back patio armed with my Nikon D7000 and a 70-300mm lens mounted on my monopod. I sat down in one of the chairs and shortened the monopod leg as short as it would go. With the monopod’s foot resting on the chair between my legs, the camera was the perfect height for me to look through the lens comfortably. I sat and waited.

Of course, just coming outside scares the birds away. The feeder was only 20-30 feet from my chair. I had to wait until the birds forgot about me and would come back.

My goal was to capture images of the prettiest birds. But rather than shoot photos of them on the feeder or on the ground nearby, I wanted images of them in natural surroundings. There’s a frost-damaged agave in the back corner of the yard that some birds perch on while checking out the area. There’s also the mesquite tree, which is flowering (and making my allergies nearly intolerable) right above all the action.

It took nearly 10 minutes for the birds to begin gathering. When they did, I was ready. With the camera zoomed in to 300mm and the monopod to steady the shot without restricting my ability to frame it quickly, I was able to shoot quite a few images. Here are the best of the bunch.

Audubon DesertsThe photos on this page are of birds in the cardinal family. The first two are Northern Cardinals; female and male. The third is a Pyrrhuloxia (which sounds rather like a disease). At first, I thought it was a juvenile female cardinal, but the excellent National Audubon Society Nature Guide, Deserts set me straight.

All of these images have a golden or even yellowish cast. That’s because of the low-lying sun. I didn’t do much editing here. I also have RAW versions of these images and hope to work more with them this summer when I have time to learn how to edit RAW. If I wind up with more satisfactory images, I’ll likely upload them to my photo gallery.

One of my Twitter friends, Miraz, mentioned that where she lives (in New Zealand) most of the local birds are more “drab.” I can assure you that we have plenty of “drab” birds here. I just happened to focus (pun intended) on the more vibrantly colored ones.

Flying Wildlife Surveys

Probably some of the toughest flying I’ll ever do.

On Friday, I finished my fourth straight day of flying for a wildlife survey job. It was…well…exhausting.

Tight Spot

Eagles live in places like this.

This work is, by far, some of the trickiest and most dangerous flying I do. In this particular survey, we were looking for raptors — birds of prey. We were interested in nests. Nests are generally on high, rocky crags, normally on cliff faces. In order to see them, you need to be close. So I’m basically flying 25 to 50 feet off the side of cliffs, slow enough for the observers to look for bunches of twigs crammed into a rock shelf.

Cliff faces are not all at the same altitude. Some are high, some are low. Some are high and low at the same rock formation, requiring multiple passes at various altitudes. The high ones might be a few hundred or even thousand feet off the desert floor. Or they might be adjacent to a ridge or inside a canyon. Or inside a box canyon. The low ones could be 50 feet off the desert floor.

If the observers see a nest, I need to stop and hover so they can get a good look at it. They mark a location on a GPS and take photos. I have to keep the helicopter relatively stable in an out-of-ground effect hover.

We start with full fuel and fly until we need more. On Tuesday, one leg ran 3.4 hours. That’s 3.4 hours of constant, intense flying. I flew a total of 31.6 hours over the course of four days.

That’s an overview of what it’s all about. For my fellow helicopter pilots, I want to go into some detail. Read on.

Operating Inside the Shaded Area of the H-V Diagram

Height-Velocity Diagram, R44I wrote about the “deadman’s curve” about two years ago. If you’re a pilot, you should be familiar with it, perhaps by its less sensational name, “The Height-Velocity Diagram.” It indicates the airspeed/altitude combinations for which it is likely impossible to perform a successful autorotation in the event of an engine failure.

In other words, if you are operating in the shaded area of the diagram and have an engine failure, you’re probably going to crash.

I operate in the shaded area when I do cherry drying. After all, I’m about 20-30 feet off the ground, flying at about 5 to 10 knots. Of course, when I dry cherries, I do have all those soft, cushy trees under me. An engine failure means a totaled helicopter and some damaged trees, but I’d likely live to tell about it.

Not so with this flying. I’m operating all over that shaded area. Under me is rock — all kinds of rock. Boulders, gravel, sandstone, basalt — more kinds of rock than I know. It all has one thing in common: it’s very hard. It will not cushion a fall. Worse yet, most of it is on hillsides or ridges or equally uneven ground. So not only would we hit the hard ground, but we’d likely tumble. It would be very ugly.

I try not to think about it.

Settling with Power

Probably the biggest challenge is avoiding settling with power in out of ground effect (OGE) hovers. We were operating at altitudes ranging from 2,000 to 7,500 feet MSL, at temperatures ranging from 12°C to 25°C. With full fuel — which I had to take each time we refueled just so we’d have a full three hours of flight time between refuelings — we were within 100 pounds of max gross weight. (There were three of us on board.)

Settling with power, which is also referred to as vortex ring state, occurs when the helicopter descends into its own downwash. It’s an aerodynamic condition caused by enlarged rotor tip vortices. (You can read more about it on pages 11-5 through 11-6 of the Rotorcraft Flying Handbook.) Recovery is usually pretty easy: just get some lateral motion to break the helicopter out of the vertical descent. Unfortunately, you might lose quite a bit of altitude before you can recover. So while recovery from 2,000 or 3,000 feet AGL — where flight schools normally practice — isn’t a big deal, recovery from 100 feet AGL probably isn’t going to be successful. The key is to avoid settling with power — to realize that you’re descending before your descent slams you into the ground.

Settling with power, by the way, is the biggest danger to inexperienced pilots or pilots operating underpowered aircraft during aerial photo missions. It’s the main reason Robinson issued Safety Notice SN-34, which recommends a minimum of 500 hours PIC time for all pilots conducting aerial photography missions. I discussed it as it related to an R44 accident here. It’s also the reason I believe anyone doing serious aerial photography in an R22 should have his head examined.

OGE Hover Chart, R44The OGE Hover chart for my Raven II shows the expected performance in zero wind. Fortunately (and unfortunately) we did not usually have zero wind. The wind was blowing at sustained speeds up to 15 knots with gusts up to 25 knots. It was also blowing from different directions, depending on where we were flying — did I mention that we covered hundreds of square miles of land during the four-day period? So the challenge was knowing where the wind was coming from, trying to point into it whenever possible, and holding a steady hover while the observers did their thing.

Of course, sometimes it just wasn’t possible to point into the wind while maintaining a hover. The worse was when the wind was behind us, gusting, trying to blow the tail one way or the other. Then I’d be dancing on the pedals to keep us straight. Once in a while, I’d run out of left pedal when I was a lot closer to a cliff face than I wanted to be. Or sometimes — especially on the last day when the wind was really howling — the wind blowing over the hills and rock faces around us was setting up some nasty pockets of turbulence that offered no wind consistency at all. I’d be working the controls, keeping us as steady as possible and realize that I just couldn’t hold the hover. I’d apologize to my clients as I veered away from the cliff face, gathering speed as I descended. Then I’d come around from the other direction and, if I were lucky, the wind and turbulence would let me get the 30 to 60 second hover I needed. Or not. And then I’d have to come around again.

Escape Route

In this photo from Wednesday’s flight, my observers are examining the rock face on the left and I have a perfect escape route toward the desert floor on my right.

The real key was to make sure there was always an “escape route” — a place to go if I began to settle. I preferred having that escape route on my right, where it would be easy to peel away with a clear view of where I was going. I also preferred having at least a few hundred feet of empty space beneath us in that direction. But sometimes I had to operate in a tight area between two cliff faces or beside a cliff with a ridge beneath us or beside a cliff only 50 or 100 feet off the desert floor. There was no room for error.

Tight Spot

By contrast, in this area, I was not only flying directly into the sun, but there’s a ridge line beneath me and mountains to my left and ahead of me. The only escape route is down to my right, after I’ve cleared the ridge. (The adrenaline-pumping spot I refer to in the narrative was much tighter than this.)

I got into a tight spot once with a cliff face on my left and a ridge line only 50 or so feet beneath us on my right. The only escape route was behind me, back between two arms of the mountain. The wind was wicked weird in that spot, blowing from the other side of the cliff and I was dancing hard on the pedals to keep us pointed the way we needed to point. When we started to settle, for a moment, the helicopter would not go in the direction I wanted it to. We were descending right into the ridge. I felt a small rush of adrenaline just before we finally started to move where I wanted to go. It was probably the closest I came to a mishap during the entire job.

Obstacles, Birds, and Traffic

Tower and Cliff

This shot gives a good idea of how close we came to cliff walls; mind you, this was shot with a very wide angle lens. The tower in the distance had 9 or 12 unmarked guy wires.

Did I mention the obstacles? Of course I mentioned the cliff faces and ridge lines — those were par for the course. But there were also a few towers, including one nasty tall one with guy wires.

And then there were the birds. In some cases, the eagles we saw would be perched on a rock, watching us fly by. We didn’t phase them in the least, even when we got close enough to look them in the eye. Other times they were flying nearby, unafraid of us. One came dangerously close to my main rotor disc as we flew past. Another decided that we were invading his territory and did what my clients said was a display to defend it: he flew straight up into the air, above our altitude, then tucked his wings under and dove straight down past us. This bird did this at least six times, giving us a show that would have made great footage for Animal Planet. As my clients said, “That’s one pissed off bird.”

Traffic wasn’t a big deal. We were operating near a tour helicopter area and, because of that, I had to monitor the tour traffic frequency. We were seldom high enough to be in their path and, when we were, we were hovering beside mountains where they shouldn’t be with passengers. I suspect they might have seen us poking around the mountains — a tiny red dot on the desert landscape far below — but I kept quiet and just listened, trying to figure out where their reporting points were. I wonder if they made the connection when they saw us back at the airport during our refueling stops.

My passengers got a real kick out of seeing them fly across the desert above us, one after the other, as if they were playing follow the leader.

Fatigue

I’ll be honest — since my days flying at the Grand Canyon, I’ve seldom flown more than 5 or 6 hours in a day. And just about all my previous long days of flying have been either for tours or point-to-point cross-country trips — easy stuff. For this job, I was flying 8 or more hours a day, starting not long after dawn.

Restful Flying

Long stretches of high-speed flight over open desert was time for rest.

To be fair, some days had a considerable amount of point-to-point flying. For example, on the last day, I had to fly to New Mexico in the morning and return to Arizona in the afternoon — those two cross-country flights were just over 2 hours each. Other times, we needed to fly from the refueling point to the survey area or speed across the survey area from one likely habitat to another. I considered that flying my “rest” time.

The actual survey flying was intense, requiring both hands and feet to be firmly on the controls, making constant inputs. And although I know I can fly the helicopter with just two fingers on the cyclic and collective, it’s not easy to do when sudden gusts of wind or turbulence are trying to yank to cyclic out of your hand. In other words, I applied my “cyclic death grip” — a surefire way to tense up the rest of my body for the duration.

Compounding matters is that with both hands busy, it was impossible to grab a sip of water. I had to wait until we’d finished an area and were cruising to the next to get a drink. Sometimes that would be 30 minutes or more. The whole time, we’re flying in the desert. When facing into the sun, the cockpit got hot. Not brutally hot, like it would be in the summer, but hot enough to sweat. The helicopter’s vents were wide open, but with airspeeds typically less than 30 knots, there wasn’t much air coming in. Dehydration was a real danger.

Each flight, I did my best to maximize fight time between refuelings. That meant knowing exactly when to turn back. On our first day, when we were relatively close to the airport, the low fuel light came on just as we were coming in over the airport for landing. I managed to get 3.4 hours of continuous flight time on full tanks.

But as time went on, my fatigue started to wear me down. On the second day, I told my clients I wanted to go in for fuel when we could have easily flown for another 20 or 30 minutes on the fuel we had. I needed a break.

That pretty much set up a pattern for the rest of the job. We’d start very early in the morning and do two flights of about 3 hours each, then take a break for lunch. After lunch, I got my second wind and was good for the rest of the day.

Experience that Counts

Overall, the experience was very good for me as a pilot. It required me to stay in tune with my helicopter and make it do exactly what I needed it to. It built flying skills and gave me plenty of practice using the skills I already had.

As I was doing this work and watching the tour pilots fly by overhead, it struck me how unfair the experience numbers game is. Any helicopter pilot can do what those guys do — fly from one airport or landing zone to another, high over open desert on a predetermined route on a beautiful spring day. They’re taxi drivers of the sky, shuttling people from one place to another. They’re not facing the Deadman’s Curve or concerns about settling with power. They’re not dancing on the pedals to maintain heading in a hover, fighting turbulence, keeping an escape route in sight at all times. There are no obstacles, few birds, and all the traffic knows exactly where you are. There’s no need to engage the cyclic death grip; two fingers give you all the pressure you need to stay in control.

Yet because these guys are flying turbine helicopters on their tour routes, their flight time is worth more than mine. To them, I’m just a “Robbie ranger,” not even worth treating with courtesy when I fly into “their” airspace. In their minds, they’re hot stuff, turbine helicopter pilots, tomorrow’s great aviators. They haven’t got a clue about real helicopter flying.

Worse yet, their turbine flight time is more valuable to employers than my time. I can fly circles around these guys in my little piston helicopter, but because they fly turbines, they’ll get jobs I can’t qualify for because I don’t have those turbine hours. It’s not fair, but it’s a fact of life — one I have to deal with if I ever do decide to get a job working for someone else. Until that day comes, however, I’ll be satisfied building real flying skills in the aircraft I fly.

And hopefully, by sharing what I learn here, some of those guys will get an idea of what they’re missing.

More Birds of Quincy Lakes

A few more photos.

Back in 2008, on my first trip to Washington State for cherry drying work, I spent a lot of time exploring the Quincy Lakes area not far from where I was based. I took along my camera and made quite a few photos. Some of them appear in my June 2008 and 2009 posts, “Flying Things of Quincy Lakes,” “Takin’ Pictures,” “Sometimes It’s Too Easy to Get a Good Shot.” All of the best ones appear in my Washington photo gallery (slide show).

I went back on July 12, 2010. I’d waited too long. Most of the baby birds had grown. It was very hot every day, making hiking an avoidable activity. But I still managed to shoot a few dozen images. The ones here are the best.

American Coot Family
This is a family of American Coots. These were among the youngest birds I saw that day. (View larger image.)

American Coot Family
The chicks of this family of American Coots had outgrown their nest. But that didn’t stop them from squeezing into the area at the end of the day. (View larger image.)

Brown Headed Cow Bird
A male Brown Headed Cow Bird. (View larger image.)

Yellow Headed Blackbird Family
A family of Yellow Headed Blackbirds. The youngster (in the middle) is still begging for food. (View larger image.)

Heron Reflections
This is my favorite shot from the day. This heron looks as if it had settled down for the night on this little island. I happened to snap the image just as a bird flew low over the water, adding itself and its reflection to the final shot. (View larger image.)